贝多芬的案例:领带的另一个名字……

IF 0.4 2区艺术学 0 MUSIC

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2020-06-29 DOI:10.1080/01411896.2020.1771185

Malcom Bilson

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引用次数: 0

摘要

在贝多芬的几部晚期作品中，我们发现在琴弦上有一个奇怪的领带，特别是在钢琴作品中，我们发现数字4、3在领带上，似乎表明指法。自19世纪晚期以来，学者和表演者一直在讨论是否应该再次敲击或鞠躬第二个音符。解释这种奇怪的联系不仅涉及到执行问题，还涉及到更深层次的情感音乐问题。

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The Case of Beethoven: A Tie by Any Other Name...

ABSTRACT In several late works of Beethoven, we find a curious tie over the barline, in string and especially in piano works, where we find the numbers 4,3 over the tie, seemingly indicating fingering. Since the late nineteenth century scholars and performers have been discussing whether or not the second note should be struck or bowed again. Interpreting this curious tie goes not only to the problem of execution, but to the deeper musical question of Affekt.

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来源期刊

JOURNAL OF MUSICOLOGICAL RESEARCH MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.