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The Monster Theory Reader. Edited by Jeffrey Andrew Weinstock 怪物理论读本。杰弗里·安德鲁·温斯托克编辑
IF 0.1
Gothic Studies Pub Date : 2021-07-01 DOI: 10.3366/gothic.2021.0096
Alissa Burger
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引用次数: 0
Introduction: Gothic and the Short Form 前言:哥特和短篇小说
IF 0.1
Gothic Studies Pub Date : 2021-07-01 DOI: 10.3366/gothic.2021.0089
J. Baker
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引用次数: 0
Macbeth. By Rebekah Owens 麦克白。丽贝卡·欧文斯
IF 0.1
Gothic Studies Pub Date : 2021-07-01 DOI: 10.3366/gothic.2021.0098
A. Sanna
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引用次数: 0
Music Video Gothic: Fragmentary Form at the Dawn of MTV 哥特音乐录影带:MTV诞生之初的片段形式
IF 0.1
Gothic Studies Pub Date : 2021-07-01 DOI: 10.3366/gothic.2021.0091
Drago Momcilovic
{"title":"Music Video Gothic: Fragmentary Form at the Dawn of MTV","authors":"Drago Momcilovic","doi":"10.3366/gothic.2021.0091","DOIUrl":"https://doi.org/10.3366/gothic.2021.0091","url":null,"abstract":"This article argues that the modern music video at the dawn of the MTV era embraces a logic of the Gothic fragment. Mobilizing an archive of gothic archetypes of haunting and monstrosity, the music video of the early 1980s confronts anxieties about its unshaped aesthetic character and discursive placelessness and its strained connections to absent textual wholes, performance cultures, and marginalized histories. Through a close reading of four seminal music videos from this time period – The Buggles' Video Killed the Radio Star (1979), David Bowie's Ashes to Ashes (1980), Blondie's Rapture (1981), and Michael Jackson's Thriller (1983) – I argue that the early music video incarnates a tradition of production, circulation, and decoding that I want to call Music Video Gothic. This tradition expresses latent concerns about the music video's aesthetic borders and intertextual relations with cultural and career narratives.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43972906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘little gothics’: Misty and the ‘Strange Stories’ of British Girls’ Comics “小哥特人”：米斯蒂与英国女孩漫画的“怪故事”
IF 0.1
Gothic Studies Pub Date : 2021-07-01 DOI: 10.3366/gothic.2021.0092
J. Round
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引用次数: 0
Front matter 前页
IF 0.1
Gothic Studies Pub Date : 2021-07-01 DOI: 10.3366/gothic.2021.0087
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引用次数: 0
Hearth and Home and Horror: Gothic Trappings in early C20th Latin American Short Fiction 心与家与恐怖：20世纪初拉丁美洲短篇小说中的哥特式陷阱
IF 0.1
Gothic Studies Pub Date : 2021-07-01 DOI: 10.3366/gothic.2021.0094
Megan Devirgilis
{"title":"Hearth and Home and Horror: Gothic Trappings in early C20th Latin American Short Fiction","authors":"Megan Devirgilis","doi":"10.3366/gothic.2021.0094","DOIUrl":"https://doi.org/10.3366/gothic.2021.0094","url":null,"abstract":"The Gothic short form in Latin America has yet to receive focused scholarly attention. Yet, despite no early Gothic novel tradition to speak of, the Gothic mode emerged in poetry and short fiction, representing particular anxieties and colonial/postcolonial realities specific to the region owing in part to a significant increase in periodicals. Focusing on two case studies – Clemente Palma's ‘La granja blanca’ (Peru, 1904) and Horacio Quiroga's ‘El almohadón de plumas’ (Uruguay, 1917) – this article will explore how Latin American authors classified as modern, modernista, and criollista were experimenting with Gothic forms, adapting the design of the traditional Gothic novel to intensify its effect and reach a wider readership. Demonstrating a particular influence of Poe, a unity of effect is created, one that suggests that the home is a place of horrors, not comfort, and the uniquely horrifying settings and plot ultimately challenge established moral codes and literary tendencies.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45257892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Haunted by ‘Lenore’: The Fragment as Gothic Form, Creative Practice and Textual Evolution 被“列诺”所困扰:作为哥特形式的片段、创作实践和文本演变
IF 0.1
Gothic Studies Pub Date : 2021-07-01 DOI: 10.3366/gothic.2021.0090
Kirstin A. Mills
{"title":"Haunted by ‘Lenore’: The Fragment as Gothic Form, Creative Practice and Textual Evolution","authors":"Kirstin A. Mills","doi":"10.3366/gothic.2021.0090","DOIUrl":"https://doi.org/10.3366/gothic.2021.0090","url":null,"abstract":"This article examines the processes of fragmentation and haunting surrounding the explosion of competing translations, in 1796, of Gottfried August Bürger's German ballad ‘Lenore’. While the fragment has become known as a core narrative device of the Gothic, less attention has been paid to the ways that the fragment and fragmentation operate as dynamic, living phenomena within the Gothic's central processes of memory, inspiration, creation, dissemination and evolution. Taking ‘Lenore’ as a case study, this essay aims to redress this critical gap by illuminating the ways that fragmentation haunts the mind, the text, and the history of the Gothic as a process as much as a product. It demonstrates that fragmentation operates along lines of cannibalism, resurrection and haunting to establish a pattern of influence that paves the way for modern forms of gothic intertextuality and adaptation. Importantly, it thereby locates fragmentation as a process at the heart of the Gothic mode.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41763433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Phases of the Moon: A Cultural History of the Werewolf Film. By Craig Ian Mann 月相:狼人电影的文化史。克雷格·伊恩·曼
IF 0.1
Gothic Studies Pub Date : 2021-07-01 DOI: 10.3366/gothic.2021.0099
Sandra Aline Wagner
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引用次数: 0
‘Aren't you Maria?’: The Uncanny and the Gothic in Silent Hill 2 “你不是玛丽亚吗?”:《寂静岭2》中的神秘与哥特式
IF 0.1
Gothic Studies Pub Date : 2021-03-10 DOI: 10.3366/GOTHIC.2021.0075
James A. Green
{"title":"‘Aren't you Maria?’: The Uncanny and the Gothic in Silent Hill 2","authors":"James A. Green","doi":"10.3366/GOTHIC.2021.0075","DOIUrl":"https://doi.org/10.3366/GOTHIC.2021.0075","url":null,"abstract":"The attractiveness of the ‘moving image’ to the gothic imagination has begun to receive scholarly attention from the perspective of videogames, and it has been argued that the digital medium renova...","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":"23 1","pages":"1-20"},"PeriodicalIF":0.1,"publicationDate":"2021-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41829779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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