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The Jewish Connection: Wagner and Heine 犹太人的联系:瓦格纳和海涅
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/AFMW-2021-0001
H. R. Vaget
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引用次数: 0
Kompositionstechniken bei Alban Berg und Joseph Haydn und Methoden der musikalischen Analyse 伯格和海顿的作曲技巧与音乐分析方法
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/afmw-2021-0013
D. Hensel
{"title":"Kompositionstechniken bei Alban Berg und Joseph Haydn und Methoden der musikalischen Analyse","authors":"D. Hensel","doi":"10.25162/afmw-2021-0013","DOIUrl":"https://doi.org/10.25162/afmw-2021-0013","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Tote Spione, tote Musiker und schlechte Poesie 已故的间谍，已故的音乐家，蹩脚的诗
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/afmw-2021-0010
Paul Labelle
{"title":"Tote Spione, tote Musiker und schlechte Poesie","authors":"Paul Labelle","doi":"10.25162/afmw-2021-0010","DOIUrl":"https://doi.org/10.25162/afmw-2021-0010","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The French Connection: Wagner and the Opéra 《法国的联系:瓦格纳与奥普拉西
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2021-01-01 DOI: 10.25162/AFMW-2021-0002
P. Bloom
{"title":"The French Connection: Wagner and the Opéra","authors":"P. Bloom","doi":"10.25162/AFMW-2021-0002","DOIUrl":"https://doi.org/10.25162/AFMW-2021-0002","url":null,"abstract":"This article considers the nature of the first draft of the synopsis-in French, as Le Hollandais volant-of what became Der fliegende Hollander; the sale of that synopsis to the new director of the Opera, Leon Pillet (identifying the journalist and administrator who arranged the sale); the use made of the synopsis-very little-by the eventual authors of the French opera, Le Vaisseau fantome; and the genesis of the revised ending of the Hollander (the Tristan-Schluss) set down at the time of Wagner’s concerts in Paris in 1860.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"25 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72887933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zwei Berliner Ausgaben einer Auswahl von Psalmenbearbeitungen Sweelincks aus den Jahren 1616 und 1618 两本来自柏林1616年和1618年的诗篇
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2020-01-01 DOI: 10.25162/afmw-2020-0005
S. Groot
{"title":"Zwei Berliner Ausgaben einer Auswahl von Psalmenbearbeitungen Sweelincks aus den Jahren 1616 und 1618","authors":"S. Groot","doi":"10.25162/afmw-2020-0005","DOIUrl":"https://doi.org/10.25162/afmw-2020-0005","url":null,"abstract":"Two editions of psalm arrangements by the Amsterdam musician Jan Pieterszoon Sweelinck (1562-1621) appeared in Berlin in 1616 and 1618. A selection of his compositions was accompanied by Ambrosius Lobwasser’s German translations. To ensure that the translated texts matched the music, occasional rhythmic changes were made, while the pitches were kept in tact. In the nineteenth-century search for Sweelinck’s musical heritage, the Berlin editions were found earlier than the original ones; therefore, the two new reconstructions of Sweelinck’s psalm arrangements published in 1876 and 1883 were based on these Berlin editions. Shortly thereafter, the part-books with the original texts were found in England. Since then, little note has been taken of the Berlin editions, but their history deserves our attention.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"9 1","pages":"90-127"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86795882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Die Bekehrung Königin Christinas von Schweden und die Oper La vita humana (1656) 瑞典女王克丝廷娜改过自新，1656年
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2020-01-01 DOI: 10.25162/AFMW-2020-0013
E. Cerkovnik
{"title":"Die Bekehrung Königin Christinas von Schweden und die Oper La vita humana (1656)","authors":"E. Cerkovnik","doi":"10.25162/AFMW-2020-0013","DOIUrl":"https://doi.org/10.25162/AFMW-2020-0013","url":null,"abstract":"The political circumstances surrounding Queen Christina of Sweden’s abdication and her conversion to the Catholic faith in 1654 and 1655 largely dictated the artistic and cultural projects enacted for the celebration of her conversion and arrival in Rome in 1655. This article examines particular strategies in portraying the Queen’s reception in Rome and her conversion within the allegorical plot of the opera La vita humana (written by Giulio Rospigliosi and Marco Marazzoli), performed in 1656 in Rome in the Queen’s honor, and offers a new interpretation of the allegory and possible parallels to her visit. In this sense, the opera’s character Intendimento can be seen as a possible personification of the Jesuit discourse responsible for her conversion.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"4 1","pages":"281-298"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87848619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zwischen völkischer Bewegung und Nationalsozialismus 是民族运动和国家社会主义之间的矛盾
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2020-01-01 DOI: 10.25162/AFMW-2020-0003
Sebastian Werr
{"title":"Zwischen völkischer Bewegung und Nationalsozialismus","authors":"Sebastian Werr","doi":"10.25162/AFMW-2020-0003","DOIUrl":"https://doi.org/10.25162/AFMW-2020-0003","url":null,"abstract":"The article examines the history of National Socialist discourse on music in the Volkisch movement, essentially spearheaded by the Berlin musicologist Oskar Fleischer (1856–1933). Director of the Royal Collection of Ancient Musical Instruments, his ideas are epitomized in his Musikalische Bilder aus Deutschlands Vergangenheit , staged at the Krolloper (Berlin) in 1912, and presents the history of music as a continuum from 1500 B.C. to the Reformation. At the center of his highly speculative interpretations—mostly rejected by experts but broadly accepted by the extreme right—is the elaboration of an autochthonous Germanic ( germanischen ) music culture with which the German is aligned, and how the Roman Catholic Church posed a threat to it.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"11 1","pages":"49-65"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75451082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mit sehenden Ohren 竖起耳朵来
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2020-01-01 DOI: 10.25162/AFMW-2020-0015
P. Moormann
{"title":"Mit sehenden Ohren","authors":"P. Moormann","doi":"10.25162/AFMW-2020-0015","DOIUrl":"https://doi.org/10.25162/AFMW-2020-0015","url":null,"abstract":"The article focuses on the gap between perceived and objectively measured musical interpretation. Various aspects on the visual level are identified that supposedly have a direct influence on a performance’s auditive impression. Indirectly, public relation strategies that focus on star image, such as cover design and biographical narratives, may also influence the way in which a musical interpretation is registered. The aim is to illustrate the potential for insights that an interdisciplinary and methodologically pluralistic approach to interpretation offers.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"19 1","pages":"314-323"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88153068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hartker, Gregor und die Taube 哈特克，瑞奇和鸽子
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2020-01-01 DOI: 10.25162/AFMW-2020-0014
Christoph Weyer
{"title":"Hartker, Gregor und die Taube","authors":"Christoph Weyer","doi":"10.25162/AFMW-2020-0014","DOIUrl":"https://doi.org/10.25162/AFMW-2020-0014","url":null,"abstract":"An analysis of Ekkehard IV’s statements shows that the well-known image of “Gregor and the Dove” is not intended as a legitimization of the St. Gallen neumes but rather to impart corrective authority on the manuscript in order to confer authority to its owner. Drawing on further illustrations and dedication texts, the author comes to the conclusion that the neumes prescribe an avoidance of faulty chanting and thus disclose to what extent liturgical singing was being controlled. The core of sung liturgy emerges as “chanted theology.”","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"2010 1","pages":"299-313"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82600865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dreivierteltakt in frühen Film Musicals 在电影音乐剧中扮演着重要角色
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2020-01-01 DOI: 10.25162/AFMW-2020-0007
Albrecht Riethmüller
{"title":"Dreivierteltakt in frühen Film Musicals","authors":"Albrecht Riethmüller","doi":"10.25162/AFMW-2020-0007","DOIUrl":"https://doi.org/10.25162/AFMW-2020-0007","url":null,"abstract":"The waltz, mainly associated with Vienna and the operetta, was outdated when film musicals came into being, which utilized more modern dances. Nevertheless, the waltz appeared in this new media, although with other purposes-nostalgia being among them. The paper examines three Walzerlieder: Cole Porter’s song “Wunderbar” from Kiss Me, Kate, in which the protagonists remember a previous Broadway show; in Lloyd Bacon’s film musical Wonder Bar, an extended Valse amoureuse, which illuminates eroticism in a night club; and, in Vincente Minnelli’s An American in Paris, Ira and George Gershwin’s song “By Strauss”-a hommage to the waltz, owned by the older generation, as contrasted to youth drawn to more modern trots and tunes, as found in “I Got Rhythm.”","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"27 1","pages":"159-168"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83355079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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