PORTO ARTE: Revista de Artes Visuais最新文献_第3页

Pequenos gestos, memórias disruptivas: revolver o passado, reescrever o presente, transformar o futuro 小小的姿态，颠覆性的记忆:颠覆过去，改写现在，改变未来

PORTO ARTE: Revista de Artes Visuais Pub Date : 2020-06-21 DOI: 10.22456/2179-8001.104153

F. Jordao

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引用次数: 0

Memórias da Europa na arte de outros lugares 其他地方艺术中的欧洲记忆

PORTO ARTE: Revista de Artes Visuais Pub Date : 2019-12-01 DOI: 10.22456/2179-8001.98256

Andreas Huyssen

引用次数: 0

A Imagem Persistente 持久的形象

PORTO ARTE: Revista de Artes Visuais Pub Date : 2019-11-30 DOI: 10.22456/2179-8001.98285

Rosângela Rennó

引用次数: 0

On Photography as Circumnavigation of Anthropology 论摄影作为人类学的环球航行

PORTO ARTE: Revista de Artes Visuais Pub Date : 2019-11-30 DOI: 10.22456/2179-8001.98258

Eduardo Sterzi

引用次数: 0

Afrodescendant memory in Brazilian museums: the case of the Mariano Procópio Museum 巴西博物馆中的非洲人后裔记忆:马里亚诺博物馆Procópio

PORTO ARTE: Revista de Artes Visuais Pub Date : 2019-11-25 DOI: 10.22456/2179-8001.98276

Maraliz de Castro Vieira Christo

引用次数: 0

History and memory: the left melancholy in The Last Bolshevik by Chris Marker 历史与记忆:克里斯·马克《最后的布尔什维克》中左翼的忧郁

PORTO ARTE: Revista de Artes Visuais Pub Date : 2019-11-25 DOI: 10.22456/2179-8001.98266

Luiz Cláudio da Costa

引用次数: 0

Imagens e desapagamento da história colonial francesa. Em torno da exposição Argélia 1830-1962 (Paris, Museu do Exército, 2012) 法国殖民历史的图像和抹去。1830-1962年阿尔及利亚展览(巴黎，军队博物馆，2012)

PORTO ARTE: Revista de Artes Visuais Pub Date : 2019-11-25 DOI: 10.22456/2179-8001.98292

Sébastien Denis

{"title":"Imagens e desapagamento da história colonial francesa. Em torno da exposição Argélia 1830-1962 (Paris, Museu do Exército, 2012)","authors":"Sébastien Denis","doi":"10.22456/2179-8001.98292","DOIUrl":"https://doi.org/10.22456/2179-8001.98292","url":null,"abstract":"ResumoA exposição Argélia 1830-1962, realizada no Museu do Exército (Paris, França), em 2012, por ocasião do cinquentenário do fim da guerra da Argélia, permitiu refletir sobre o papel das imagens na reconfiguração da história das relações franco-argelinas. Para a instituição militar, e para os três curadores da exposição (incluindo o autor destas linhas), tratava-se de “libertar” o tratamento público destes 132 anos de história para construir pontes atuais entre os antigos protagonistas da história colonial e seus contemporâneos, e entre as duas margens do Mediterrâneo. Pela primeira vez, uma instituição nacional francesa encarava a colonização da Argélia como um todo, entre 1830 e 1962, procurando não omitir nada – especialmente a violência inerente à colonização. Résumé L'exposition Algérie 1830-1962, qui s'est tenue au Musée de l'Armée (Paris, France) en 2012 à l'occasion du cinquantenaire de la fin de la guerre d'Algérie, a été l'occasion d'une réflexion sur le rôle des images dans une reconfiguration de l'histoire des relations franco-algériennes. Il s'agissait pour l'institution militaire, et pour les trois commissaires de l'exposition (dont l'auteur de ces lignes), de « libérer » le traitement public de ces 132 ans d'histoire pour lancer des ponts entre les anciens acteurs de l'histoire coloniale et leurs contemporains, et entre les deux côtés de la Méditerranée aujourd'hui. Pour la première fois, une institution nationale française prenait à bras le corps la colonisation de l'Algérie comme un tout, entre 1830 et 1962, en tâchant de ne rien omettre - en particulier la violence inhérente à la colonisation. ","PeriodicalId":426791,"journal":{"name":"PORTO ARTE: Revista de Artes Visuais","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115749520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Memories of Europe in the Art From Elsewhere 来自其他地方的艺术中的欧洲记忆

PORTO ARTE: Revista de Artes Visuais Pub Date : 2019-11-25 DOI: 10.22456/2179-8001.98255

Andreas Huyssen

{"title":"Memories of Europe in the Art From Elsewhere","authors":"Andreas Huyssen","doi":"10.22456/2179-8001.98255","DOIUrl":"https://doi.org/10.22456/2179-8001.98255","url":null,"abstract":"At a time when the boundaries of European citizenship are challenged from both the inside and the outside, those boundaries cannot be equated with the imaginary boundaries of European memory. The rights to citizenship are usually defined administratively and politically. European memory cannot be. It cannot be culturally fortressed. For what is European memory if it does not include memories of Europe’s role in the world at large? It must reciprocally acknowledge the memories of Europe as they circulate elsewhere, and now even inside Europe itself. Some years ago, conference titles such as “Europe and its others” abounded—still fundamentally Eurocentric in spirit, with its possessive pronoun and the globalizing discourse of othering. Then the language changed, acknowledging the implicit problem and turning to phrases such as “Europe in other cultures.” The altered phrasing recognizes counterstrategies of writing back to Empire: Europe itself was being othered by “its” others, or as Dipesh Chakrabarty has called it, provincialized.[1] From my point of view both perspectives are inadequate today in capturing how the imaginary relationship between Europe and non-European parts of the world is structured in the work of contemporary artists. It is particularly the transnational and by now globally extant discourse of political memories of violence, state terror, and genocide that has produced artistic memory practices in which the European and the non-European are indissolubly folded into each other. Neither the discourse of othering nor that of provincializing makes much sense any longer.","PeriodicalId":426791,"journal":{"name":"PORTO ARTE: Revista de Artes Visuais","volume":"1271 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114057138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4

A viagem dos Seis Caquis 六只柿子的旅程

PORTO ARTE: Revista de Artes Visuais Pub Date : 2019-11-25 DOI: 10.22456/2179-8001.98290

Laurence Bertrand Dorléac

引用次数: 0

L'artiste en historien, stratégies contre les effacements de la mémoire 作为历史学家的艺术家，对抗记忆抹去的策略

PORTO ARTE: Revista de Artes Visuais Pub Date : 2019-11-25 DOI: 10.22456/2179-8001.98293

Androula Michael

引用次数: 0