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Hearth and Home and Horror: Gothic Trappings in early C20th Latin American Short Fiction 心与家与恐怖：20世纪初拉丁美洲短篇小说中的哥特式陷阱
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Gothic Studies Pub Date : 2021-07-01 DOI: 10.3366/gothic.2021.0094
Megan Devirgilis
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引用次数: 0
Haunted by ‘Lenore’: The Fragment as Gothic Form, Creative Practice and Textual Evolution 被“列诺”所困扰:作为哥特形式的片段、创作实践和文本演变
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Gothic Studies Pub Date : 2021-07-01 DOI: 10.3366/gothic.2021.0090
Kirstin A. Mills
{"title":"Haunted by ‘Lenore’: The Fragment as Gothic Form, Creative Practice and Textual Evolution","authors":"Kirstin A. Mills","doi":"10.3366/gothic.2021.0090","DOIUrl":"https://doi.org/10.3366/gothic.2021.0090","url":null,"abstract":"This article examines the processes of fragmentation and haunting surrounding the explosion of competing translations, in 1796, of Gottfried August Bürger's German ballad ‘Lenore’. While the fragment has become known as a core narrative device of the Gothic, less attention has been paid to the ways that the fragment and fragmentation operate as dynamic, living phenomena within the Gothic's central processes of memory, inspiration, creation, dissemination and evolution. Taking ‘Lenore’ as a case study, this essay aims to redress this critical gap by illuminating the ways that fragmentation haunts the mind, the text, and the history of the Gothic as a process as much as a product. It demonstrates that fragmentation operates along lines of cannibalism, resurrection and haunting to establish a pattern of influence that paves the way for modern forms of gothic intertextuality and adaptation. Importantly, it thereby locates fragmentation as a process at the heart of the Gothic mode.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41763433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Phases of the Moon: A Cultural History of the Werewolf Film. By Craig Ian Mann 月相:狼人电影的文化史。克雷格·伊恩·曼
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Gothic Studies Pub Date : 2021-07-01 DOI: 10.3366/gothic.2021.0099
Sandra Aline Wagner
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引用次数: 0
‘Aren't you Maria?’: The Uncanny and the Gothic in Silent Hill 2 “你不是玛丽亚吗?”:《寂静岭2》中的神秘与哥特式
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Gothic Studies Pub Date : 2021-03-10 DOI: 10.3366/GOTHIC.2021.0075
James A. Green
{"title":"‘Aren't you Maria?’: The Uncanny and the Gothic in Silent Hill 2","authors":"James A. Green","doi":"10.3366/GOTHIC.2021.0075","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0075","url":null,"abstract":"The attractiveness of the ‘moving image’ to the gothic imagination has begun to receive scholarly attention from the perspective of videogames, and it has been argued that the digital medium renova...","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41829779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nineteenth Century Popular Fiction, Medicine and Anatomy: The Victorian Penny Blood and the 1832 Anatomy Act. By Anna Gasperini 19世纪通俗小说，医学与解剖学：维多利亚时代的佩妮·布拉德和1832年的解剖学法案。Anna Gasperini
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Gothic Studies Pub Date : 2021-03-10 DOI: 10.3366/GOTHIC.2021.0085
Nicole C. Dittmer
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引用次数: 0
Contemporary Women's Gothic Fiction: Carnival, Hauntings and Vampire Kisses. By Gina Wisker 当代女性的哥特小说:狂欢、闹鬼和吸血鬼之吻。作者:吉娜·维斯克
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Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0081
Kris Lord
{"title":"Contemporary Women's Gothic Fiction: Carnival, Hauntings and Vampire Kisses. By Gina Wisker","authors":"Kris Lord","doi":"10.3366/GOTHIC.2021.0081","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0081","url":null,"abstract":"","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42724615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘I'll touch whatever I want’: Representing Child Sexual Abuse in Contemporary Children's and Young Adult Gothic “我想摸什么就摸什么”:当代儿童与青年哥特小说中的儿童性侵表现
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Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0076
Ailise Bulfin
{"title":"‘I'll touch whatever I want’: Representing Child Sexual Abuse in Contemporary Children's and Young Adult Gothic","authors":"Ailise Bulfin","doi":"10.3366/GOTHIC.2021.0076","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0076","url":null,"abstract":"This article investigates the metaphorical representation of child sexual abuse (CSA) in contemporary children's and young adult gothic works, focusing on the popular Series of Unfortunate Events and Miss Peregrine's Peculiar Children series. It argues that because of the upsetting nature of the issue and the numerous myths surrounding it, cultural production often uses the gothic figure of the monster who preys on children to address CSA indirectly, and identifies this strategy in the above series. It reveals a distinctly sexual charge to the monsters' victimisation of the children in both sets of narratives and explores their tendency to perpetuate CSA myths such as that of the perpetrator as a monstrous stranger. In conclusion, it considers how these narratives also challenge CSA myths and offer models of resilient child survivors, and it draws on cognitive cultural theory to theorise potential reader/viewer responses. Through its metaphorical imbrication of real-world brutality and dark fantasy, the Gothic is ultimately theorised as potentially affording more scope than realist treatments for touching on issues of transgression for wider and younger audiences, and sometimes in affirmative ways that move beyond merely recirculating myths and panic.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48478206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
‘Powers of Their Own Which Mere “Modernity” Cannot Kill’: The Doppelgänger and Temporal Modernist Terror in Dracula “仅仅是‘现代性’不能杀死的他们自己的力量:Doppelgänger和《德古拉》中暂时的现代主义恐怖。
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Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0078
Whitney S. May
{"title":"‘Powers of Their Own Which Mere “Modernity” Cannot Kill’: The Doppelgänger and Temporal Modernist Terror in Dracula","authors":"Whitney S. May","doi":"10.3366/GOTHIC.2021.0078","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0078","url":null,"abstract":"Of the many haunting figures that Gothic fiction invokes, none so perfectly encapsulates the mode itself, in all its fantastic incursions of opposing forces and clashing sensibilities, as the doppelgänger. Indeed, this figure in Gothic literature helps to push the bounds of subjective tension so central to the genre. This article examines Bram Stoker's Dracula (1897) as an entry into the canon of doppelgänger fiction by complicating traditional readings of the central relationship between Count Dracula and Jonathan Harker. By revisiting the novel within the framework of a doppelgänger narrative, this article suggests that part of the real terror for Stoker's fin-de-siècle audience lies in the novel's timing. Located in the gap between the retreating Romantic and advancing high modern epochs, the novel dramatizes the apprehensions of a culture experiencing enormous technological and social upheaval. Specifically, it offers in its doubled pair a means to navigate those anxieties.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46164727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Unhomely Counties: Gothic Surveillance and Incarceration in the Villages of Agatha Christie 不幸的郡：阿加莎·克里斯蒂村庄的哥特式监视和监禁
IF 0.1
Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0079
Christopher Yiannitsaros
{"title":"Unhomely Counties: Gothic Surveillance and Incarceration in the Villages of Agatha Christie","authors":"Christopher Yiannitsaros","doi":"10.3366/GOTHIC.2021.0079","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0079","url":null,"abstract":"This article examines the ways in which Agatha Christie's fictional villages may be interpreted as fundamentally gothic spaces. It makes the case that within the novels The Murder at the Vicarage (1930) and The Moving Finger (1943), outdoor spaces do not offer the potential release from captivity that is set out in more traditional gothic paradigms. Instead, exterior landscapes surrounding and connecting homes function as a continuation of domestic interiority, thus acting as able accomplices in a gothic transformation of ‘home’ into ‘prison’. By examining the shifting meanings of panoptic surveillance present within these villages, and the outward extension of private family romances into more public forms of cruelty and humiliation, this article suggests that far from creating idyllic exemplars of English rurality, Christie's fictional villages work to unmask the dark, ‘unhomely’ core that lies buried at the very heart of the English ‘Home Counties’.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48155190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Women's Colonial Gothic Writing, 1850–1930: Haunted Empire. By Melissa Edmundson 女性殖民哥特式写作，1850-1930:闹鬼的帝国。梅丽莎·埃德蒙森著
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Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0082
Indu Ohri
{"title":"Women's Colonial Gothic Writing, 1850–1930: Haunted Empire. By Melissa Edmundson","authors":"Indu Ohri","doi":"10.3366/GOTHIC.2021.0082","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0082","url":null,"abstract":"","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46110922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
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