大都会修道院的卡斯蒂利亚祭坛画是什么?关于其功能和语境的建议

IF 0.2 2区 历史学 N/A ARCHAEOLOGY
F. Baños
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引用次数: 0

摘要

一套三幅13世纪晚期的卡斯蒂利亚面板画通常在纽约大都会修道院展出。这些来源不明的画作长期以来一直被认为是帐幕祭坛画或帐幕神殿的一部分,但尽管如此,它们的状况相对良好,但在卡斯蒂利亚哥特式绘画研究中却很少引起关注。最近关于帐幕神殿的学术研究为他们的研究提供了新的基础。通过分析这些展板最独特的特点(描绘小规模的场景,提供激情的循环,在祭坛画关闭时可见),并通过与其他当代作品的比较,本文提出了卡斯蒂利亚早期哥特式绘画这一重要例子的可能背景和用途。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
What was the Castilian Tabernacle-Altarpiece in the Met Cloisters? Proposals for its Function and Context
A set of three Castilian panel paintings of the late 13th century is usually on display in the Met Cloisters in New York. These paintings, of unknown provenance, have long been recognized as part of a tabernacle-altarpiece or tabernacle shrine, but in spite of this and their relatively good condition, they have attracted little attention in studies on Gothic painting in Castile. Recent scholarship on tabernacle shrines provides a new basis for their research. By analyzing the panels’ most unique feature (the depiction of small-scale scenes offering a cycle of the Passion, visible when the altarpiece was closed), and through comparison with other contemporary works, this article proposes a possible context and use for this important example of early Gothic painting in Castile.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
22
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