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Pflicht, Menschheit und Teleologie bei Beethoven 对贝多芬的职责，人性与心灵感应
2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2023-01-01 DOI: 10.25162/afmw-2023-0012
Jin-Ah Kim
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引用次数: 0
Rezension des Unrezensierbaren 不可接受的评论
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2023-01-01 DOI: 10.25162/afmw-2023-0001
Albrecht Riethmüller
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引用次数: 0
Sterbeglocke oder Vogelgesang? 死亡钟声还是鸟鸣？
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2023-01-01 DOI: 10.25162/afmw-2023-0004
Hans-Werner Boresch
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引用次数: 0
Die Violinkonzerte Johann Gottlieb Grauns (1702/03–1771) 约翰·戈特利布·格伦小提琴协奏曲（1702/03-1771）
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2023-01-01 DOI: 10.25162/afmw-2023-0006
Nobuaki Tanaka
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引用次数: 0
Performative Form im ersten Satz von Gustav Mahlers Neunter Symphonie 古斯塔夫·马勒第十交响曲的第一乐章
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2023-01-01 DOI: 10.25162/afmw-2023-0007
C. Utz
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引用次数: 0
Drei Aulos-Virtuosen aus Böotien 三个auoiity的乐手
2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2023-01-01 DOI: 10.25162/afmw-2023-0010
Andrea Scheithauer
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引用次数: 0
Die Opéras-comiques Egidio Dunis auf deutschen Bühnen 手术éras-comiques Egidio Dunis在德国的舞台上
2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2023-01-01 DOI: 10.25162/afmw-2023-0011
Herbert Schneider
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引用次数: 0
“Und neiget das Haupt…” "并羡慕你的头颅'
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2023-01-01 DOI: 10.25162/afmw-2023-0005
P. Petersen
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引用次数: 0
„… in der strengsten Fessel so frei und ungehemmt“ 颈牢中自在自在
2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2023-01-01 DOI: 10.25162/afmw-2023-0013
Kai Marius Schabram
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引用次数: 0
Die Frau ohne Schatten von Richard Strauss und die Strukturbedingungen der Orchestersprache in der deutschen Oper des Fin de siècle 施特劳斯的《没有阴影的女人》与德国歌剧院管弦乐的结构条件
IF 0.1 2区 艺术学
ARCHIV FUR MUSIKWISSENSCHAFT Pub Date : 2023-01-01 DOI: 10.25162/afmw-2023-0002
Jürgen Maehder
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引用次数: 0
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