Journal of the British Archaeological Association最新文献_第4页

Il Duomo di Modena. Studi e ricerche per un approccio interdisciplinare 摩德纳大教堂。跨学科方法的研究和研究

IF 0.5 2区历史学

Journal of the British Archaeological Association Pub Date : 2023-08-11 DOI: 10.1080/00681288.2023.2234737

M. Vescovi

{"title":"Il Duomo di Modena. Studi e ricerche per un approccio interdisciplinare","authors":"M. Vescovi","doi":"10.1080/00681288.2023.2234737","DOIUrl":"https://doi.org/10.1080/00681288.2023.2234737","url":null,"abstract":"of the 4th century and especially the early years of the 5th, the military and civil administration was withdrawn. Unlike many smaller cities in the province, which were self-contained centres of civitates, in London there was no native gentry class living in villas clustered around the urban centre, so the city was more fully depopulated and, in consequence, its decline was more complete than elsewhere. Roman Britain can be viewed in two ways. In one interpretation, London is in every way Roman, and essentially exploitative, drawing in craftsmen from the Rhineland or from elsewhere in Britain (the Cotswolds in the case of sculpture). Local styles are not to be sought in the arts practised here. This view provides plenty of evidence for those who, like David Mattingly, take a ‘hard view’ of Britain’s place in the Roman Empire. However, as Perring so brilliantly shows, another interpretation is possible. London was different from anywhere else in southern Britain. As a provincial capital which remained without chartered status for years, it was an exception in the Empire as a whole. In marked contrast with Verulamium, let alone Silchester, Chichester and Winchester in the south, or Dorchester and Cirencester in the west, it did not have flourishing local cultures descended from pre-Roman tribal polities. It remained an artificial creation, and by its very nature it could never be a true part of the (only partly realized) Roman ideal of a benign commonwealth of self-governing cities and communities. It only remains to record that this book’s production is excellent in every way. With its list of excavated sites, full bibliography, excellent maps and indexes, the publication is a joy to read and to consult. Author and publisher deserve our profound thanks.","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-08-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42539872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Choir Screen in the Dominican Church of the Holy Trinity in Cracow: Form and Function 克拉科夫多米尼加圣三一教堂的唱诗班屏风:形式与功能

IF 0.5 2区历史学

Journal of the British Archaeological Association Pub Date : 2023-07-27 DOI: 10.1080/00681288.2023.2229147

M. Szyma, Anna Bojęś-Białasik, Jacek Czechowicz, Krzysztof J. Czyżewski, M. Walczak

{"title":"The Choir Screen in the Dominican Church of the Holy Trinity in Cracow: Form and Function","authors":"M. Szyma, Anna Bojęś-Białasik, Jacek Czechowicz, Krzysztof J. Czyżewski, M. Walczak","doi":"10.1080/00681288.2023.2229147","DOIUrl":"https://doi.org/10.1080/00681288.2023.2229147","url":null,"abstract":"The paper demonstrates how modern metric survey techniques and digital technologies can contribute to traditional methods of art-historical investigation. The original choir screen in the Dominican church in Cracow, spanning the width of the chancel arch, was built in the mid-13th century. An analysis of the laser scanning data of the existing church enabled a construction of a 3D model of the subsequent and larger choir screen, built in the second half of the 14th century, which extended across the nave and both aisles and encased the initial screen. A keystone decorated with a carved boss of unique iconography, interpreted as a symbol of St John the Evangelist, survives from the carved decoration of this screen. The 3D model of the choir screen helps to visualize the original location of particular altars, some tombs and surviving artworks within the screen porch. Its north bay housed the tomb of Hyacinth Odrowąż, the first Polish Dominican friar and future saint. In 1543 the north part of the screen’s loft was cut off with a grille and transformed into a chapel of St Hyacinth, accessible to lay people by stairs running from the north aisle. The most important part of the chapel was a shallow niche which accommodated a new tomb and an altar with Hyacinth’s relics. Construction from 1581 to 1583 of a new and more spacious chapel, located slightly higher than the old one, involved demolition of the choir screen.","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48217895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Reattribution of the Tree of Jesse Tomb Slab in Lincoln Cathedral 林肯大教堂杰西之树墓板的重新归属

IF 0.5 2区历史学

Journal of the British Archaeological Association Pub Date : 2023-07-25 DOI: 10.1080/00681288.2023.2234731

J. Wilcox

引用次数: 0

The Painted Wooden Tomb Effigies at Goudhurst to Sir Alexander Culpepper (d. 1541) and his Second Wife, Dame Constance Culpepper, and their Comparators 亚历山大·卡尔佩珀爵士(1541年)和他的第二任妻子康斯坦斯·卡尔佩珀夫人以及他们的比较者在古德赫斯特的彩绘木墓雕像

IF 0.5 2区历史学

Journal of the British Archaeological Association Pub Date : 2023-07-19 DOI: 10.1080/00681288.2023.2231227

S. Badham

{"title":"The Painted Wooden Tomb Effigies at Goudhurst to Sir Alexander Culpepper (d. 1541) and his Second Wife, Dame Constance Culpepper, and their Comparators","authors":"S. Badham","doi":"10.1080/00681288.2023.2231227","DOIUrl":"https://doi.org/10.1080/00681288.2023.2231227","url":null,"abstract":"Wooden tomb effigies are now rare in England and Wales, although it is likely that they were once relatively common. Of the total of 120 known examples, only ninety-three survive. The other twenty-seven documented figures have been lost or destroyed owing to woodworm, fire, iconoclasm, theft and the general misuse that has beset this monumental type. Most remaining examples are mere skeletons of their original state, with any surface decoration worn away or cleaned off over the centuries, leaving only bare wood with perhaps traces of polychromy in crevices. A minority are now painted, but most do not display the original surface finish. The effigies at Goudhurst (Kent) to Sir Alexander Culpepper (d. 1541) and his second wife were thought to have been similarly overpainted, but new evidence from recent pigment analysis using polarized light microscopy shows that this was probably only partial. Physical and documentary evidence throw much light on the dating of the monument, the two effigies of which were produced at different times, the older parts dating to 1537. A detailed assessment of the memorial and its comparanda underlines the unique nature of the pair.","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43940336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Medieval Charnel Houses: Resurrecting Lost Medieval Rites 中世纪的灵堂:复活失落的中世纪仪式

IF 0.5 2区历史学

Journal of the British Archaeological Association Pub Date : 2023-07-03 DOI: 10.1080/00681288.2023.2205264

P. Barnwell, E. Craig-Atkins, J. Crangle, D. Hadley

{"title":"Medieval Charnel Houses: Resurrecting Lost Medieval Rites","authors":"P. Barnwell, E. Craig-Atkins, J. Crangle, D. Hadley","doi":"10.1080/00681288.2023.2205264","DOIUrl":"https://doi.org/10.1080/00681288.2023.2205264","url":null,"abstract":"Through analysis of written sources, architectural evidence, excavation reports and antiquarian records this paper argues that charnelling of human skeletal remains was more common in medieval England than has hitherto been fully recognized. It became increasingly widespread following formalization of belief in Purgatory in the late 13th century, and charnel houses can be found both at the better-documented greater churches and at parish churches, for which churchwardens’ accounts are important sources. Charnel houses are mainly freestanding buildings in churchyards, or crypts within the body of the church, and both forms are often semi-subterranean, with the carefully maintained charnel visible through windows high in the charnel house walls. There was typically a chapel located above the charnel room, in which prayers for the dead were offered, similar to chantries. The paper presents the first detailed exploration of the potential liturgical contexts for charnelling. It is argued that the most likely form of rite to accompany the translation and deposition of charnel would have comprised a re-enactment of the Office of the Dead followed by an adapted version of the burial service, with possible secondary uses of the charnel house in the days leading up to Easter, the most solemn part of the Christian year.","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48532515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Thomas Becket, Henry II, Daughters and Sons: A Family Affair 托马斯·贝克特，亨利二世，《女儿与儿子：家族大事》

IF 0.5 2区历史学

Journal of the British Archaeological Association Pub Date : 2023-06-29 DOI: 10.1080/00681288.2023.2216067

C. Hennessy

{"title":"Thomas Becket, Henry II, Daughters and Sons: A Family Affair","authors":"C. Hennessy","doi":"10.1080/00681288.2023.2216067","DOIUrl":"https://doi.org/10.1080/00681288.2023.2216067","url":null,"abstract":"This study examines the intentions and activities of the children of Henry II and Eleanor of Aquitaine in participating in or promoting the cult of Thomas Becket. It looks at the existing material evidence as well as historical accounts. Much valuable recent work has focused on the daughters, Matilda, Leonor and Joanna, and their patronage regarding Becket, which includes the iconography of an illuminated manuscript page, the dedication of an altar and the design of a monumental mosaic. Taking the patronage of the daughters out of isolation, they are seen here in the context of the whole family. Young Henry was particularly involved with his father’s penance and independently venerated Becket. Richard and John also inherited their father’s sense that Becket was a supporter of the crown and honoured him at his tomb at key moments in their lives. Without underestimating both the daughters and other women as patrons of the arts, the relevance of viewing women within the historical framework of their lives and relationships is emphasized, including recognizing the involvement of their husbands. The sibling’s connections with the martyr are also evaluated in the light of the phenomenal success of Becket’s cult that spread so swiftly following his canonization.","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48559725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

What was the Castilian Tabernacle-Altarpiece in the Met Cloisters? Proposals for its Function and Context 大都会修道院的卡斯蒂利亚祭坛画是什么？关于其功能和语境的建议

IF 0.5 2区历史学

Journal of the British Archaeological Association Pub Date : 2023-06-12 DOI: 10.1080/00681288.2023.2205714

F. Baños

引用次数: 0

‘Like, or Better’: Building Contracts and Late-Medieval Perceptions of Quality in Architecture “喜欢或更好”：建筑合同与中世纪晚期建筑质量观念

IF 0.5 2区历史学

Journal of the British Archaeological Association Pub Date : 2023-02-22 DOI: 10.1080/00681288.2023.2168897

Alfie Robinson

引用次数: 0

Elizabeth Woodville and the Chapel of St Erasmus at Westminster Abbey 伊丽莎白·伍德维尔和威斯敏斯特教堂的圣伊拉斯谟教堂

IF 0.5 2区历史学

Journal of the British Archaeological Association Pub Date : 2022-11-30 DOI: 10.1080/00681288.2022.2101237

Matthew P. Payne, Janet Goodall

引用次数: 0

‘Pierced and Perforated Carving, as Fine as the Best Cathedral Screen Work’: Antiquarianism and Faking Tudor Furniture in the 1840s “穿孔雕刻，与最佳大教堂屏风作品一样精美”：19世纪40年代的古董主义和假都铎家具

IF 0.5 2区历史学

Journal of the British Archaeological Association Pub Date : 2022-11-30 DOI: 10.1080/00681288.2022.2096758

Peter N. Lindfield

{"title":"‘Pierced and Perforated Carving, as Fine as the Best Cathedral Screen Work’: Antiquarianism and Faking Tudor Furniture in the 1840s","authors":"Peter N. Lindfield","doi":"10.1080/00681288.2022.2096758","DOIUrl":"https://doi.org/10.1080/00681288.2022.2096758","url":null,"abstract":"Collecting ancient furniture — or furniture thought to be ancient — for display in ‘romantic interiors’ proliferated in 18th-century Britain; such pieces became so popular that by the 1840s it was easy to purchase generic examples across the country. This essay explores the output of George Shaw (1810–76), a particularly industrious early Victorian antiquary, who, besides working as an architect, restorer and supplier of Gothic-style interiors, also peddled fake ancestral furniture made for specific victims. He claimed his modern forgeries were from the time of Henry VII or Henry VIII, and this essay demonstrates how they were indebted to his long-term antiquarian research into medieval architecture, heraldry and woodwork. Some of Shaw’s forgeries, particularly those for the 4th duke of Northumberland, have been considered at length recently; however, this essay demonstrates that our understanding of his corpus is far from complete given the recent emergence of his until now forgotten work for the Mosleys of Rolleston Hall in Staffordshire. It also shows how the family’s important collection of ancient furniture, some of it gifted by Elizabeth I, had a direct influence upon his work, and that we should consider him to be a more significant figure in the history of Victorian furniture and forgery than we currently understand him to be.","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43406731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0