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The Songs of Fanny Hensel 范妮·亨塞尔之歌
IF 0.3 2区 艺术学
JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2021-01-21 DOI: 10.1093/oso/9780190919566.001.0001
Angela Mace Christian
{"title":"The Songs of Fanny Hensel","authors":"Angela Mace Christian","doi":"10.1093/oso/9780190919566.001.0001","DOIUrl":"https://doi.org/10.1093/oso/9780190919566.001.0001","url":null,"abstract":"Fanny Hensel is arguably the most gifted female composer of the nineteenth century—a composer of over 450 works, including 249 songs, who created some of the most pathbreaking music of her era. As much as Hensel has finally moved out from behind the shadow of her more famous brother, however, and as much as we now know about her life, there is one aspect of this astonishing composer that still remains understudied: her music. This book focuses on Hensel’s contributions to the genre of song, the art form that she said “suits her best,” where her gifts as a composer are especially evident. Its twelve chapters consider such topics as Hensel’s fascination with certain poets and poetic themes; her innovative harmonic, melodic, rhythmic, and textual strategies; her connection to larger literary and musical trends; her efforts to break free the constraints placed on her as a woman; and her place in the history of nineteenth-century Lieder. No matter their particular topics of inquiry, the authors are guided by the conviction that the best way to honor Hensel’s achievements as a composer and to appreciate her historical importance is to thoroughly examine what she wrote within its many diverse contexts, be they biographical, historical, cultural, or musical.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79414477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A Note from the Editor-in-Chief 总编辑的注释
IF 0.3 2区 艺术学
JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2021-01-02 DOI: 10.1080/01411896.2020.1868265
Hilary Poriss
{"title":"A Note from the Editor-in-Chief","authors":"Hilary Poriss","doi":"10.1080/01411896.2020.1868265","DOIUrl":"https://doi.org/10.1080/01411896.2020.1868265","url":null,"abstract":"","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76383192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
About the Authors 关于作者
IF 0.3 2区 艺术学
JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-12-10 DOI: 10.1080/01411896.2020.1839315
{"title":"About the Authors","authors":"","doi":"10.1080/01411896.2020.1839315","DOIUrl":"https://doi.org/10.1080/01411896.2020.1839315","url":null,"abstract":"(2020). About the Authors. Journal of Musicological Research: Vol. 39, No. 4, pp. 364-364.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138505447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kesha’s Comeback and the Stakes of Live Performance: Connecting through Trauma at the 2018 Grammy Awards 在2018年格莱美颁奖典礼上，Kesha的复出和现场表演的风险:通过创伤连接
IF 0.3 2区 艺术学
JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-10-12 DOI: 10.1080/01411896.2020.1823845
K. Hearfield
{"title":"Kesha’s Comeback and the Stakes of Live Performance: Connecting through Trauma at the 2018 Grammy Awards","authors":"K. Hearfield","doi":"10.1080/01411896.2020.1823845","DOIUrl":"https://doi.org/10.1080/01411896.2020.1823845","url":null,"abstract":"ABSTRACT The use of live popular music performance as a platform to address gendered and sexual violence and trauma within the popular music industry can be demonstrated through the analysis of Kesha’s performance of “Praying” at the 2018 Grammy Awards. Analyzing the artist’s vocal and artistic delivery, in addition to her public persona following her allegations of sexual abuse against producer Lukasz Gottwald (Dr. Luke), illustrates how live performance—building on and contrasting with social media campaigns, such as #FreeKesha and #MeToo, and studio recordings—is a uniquely effective mode of processing individual and collective trauma.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78961535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Sonata in Restoration England: From Fantasia Suites to Early English Trio Sonatas 英国复辟时期的奏鸣曲:从幻想曲组曲到早期英国三重奏奏鸣曲
IF 0.3 2区 艺术学
JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-09-10 DOI: 10.1080/01411896.2020.1809393
Min-Jung Kang
{"title":"The Sonata in Restoration England: From Fantasia Suites to Early English Trio Sonatas","authors":"Min-Jung Kang","doi":"10.1080/01411896.2020.1809393","DOIUrl":"https://doi.org/10.1080/01411896.2020.1809393","url":null,"abstract":"ABSTRACT Even though the sonata spread from Italy throughout Europe no later than the second decade of the seventeenth century, it seems to have been introduced into England only after the Restoration. One of the reasons for this was the popularity of the fantasia suite, which remained in circulation both inside and outside the court. The absorption of the Italian sonata in England was a gradual process, but it eventually came to occupy a prominent position within English musical life after Corelli’s music arrived at the turn of the century, nearly sweeping away any kind of English instrumental music. Nevertheless, when and how the sonata was introduced into England is still not fully understood. An examination of two particular early trio sonatas written in England can help to understand how the Italian sonata was introduced in England and the extent of its influence on early English sonatas in the latter part of the seventeenth century.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88402072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics 跨媒体导演:艺术、工业和新视听美学
IF 0.3 2区 艺术学
JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-07-30 DOI: 10.1080/01411896.2020.1792240
James Millea
{"title":"Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics","authors":"James Millea","doi":"10.1080/01411896.2020.1792240","DOIUrl":"https://doi.org/10.1080/01411896.2020.1792240","url":null,"abstract":"For students of sound and music in cinema, in my experience, two topics have continually generated the most engagement. The first of those is the neo-classical film score, particularly the work of ...","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84719247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Counterpoint to Heterophony and Back Again: Reading Edward Said’s Drafts for Culture and Imperialism 从对位到杂音再回来——读萨义德的《文化与帝国主义》草稿
IF 0.3 2区 艺术学
JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-07-24 DOI: 10.1080/01411896.2020.1787793
W. Capitain
{"title":"From Counterpoint to Heterophony and Back Again: Reading Edward Said’s Drafts for Culture and Imperialism","authors":"W. Capitain","doi":"10.1080/01411896.2020.1787793","DOIUrl":"https://doi.org/10.1080/01411896.2020.1787793","url":null,"abstract":"ABSTRACT It is common in the academic reception of the legacy of Edward Said to limit the analysis of his theorization of a contrapuntal perspective on colonial history to the dominant theme of Said’s published writings. Nevertheless, alternative narratives emerge in unpublished texts preserved in the Edward W. Said Papers at Columbia University. Archival research reveals that Said actually proposes a heterophonic, instead of contrapuntal, perspective in early drafts for Culture and Imperialism (1993). Said’s legacy itself requires a heterophonic reading to analyze the overlap and interactions of these variations in his writings.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78944828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Broadway in the Box: Television’s Lasting Love Affair with the Musical 百老汇在盒子里:电视与音乐剧的永恒爱情
IF 0.3 2区 艺术学
JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-07-16 DOI: 10.1080/01411896.2020.1792239
Jake Johnson
{"title":"Broadway in the Box: Television’s Lasting Love Affair with the Musical","authors":"Jake Johnson","doi":"10.1080/01411896.2020.1792239","DOIUrl":"https://doi.org/10.1080/01411896.2020.1792239","url":null,"abstract":"I’m reading, writing, and living under quarantine. Broadway’s theaters are closed and the television, I’m now convinced, is an absolute necessity in managing isolation with young children. Media an...","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84229146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Where Have All the Women Gone? On the Absence of Feminine Agency in Contemporary Productions of the Original Boris Godunov 女人都去哪儿了?论《鲍里斯·戈杜诺夫》原作当代创作中女性能动性的缺失
IF 0.3 2区 艺术学
JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-07-09 DOI: 10.1080/01411896.2020.1787794
Francis Maes
{"title":"Where Have All the Women Gone? On the Absence of Feminine Agency in Contemporary Productions of the Original Boris Godunov","authors":"Francis Maes","doi":"10.1080/01411896.2020.1787794","DOIUrl":"https://doi.org/10.1080/01411896.2020.1787794","url":null,"abstract":"ABSTRACT The rejection of Boris Godunov for the lack of a female part led Modest Musorgskii to revise the opera to include the historical character of Marina Mniszech. The resulting “Polish” Act has been received with mixed feelings. Bias against it is one of the reasons behind the contemporary surge of interest in the original 1869 version of the opera, as testified to by productions at the Mariiinski Theater, the Bavarian State Opera, the Royal Opera House, and the Paris Opéra. The return to the original Boris has a side effect, however, which is precisely the one the selection committee of the Imperial Theaters warned against: it represents a world devoid of female agency. In the otherwise significant production created by Ivo van Hove for Paris, this omission sits uncomfortably with the social and political values that have been articulated most clearly in the #MeToo campaign. Since Musorgskii provided an alternative, the experience of the original Boris Godunov in actual performance might stimulate a renewed interest in what has been left out. Considered from the standards of the #MeToo movement, the part of Marina Mniszech becomes significant as a reminder of the active role played by women in the historical events represented on stage. The part also resonates with the contemporary #MeToo analysis of gender roles. The character of Marina combines a desire for female autonomy with submission to patriarchal forces and could offer interesting material for a stage production that addresses the story from a modern awareness of gender roles. A comparison with van Hove’s take on Schiller’s Mary Stuart demonstrates that such awareness may be creatively productive.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01411896.2020.1787794","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72470999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An Unexpected Presence, or the Master of Dance and the Master of Music in Portuguese Baroque Society 《意想不到的存在》或《葡萄牙巴洛克社会的舞蹈大师和音乐大师》
IF 0.3 2区 艺术学
JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-07-09 DOI: 10.1080/01411896.2020.1786383
L. Rocha
{"title":"An Unexpected Presence, or the Master of Dance and the Master of Music in Portuguese Baroque Society","authors":"L. Rocha","doi":"10.1080/01411896.2020.1786383","DOIUrl":"https://doi.org/10.1080/01411896.2020.1786383","url":null,"abstract":"ABSTRACT Masters of music and dance were very important figures within the European Baroque society. They were responsible for educating the upper classes and did so in the suitable privacy of the home environment. However, their presence in Portugal has been little noted, and few studies concerning their functions as teachers and choreographers have been produced in the last decades. Analysis of new iconographic and literary sources from the second half of the seventeenth and the first half of the eighteenth centuries has resulted in new data about their existence and relevance. A study of this new information proves the presence of this professional class in Portugal and allows for the contextualization of its members’ activity, the evaluation of their importance to the musical life of that period, and the analysis of issues related to musical and dancing practices.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2020-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88282701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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