Handhabung – Handzeichen – Musikalische Handstücke

IF 0.1 2区 艺术学 0 MUSIC
Martin Zenck
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引用次数: 0

Abstract

Signs and graphic characters are frozen acts that can be ascribed to hand and finger movements as well as arm and body gestures. The body’s ability to memorize movements, which are activated externally and informs actions like singing, is called cheironomy in music theory. This ensured an oral-gestic tradition before music was written down in mensural and neumatic notation, a process that was initially welcomed as a rationalizing advancement that fascilitated memory and made a more precise codification of musical meaning visable and readily accessible. The question remains, however, whether notation represents progress compared to a performance using hand gestures (whereby the oral-mimetic impulses of music are mostly lost), or whether present day conducting is able to surpass these original impulses.
操作-手势-音乐手柄
符号和图形字符是固定的动作,可以归因于手和手指的运动以及手臂和身体的手势。身体记忆动作的能力是由外部激活的,并为唱歌等动作提供信息,这在乐理中被称为“指挥”。这确保了在音乐以测量和气动记谱法记录下来之前的口头手势传统,这一过程最初被认为是一种合理化的进步,它吸引了记忆,使音乐意义的更精确的编纂变得可见和容易获取。然而,问题仍然存在,与用手势演奏相比,记谱法是否代表了进步(在手势演奏中,音乐的口头模仿冲动大多消失了),或者今天的指挥是否能够超越这些原始的冲动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
8
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