JOURNAL OF MUSICOLOGICAL RESEARCH最新文献_第10页

The Case of Beethoven: A Tie by Any Other Name... 贝多芬的案例:领带的另一个名字……

IF 0.3 2区艺术学

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-06-29 DOI: 10.1080/01411896.2020.1771185

Malcom Bilson

引用次数: 0

Do They Still Hate Horowitz? The “Last Romantic” Revisited 他们还恨霍洛维茨吗?重温“最后的浪漫”

IF 0.3 2区艺术学

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-06-26 DOI: 10.1080/01411896.2020.1774755

K. Hamilton

{"title":"Do They Still Hate Horowitz? The “Last Romantic” Revisited","authors":"K. Hamilton","doi":"10.1080/01411896.2020.1774755","DOIUrl":"https://doi.org/10.1080/01411896.2020.1774755","url":null,"abstract":"ABSTRACT Few pianists have been as acclaimed or as abominated as Vladimir Horowitz. Long ago the subject of a notorious hatchet-job by Michael Steinberg in the New Grove Dictionary of Music, and of an equally trenchant, if undeniably wittier, defense by Richard Taruskin in the New York Times, Horowitz’s playing polarized critical opinion in a manner clearly unattainable by polished mediocrity. But now, nearly thirty years after his death, the time is finally ripe for a reassessment of his artistry and public persona, not least because of the recent release of dozens of live recordings from the later decades of his career. These recordings not only allow a hitherto unattainable overview of Horowitz’s pianism, but prompt a reevaluation of his earlier discography. Moreover, they provide evidence for an analysis of the myths surrounding the art of interpretation in general. Horowitz was routinely castigated by critics for alleged crimes against acceptable practice, while idolized by audiences for many of the same reasons. A reappraisal of Horowitz’s legacy serves to evaluate its place in the history of pianism and seeks to illuminate competing esthetic perspectives on the art of interpretation itself, arguing that for nearly two centuries many pianists and critics have been missing the point: some supposedly purely musical issues in performance practice have as much to do with concepts of ethics and ownership, authority and morality, as with art.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":"107 1","pages":"246 - 271"},"PeriodicalIF":0.3,"publicationDate":"2020-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81349014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Arrangement Practices in the Bach Tradition, Then and Now: Historical Precedent for Modern Practice 巴赫传统的编曲实践，过去和现在:现代实践的历史先例

IF 0.3 2区艺术学

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-06-24 DOI: 10.1080/01411896.2020.1770091

Rebecca Cypess

{"title":"Arrangement Practices in the Bach Tradition, Then and Now: Historical Precedent for Modern Practice","authors":"Rebecca Cypess","doi":"10.1080/01411896.2020.1770091","DOIUrl":"https://doi.org/10.1080/01411896.2020.1770091","url":null,"abstract":"ABSTRACT Despite the increased use of period instruments in modern-day conservatories and concert life, many classical musicians continue to make their careers by playing early music on “modern” instruments. In such performances, aspects of the esthetic impulse of the music can always be conveyed. In adapting early music for modern instruments, it is helpful to think about the adaptation as an “arrangement,” and to seek out ways of capturing the esthetic impulse of the music despite the use of instruments from later time periods. It is possible to contextualize an understanding of the term “arrangement” within performance practices of the eighteenth century by highlighting sources that attest to the flexibility of instrumentation as an important feature of eighteenth-century music. A series of examples of performance practices from the collection of the Berlin salonnière Sara Levy reveal a spectrum of choices available to interpreters of music from the Bach family tradition and help provide a set of historically grounded principles for arrangements that may be applied in the present day by instrumentalists of all sorts.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":"3 1","pages":"187 - 212"},"PeriodicalIF":0.3,"publicationDate":"2020-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74243900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Introduction: Topics in Musical Interpretation 导论:音乐诠释的主题

IF 0.3 2区艺术学

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-06-22 DOI: 10.1080/01411896.2020.1778428

Sezi Seskir, David Hyun-su Kim

引用次数: 0

The “Rashômon Effect” Effect: Post-Orientalism in the Era of #MeToo “Rashômon效应”效应:#MeToo时代的后东方主义

IF 0.3 2区艺术学

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-06-18 DOI: 10.1080/01411896.2020.1754128

Robynn J. Stilwell

引用次数: 0

Musical Topoi in Brahms’s 7 Fantasien, Op. 116 116号歌剧魅影

IF 0.3 2区艺术学

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-06-04 DOI: 10.1080/01411896.2020.1754731

Sezi Seskir

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引用次数: 0

Musical Virtue, Professional Fortune, and Private Trauma in Eighteenth-Century Britain: A Feminist Biography of Elisabetta de Gambarini (1730–65) 18世纪英国的音乐美德、职业财富和个人创伤:伊丽莎白·德·甘巴里尼女性主义传记(1730-65)

IF 0.3 2区艺术学

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-04-08 DOI: 10.1080/01411896.2020.1735937

Alison DeSimone

{"title":"Musical Virtue, Professional Fortune, and Private Trauma in Eighteenth-Century Britain: A Feminist Biography of Elisabetta de Gambarini (1730–65)","authors":"Alison DeSimone","doi":"10.1080/01411896.2020.1735937","DOIUrl":"https://doi.org/10.1080/01411896.2020.1735937","url":null,"abstract":"ABSTRACT The composer Elisabetta de Gambarini (1730–65) led a life of public and private contradictions. Publicly, she was renowned as both a professional performer and one of the first female composers to publish in Britain. Recently discovered documents at the British National Archives show, however, that her final year of life was marked by violence and physical abuse at the hands of her husband, Stephen Chazell. A feminist biography of Gambarini should not ignore or downplay her survivorhood, but should stress how she harnessed her virtue as a means of promoting herself as a female performer and composer whose entrepreneurial and publishing activities emulated those of male musicians. The documents themselves help us to understand how, despite her stature as a virtuous woman and a prominent public figure, she was erased from the narrative of her own abuse. In the age of #MeToo, Elisabetta’s biography provides an opportunity to reflect on how surviving trauma does not define a woman’s core identity; at the same time, it shows that ignoring assault and trauma in historical biography suppresses important lessons about believing women—lessons that are now more important than ever.","PeriodicalId":42616,"journal":{"name":"JOURNAL OF MUSICOLOGICAL RESEARCH","volume":"66 1","pages":"5 - 38"},"PeriodicalIF":0.3,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76450851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

The Race of Sound: Listening, Timbre, and Vocality in African American Music 《声音的种族:非裔美国人音乐的听觉、音色和人声》

IF 0.3 2区艺术学

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-03-17 DOI: 10.1080/01411896.2020.1738138

S. Gunst

引用次数: 4

Anneliese Landau’s Life in Music: Nazi Germany to Émigré California Anneliese Landau的音乐生涯:纳粹德国到Émigré加州

IF 0.3 2区艺术学

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-03-16 DOI: 10.1080/01411896.2020.1738156

Samantha M. Cooper

引用次数: 0

Dearest Lenny: Letters from Japan and the Making of the World Maestro 最亲爱的莱尼:来自日本的信件和世界大师的形成