{"title":"Paul Sacher und Pierre Boulez – eine musikalisch interaktive Freundschaft","authors":"Martin Zenck","doi":"10.25162/afmw-2022-0009","DOIUrl":"https://doi.org/10.25162/afmw-2022-0009","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69135193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
N. Grosch, Roxane Lindlacher, Miranda Lipovica, Laura Thaller
{"title":"Rekonfigurationen der Weimarer Republik","authors":"N. Grosch, Roxane Lindlacher, Miranda Lipovica, Laura Thaller","doi":"10.25162/afmw-2022-0003","DOIUrl":"https://doi.org/10.25162/afmw-2022-0003","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69135270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Modale Klangstrukturen in Madrigalen Giovanni Pierluigi da Palestrinas und ihre Analyse durch die Software PALESTRiNIZER","authors":"D. Hensel","doi":"10.25162/afmw-2022-0008","DOIUrl":"https://doi.org/10.25162/afmw-2022-0008","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69135157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Filmmusik im Diskurs des Posthumanen","authors":"Saskia Jaszoltowski","doi":"10.25162/afmw-2022-0004","DOIUrl":"https://doi.org/10.25162/afmw-2022-0004","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ferdinand Hillers frühe Orchesterwerke im Urteil Felix Mendelssohn Bartholdys","authors":"Jin-Ah Kim","doi":"10.25162/afmw-2022-0012","DOIUrl":"https://doi.org/10.25162/afmw-2022-0012","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69135445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Elsa Barraines politische Verflechtungen (1940/1944/1949)","authors":"Franziska Kollinger","doi":"10.25162/afmw-2021-0007","DOIUrl":"https://doi.org/10.25162/afmw-2021-0007","url":null,"abstract":"As a powerful voice of the French Resistance, the Jewish-French composer Elsa Barraine played a pivotal role during the occupation of France by Nazi Germany. She articulated her opinions exclusively in writings, published in relevant organs, and in 1940 she went so far as to quit composing altogether as a reaction to the political vicissitudes of her time. This demonstrative political engagement is partially responsible for the fact that the music world, after 1945, sought to discredit her. The essay’s discussion of social, aesthetic, economic, and structural implications, on the other hand, reveals historical contexts that point far beyond the political and ideological dimensions that shaped the reputation of the composer within the historiography of music in Vichy-France.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Isang Yun in Korea und seine Neupositionierung in Deutschland","authors":"Jin-Ah Kim","doi":"10.25162/afmw-2021-0014","DOIUrl":"https://doi.org/10.25162/afmw-2021-0014","url":null,"abstract":"","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69134570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Heterometrie in den Rhythmischen Studien von Ferdinand Hiller","authors":"P. Petersen","doi":"10.25162/AFMW-2021-0003","DOIUrl":"https://doi.org/10.25162/AFMW-2021-0003","url":null,"abstract":"Ferdinand Hiller’s Rhythmic Studies op. 52 afford fitting material for the demonstration and discussion of metric issues’ dependency on the actual given rhythm of a composition. A special feature of the seven piano pieces is their heterometric construction (formerly: the asymmetrical structure of the meter). The heterometric meter used by Hiller is not merely a requirement, but rather the result of compositional considerations, which can be proven analytically by taking into account the occurance of component (i. e. secondary) rhythms above and beyond the notated (primary) rhythms. Each study is viewed individually, and illustrations of rhythmic relationships are provided by musical examples. The essay closes with an outlook on Hiller’s subsequent cycle, op. 56.","PeriodicalId":42754,"journal":{"name":"ARCHIV FUR MUSIKWISSENSCHAFT","volume":"55 1","pages":"22-41"},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85592236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}