巴赫传统的编曲实践,过去和现在:现代实践的历史先例

IF 0.4 2区 艺术学 0 MUSIC
Rebecca Cypess
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引用次数: 1

摘要

尽管现代音乐学院和音乐会越来越多地使用古典乐器,但许多古典音乐家仍然通过使用“现代”乐器演奏早期音乐来发展自己的事业。在这样的表演中,音乐的审美冲动的各个方面总是可以传达出来的。在为现代乐器改编早期音乐时,将改编视为一种“编曲”是有帮助的,并寻求在使用后期乐器的情况下捕捉音乐审美冲动的方法。通过强调证明乐器的灵活性是18世纪音乐的一个重要特征的资料,可以在18世纪的表演实践中对“编曲”一词进行语境化的理解。一系列来自柏林沙龙萨拉·莱维收藏的表演实践的例子揭示了巴赫家族传统音乐诠解者的选择范围,并帮助提供了一套历史基础的安排原则,这些原则可能适用于当今各种乐器演奏家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Arrangement Practices in the Bach Tradition, Then and Now: Historical Precedent for Modern Practice
ABSTRACT Despite the increased use of period instruments in modern-day conservatories and concert life, many classical musicians continue to make their careers by playing early music on “modern” instruments. In such performances, aspects of the esthetic impulse of the music can always be conveyed. In adapting early music for modern instruments, it is helpful to think about the adaptation as an “arrangement,” and to seek out ways of capturing the esthetic impulse of the music despite the use of instruments from later time periods. It is possible to contextualize an understanding of the term “arrangement” within performance practices of the eighteenth century by highlighting sources that attest to the flexibility of instrumentation as an important feature of eighteenth-century music. A series of examples of performance practices from the collection of the Berlin salonnière Sara Levy reveal a spectrum of choices available to interpreters of music from the Bach family tradition and help provide a set of historically grounded principles for arrangements that may be applied in the present day by instrumentalists of all sorts.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
17
期刊介绍: The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.
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