{"title":"哥特古文字和《奥特朗托城堡》第一版序言","authors":"S. Yeager","doi":"10.3366/gothic.2019.0019","DOIUrl":null,"url":null,"abstract":"The first-edition preface to Walpole's novel The Castle of Otranto contains a description of an imagined incunabulum, ostensibly witnessing the novel's text, which is attributed to an imagined translator, William Marshall. The incunabulum is said by Marshall to be printed in a ‘black letter’ typeface, a term which was already in this period a synonym for ‘gothic’ letterforms. This essay briefly summarizes the history of this classificatory term ‘gothic’ as it is applied to script, in order to provide further context for Walpole's parody of antiquarianism in the first edition preface and its relation to his use of the term ‘gothic’ in the subtitle to the novel's second edition.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2019-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Gothic Paleography and the Preface to the First Edition of The Castle of Otranto\",\"authors\":\"S. Yeager\",\"doi\":\"10.3366/gothic.2019.0019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The first-edition preface to Walpole's novel The Castle of Otranto contains a description of an imagined incunabulum, ostensibly witnessing the novel's text, which is attributed to an imagined translator, William Marshall. The incunabulum is said by Marshall to be printed in a ‘black letter’ typeface, a term which was already in this period a synonym for ‘gothic’ letterforms. This essay briefly summarizes the history of this classificatory term ‘gothic’ as it is applied to script, in order to provide further context for Walpole's parody of antiquarianism in the first edition preface and its relation to his use of the term ‘gothic’ in the subtitle to the novel's second edition.\",\"PeriodicalId\":42443,\"journal\":{\"name\":\"Gothic Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2019-09-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Gothic Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/gothic.2019.0019\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gothic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/gothic.2019.0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Gothic Paleography and the Preface to the First Edition of The Castle of Otranto
The first-edition preface to Walpole's novel The Castle of Otranto contains a description of an imagined incunabulum, ostensibly witnessing the novel's text, which is attributed to an imagined translator, William Marshall. The incunabulum is said by Marshall to be printed in a ‘black letter’ typeface, a term which was already in this period a synonym for ‘gothic’ letterforms. This essay briefly summarizes the history of this classificatory term ‘gothic’ as it is applied to script, in order to provide further context for Walpole's parody of antiquarianism in the first edition preface and its relation to his use of the term ‘gothic’ in the subtitle to the novel's second edition.
期刊介绍:
The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. Gothic Studies opens a forum for dialogue and cultural criticism, and provides a specialist journal for scholars working in a field which is today taught or researched in academic institutions around the globe. The journal invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are studies of works across the range of media, beyond the written word.