亚历山大·卡尔佩珀爵士(1541年)和他的第二任妻子康斯坦斯·卡尔佩珀夫人以及他们的比较者在古德赫斯特的彩绘木墓雕像

IF 0.2 2区 历史学 0 ARCHAEOLOGY
S. Badham
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引用次数: 0

摘要

在英格兰和威尔士,木质墓像现在已经很少见了,尽管它们可能曾经相对常见。在已知的120个例子中,只有93个存活下来。由于木虫、火灾、破坏圣像、盗窃和普遍的误用,其他27个有记载的雕像已经丢失或被毁。大多数剩下的例子只是原始状态的骨架,表面装饰磨损或经过几个世纪的清洗,只留下光秃秃的木头,裂缝中可能有多色的痕迹。少数现在被粉刷,但大多数没有显示原来的表面光洁度。在肯特郡的古德赫斯特,亚历山大·卡尔佩珀爵士(1541年)和他的第二任妻子的肖像被认为是类似的过度涂抹,但最近使用偏振光显微镜进行的颜料分析的新证据表明,这可能只是部分。实物和文献证据为纪念碑的年代提供了很多线索,其中两个雕像的制作时间不同,较旧的部分可以追溯到1537年。对纪念碑及其同类的详细评估强调了它们的独特性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Painted Wooden Tomb Effigies at Goudhurst to Sir Alexander Culpepper (d. 1541) and his Second Wife, Dame Constance Culpepper, and their Comparators
Wooden tomb effigies are now rare in England and Wales, although it is likely that they were once relatively common. Of the total of 120 known examples, only ninety-three survive. The other twenty-seven documented figures have been lost or destroyed owing to woodworm, fire, iconoclasm, theft and the general misuse that has beset this monumental type. Most remaining examples are mere skeletons of their original state, with any surface decoration worn away or cleaned off over the centuries, leaving only bare wood with perhaps traces of polychromy in crevices. A minority are now painted, but most do not display the original surface finish. The effigies at Goudhurst (Kent) to Sir Alexander Culpepper (d. 1541) and his second wife were thought to have been similarly overpainted, but new evidence from recent pigment analysis using polarized light microscopy shows that this was probably only partial. Physical and documentary evidence throw much light on the dating of the monument, the two effigies of which were produced at different times, the older parts dating to 1537. A detailed assessment of the memorial and its comparanda underlines the unique nature of the pair.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
22
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