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Nineteenth Century Popular Fiction, Medicine and Anatomy: The Victorian Penny Blood and the 1832 Anatomy Act. By Anna Gasperini 19世纪通俗小说，医学与解剖学：维多利亚时代的佩妮·布拉德和1832年的解剖学法案。Anna Gasperini
IF 0.1
Gothic Studies Pub Date : 2021-03-10 DOI: 10.3366/GOTHIC.2021.0085
Nicole C. Dittmer
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引用次数: 0
Contemporary Women's Gothic Fiction: Carnival, Hauntings and Vampire Kisses. By Gina Wisker 当代女性的哥特小说:狂欢、闹鬼和吸血鬼之吻。作者:吉娜·维斯克
IF 0.1
Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0081
Kris Lord
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引用次数: 0
‘I'll touch whatever I want’: Representing Child Sexual Abuse in Contemporary Children's and Young Adult Gothic “我想摸什么就摸什么”:当代儿童与青年哥特小说中的儿童性侵表现
IF 0.1
Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0076
Ailise Bulfin
{"title":"‘I'll touch whatever I want’: Representing Child Sexual Abuse in Contemporary Children's and Young Adult Gothic","authors":"Ailise Bulfin","doi":"10.3366/GOTHIC.2021.0076","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0076","url":null,"abstract":"This article investigates the metaphorical representation of child sexual abuse (CSA) in contemporary children's and young adult gothic works, focusing on the popular Series of Unfortunate Events and Miss Peregrine's Peculiar Children series. It argues that because of the upsetting nature of the issue and the numerous myths surrounding it, cultural production often uses the gothic figure of the monster who preys on children to address CSA indirectly, and identifies this strategy in the above series. It reveals a distinctly sexual charge to the monsters' victimisation of the children in both sets of narratives and explores their tendency to perpetuate CSA myths such as that of the perpetrator as a monstrous stranger. In conclusion, it considers how these narratives also challenge CSA myths and offer models of resilient child survivors, and it draws on cognitive cultural theory to theorise potential reader/viewer responses. Through its metaphorical imbrication of real-world brutality and dark fantasy, the Gothic is ultimately theorised as potentially affording more scope than realist treatments for touching on issues of transgression for wider and younger audiences, and sometimes in affirmative ways that move beyond merely recirculating myths and panic.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":"23 1","pages":"21-42"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48478206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
‘Powers of Their Own Which Mere “Modernity” Cannot Kill’: The Doppelgänger and Temporal Modernist Terror in Dracula “仅仅是‘现代性’不能杀死的他们自己的力量:Doppelgänger和《德古拉》中暂时的现代主义恐怖。
IF 0.1
Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0078
Whitney S. May
{"title":"‘Powers of Their Own Which Mere “Modernity” Cannot Kill’: The Doppelgänger and Temporal Modernist Terror in Dracula","authors":"Whitney S. May","doi":"10.3366/GOTHIC.2021.0078","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0078","url":null,"abstract":"Of the many haunting figures that Gothic fiction invokes, none so perfectly encapsulates the mode itself, in all its fantastic incursions of opposing forces and clashing sensibilities, as the doppelgänger. Indeed, this figure in Gothic literature helps to push the bounds of subjective tension so central to the genre. This article examines Bram Stoker's Dracula (1897) as an entry into the canon of doppelgänger fiction by complicating traditional readings of the central relationship between Count Dracula and Jonathan Harker. By revisiting the novel within the framework of a doppelgänger narrative, this article suggests that part of the real terror for Stoker's fin-de-siècle audience lies in the novel's timing. Located in the gap between the retreating Romantic and advancing high modern epochs, the novel dramatizes the apprehensions of a culture experiencing enormous technological and social upheaval. Specifically, it offers in its doubled pair a means to navigate those anxieties.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":"23 1","pages":"60-76"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46164727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Unhomely Counties: Gothic Surveillance and Incarceration in the Villages of Agatha Christie 不幸的郡：阿加莎·克里斯蒂村庄的哥特式监视和监禁
IF 0.1
Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0079
Christopher Yiannitsaros
{"title":"Unhomely Counties: Gothic Surveillance and Incarceration in the Villages of Agatha Christie","authors":"Christopher Yiannitsaros","doi":"10.3366/GOTHIC.2021.0079","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0079","url":null,"abstract":"This article examines the ways in which Agatha Christie's fictional villages may be interpreted as fundamentally gothic spaces. It makes the case that within the novels The Murder at the Vicarage (1930) and The Moving Finger (1943), outdoor spaces do not offer the potential release from captivity that is set out in more traditional gothic paradigms. Instead, exterior landscapes surrounding and connecting homes function as a continuation of domestic interiority, thus acting as able accomplices in a gothic transformation of ‘home’ into ‘prison’. By examining the shifting meanings of panoptic surveillance present within these villages, and the outward extension of private family romances into more public forms of cruelty and humiliation, this article suggests that far from creating idyllic exemplars of English rurality, Christie's fictional villages work to unmask the dark, ‘unhomely’ core that lies buried at the very heart of the English ‘Home Counties’.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":"23 1","pages":"77-95"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48155190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Women's Colonial Gothic Writing, 1850–1930: Haunted Empire. By Melissa Edmundson 女性殖民哥特式写作，1850-1930:闹鬼的帝国。梅丽莎·埃德蒙森著
IF 0.1
Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0082
Indu Ohri
{"title":"Women's Colonial Gothic Writing, 1850–1930: Haunted Empire. By Melissa Edmundson","authors":"Indu Ohri","doi":"10.3366/GOTHIC.2021.0082","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0082","url":null,"abstract":"","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":"23 1","pages":"115-117"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46110922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Just like Henry James (Except with Cannibalism): The International Weird in H. P. Lovecraft's ‘The Rats in the Walls’ 就像亨利·詹姆斯(除了食人):h·p·洛夫克拉夫特《墙里的老鼠》中的国际怪人
IF 0.1
Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0080
D. Wise
{"title":"Just like Henry James (Except with Cannibalism): The International Weird in H. P. Lovecraft's ‘The Rats in the Walls’","authors":"D. Wise","doi":"10.3366/GOTHIC.2021.0080","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0080","url":null,"abstract":"The early short story ‘The Rats in the Walls’ (1924) is recognized as the best of H. P. Lovecraft's fiction prior to ‘The Call of Cthulhu’, but this story is also non-cosmic and therefore (for some) not truly ‘Lovecraftian’. In conjunction with dense prose and seemingly throwaway references, this view has made ‘Rats’ arguably the most inadequately read of Lovecraft's major works. This article proposes that we read ‘Rats’, Lovecraft's first tale within an unofficial ‘witch cult’ trilogy, as a story of the path not taken in modern weird fiction. Using Henry James's ‘The Jolly Corner’ (1908) as a companion piece, I argue that the international weird forms a major component of Lovecraft's text. Far from portraying horrors merely personal in scope, Lovecraft uses the Delapore family and their geographical dislocations between two distinct nation-states, America and England, to signal what he sees as the historical rise and fall – or evolution and de-evolution – of culture itself.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44665926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Postmodern Vampires: Film, Fiction, and Popular Culture. By Sorcha Ní Fhlainn 后现代吸血鬼：电影、小说和流行文化。Sorcha NíFhlainn
IF 0.1
Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0083
David Simmons
{"title":"Postmodern Vampires: Film, Fiction, and Popular Culture. By Sorcha Ní Fhlainn","authors":"David Simmons","doi":"10.3366/GOTHIC.2021.0083","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0083","url":null,"abstract":"","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":"23 1","pages":"118-120"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46231212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gothic Remains: Corpses, Terror and Anatomical Culture, 1764–1897. By Laurence Talairach 哥特遗存:尸体、恐怖和解剖文化，1764-1897。劳伦斯·塔拉奇著
IF 0.1
Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0084
L. Williams
{"title":"Gothic Remains: Corpses, Terror and Anatomical Culture, 1764–1897. By Laurence Talairach","authors":"L. Williams","doi":"10.3366/GOTHIC.2021.0084","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0084","url":null,"abstract":"","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":"23 1","pages":"120-122"},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46177185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Walter Scott's Late Gothic Stories 沃尔特·斯科特的《晚期哥特故事》
IF 0.1
Gothic Studies Pub Date : 2021-03-01 DOI: 10.3366/GOTHIC.2021.0077
D. Cook
{"title":"Walter Scott's Late Gothic Stories","authors":"D. Cook","doi":"10.3366/GOTHIC.2021.0077","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0077","url":null,"abstract":"While ‘Wandering Willie's Tale’, above all of Walter Scott's shorter fictions, has often been included in Gothic anthologies and period surveys, the apparently disposable pieces that appeared in The Keepsake for 1829, renegades from the novelist's failed Chronicles of the Canongate series, have received far less attention. Read in the unlikely context of a plush Christmas gift book, ‘My Aunt Margaret's Mirror’ and ‘The Tapestried Chamber’ repay an audience familiar with the conventions of a supernatural short story. But to keep readers interested, The Author of Waverley, writing at the end of a long and celebrated career in fiction, would need to employ some new gimmicks. As we shall see, the late stories are not literary cast-offs but recastings finely attuned to a bespoke word-and-image forum.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46130225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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