Slovene-International Journal of Slavic Studies最新文献_第4页

The Worship of the Novgorod Archbishop Theoktist in the 17th — early 18th cent.: New Information on the Basis of Manuscripts Evidence 17 - 18世纪初对诺夫哥罗德大主教神学家的崇拜:基于手稿证据的新信息

IF 0.2

Slovene-International Journal of Slavic Studies Pub Date : 2022-01-01 DOI: 10.31168/2305-6754.2021.11.1.4

N. Sheremetov, I. Poliakov

{"title":"The Worship of the Novgorod Archbishop Theoktist in the 17th — early 18th cent.: New Information on the Basis of Manuscripts Evidence","authors":"N. Sheremetov, I. Poliakov","doi":"10.31168/2305-6754.2021.11.1.4","DOIUrl":"https://doi.org/10.31168/2305-6754.2021.11.1.4","url":null,"abstract":"The research deals with the history of the worship of the Novgorod Archbishop Theoktist (†1310) during the 17th—early 18th centuries. On the basis of the literary, hymnographic and iconographic monuments, the authors of the article carried out a comprehensive analysis of this topic. The comparison of the testimonies mentioned in the Vita and the service to the saint with the surviving documents showed that they are based on real historical events and reflect the renewed worship of the saint from the middle of the 17th century. The authors of the article also discovered the earliest of the currently known copies of the Vita and the service. A textual study of this copy of the Vita of Theoktist made it possible to establish that this literary monument was created in several stages associated with the strengthening of the worship of the saint. According to the results of the hymnographic analysis of the discovered copy, it became possible to establish the author of the chants and the initial articles of the life—the famous Novgorodian scribe of the second half of the 17th century Boris Kozynin.","PeriodicalId":42189,"journal":{"name":"Slovene-International Journal of Slavic Studies","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69619884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Graveyard Walk in the First Third of the 19th Century: Healthcare, Memorial Politics, Aesthetics, Literature 19世纪前三分之一时期的墓地之路:医疗保健、纪念政治、美学、文学

IF 0.2

Slovene-International Journal of Slavic Studies Pub Date : 2022-01-01 DOI: 10.31168/2305-6754.2022.11.1.9

E. Kardash

{"title":"Graveyard Walk in the First Third of the 19th Century: Healthcare, Memorial Politics, Aesthetics, Literature","authors":"E. Kardash","doi":"10.31168/2305-6754.2022.11.1.9","DOIUrl":"https://doi.org/10.31168/2305-6754.2022.11.1.9","url":null,"abstract":"The undertaken thorough historical and literary analysis of A. S. Pushkin’s poem “When lost in thought I wander beyond the town…” (“Kogda za gorodom zadumchiv ia brozhu…”, 1836) reveals its pretexts and likely sources among which the most important ones are G. G. Byron’s epigram “On Lord Elgin”, the 5th, 8th and 11th letters of A. Pichot’s “Voyage historique et littéraire en Angleterre et en Ecosse” and the 1st part of W. Wordsworth’s «Essay upon Epitaphs». Meanwhile, the article outlines a broader representative spectrum of sociocultural, psychological and aesthetical ideas which determine how the authors of the end of the 18th—the first third of the 19th century deal with funerary and memorial topics. The article shows how medical and healthcare attitudes of the epoch, as well as some ideological shifts, which paved the way for European cemetery reform, filter the choices and the ways of textual representations of traditional literary rhetorics (Horatian topos of beatus ille in particular). On the other hand, the study demonstrates how narrative models conventional for the first third of 19th century function as the universal language suitable for describing utterly different graveyard spaces. The important research subject is the authors’ critical attitude to the official state commemorative politics, which involved a major change in aesthetic trends of the epoch. Development of associanist perception and sentience theory constitutes new demands for funerary and commemorative material culture and, in the case of Pushkin’s poem, stimulates the rethinking and transformation of well-established elegiac figurative and narrative patterns.","PeriodicalId":42189,"journal":{"name":"Slovene-International Journal of Slavic Studies","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69620663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Through Political Accusations to Socialist Realism: Discussion of A. M. Dmitriev's Novel “Aye to Steer the Boat” 从政治指责到社会主义现实主义——论德米特里耶夫的小说《掌舵》

IF 0.2

Slovene-International Journal of Slavic Studies Pub Date : 2022-01-01 DOI: 10.31168/2305-6754.2022.11.2.9

A. Sysoeva

{"title":"Through Political Accusations to Socialist Realism: Discussion of A. M. Dmitriev's Novel “Aye to Steer the Boat”","authors":"A. Sysoeva","doi":"10.31168/2305-6754.2022.11.2.9","DOIUrl":"https://doi.org/10.31168/2305-6754.2022.11.2.9","url":null,"abstract":"The objective of the study is to determine one of the regulatory mechanisms of literary practices in the early 1930s USSR. The paper aims to analyze the methods of discussion; to identify the main requirements for literary texts; to review the changes made in reprints. In the course of the present research, we studied archival documents which had previously not been introduced into academic study (materials from two oral discussions of A. M. Dmitriev's novel “Aye to Steer the Boat” (1931), correspondence), as well as reviews published in periodicals. The novel was perceived as an achievement of the Literary Association of the Red Army and Navy, which «tutored» its author. The article presents key points of the extensive discussion that reflected the ramifications of the RAPP's leader’s confrontation with the “Litfront” group. Political accusations, rhetorical techniques based on logical fallacies, contradictory reproaches all characterize the discourse of the era, while indicating that presumption of guilt was applied even to a writer loyal to the new regime. They also allow us to talk about the significant influence of critics and political workers on editorial amendments made to the text. The article highlights recurrent demands placed on the text, which reflected the shift of early 1930s Soviet literature towards the sole Socialist Realism approach. It was assumed that the writer would plausibly depict the preferred constructed image of reality in accordance with the current policy of the party, offering the reader a role model—a Bolshevik hero. The same period saw the onset of the requirement to write in a simple literary language.","PeriodicalId":42189,"journal":{"name":"Slovene-International Journal of Slavic Studies","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69620704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Flaying Angels: Аn Early Byzantine Edifying Tale Preserved Only in Slavic Translation 剥皮的天使:Аn早期拜占庭的启蒙故事，只保存在斯拉夫语翻译中

IF 0.2

Slovene-International Journal of Slavic Studies Pub Date : 2021-01-01 DOI: 10.31168/2305-6754.2021.10.1.1

S. Ivanov

引用次数: 0

“1866” in Leo Tolstoy’s War and Peace: The Depiction of Militia Gathering in the Socio-Political Context of the 1860s 列夫·托尔斯泰的《战争与和平:19世纪60年代社会政治背景下民兵集会的描述》中的“1866”

IF 0.2

Slovene-International Journal of Slavic Studies Pub Date : 2021-01-01 DOI: 10.31168/2305-6754.2021.10.2.8

Yulia I. Krasnoselskaya

{"title":"“1866” in Leo Tolstoy’s War and Peace: The Depiction of Militia Gathering in the Socio-Political Context of the 1860s","authors":"Yulia I. Krasnoselskaya","doi":"10.31168/2305-6754.2021.10.2.8","DOIUrl":"https://doi.org/10.31168/2305-6754.2021.10.2.8","url":null,"abstract":"In the paper, we examine chapters XXI–XXIII of War and Peace Book 3 Part 1, where Tolstoy depicts the preparations of the Russian nation to the war of 1812. He portrays the visit of Alexander I to Moscow and his meeting with people: first in the Kremlin, then in the Sloboda Palace, where nobles and merchants are gathered to define the conditions on which militia should be organized. The political problem stated in these chapters could be formulated as the problem of legitimacy of the supreme power, as well as of its relationship with the citizens. We state that the Kremlin scene in chapter XXI shows an archaic scenario of power that could remind of the old Russian tradition of the Zemsky Sobor. The next two chapters represent a more modern and more western scenario of power in the form of the advisory assembly with estate representation. In our opinion, Tolstoy, while creating these episodes, was deeply impressed by publications on D. V. Karakozov’s attempt on the life of Alexander II and by the Slavophiles’ and Westernizers’ (mainly B. N. Chicherin’s) works on the Ancient Russian and Western models of popular representation.","PeriodicalId":42189,"journal":{"name":"Slovene-International Journal of Slavic Studies","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69619766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Standardization in Balkan Slavic Diachronic Research 巴尔干斯拉夫历时研究中的标准化

IF 0.2

Slovene-International Journal of Slavic Studies Pub Date : 2021-01-01 DOI: 10.31168/2305-6754.2021.10.2.9

Ivan Šimko

引用次数: 0

A Latin Poem Translated into Russian in 1670: A Panegyric in Praise of King Louis XIII from Antoine de Pluvinel’s Book “Maneige Royal” 1670年翻译成俄语的一首拉丁诗：安托万·德·普鲁维尼尔《贵族》一书中赞美路易十三国王的帕内格里克

IF 0.2

Slovene-International Journal of Slavic Studies Pub Date : 2021-01-01 DOI: 10.31168/2305-6754.2021.10.1.13

I. Maier, Olena Jansson, Oleg Rusakovskiy

{"title":"A Latin Poem Translated into Russian in 1670: A Panegyric in Praise of King Louis XIII from Antoine de Pluvinel’s Book “Maneige Royal”","authors":"I. Maier, Olena Jansson, Oleg Rusakovskiy","doi":"10.31168/2305-6754.2021.10.1.13","DOIUrl":"https://doi.org/10.31168/2305-6754.2021.10.1.13","url":null,"abstract":"This paper offers an analysis of an early prose translation of a Latin panegyrical poem into Russian. The poem, “In lavdem Lvdovici XIII” was written by Peter / Petrus / Pierre Valens in 1623 or earlier. It was included in the book “Maneige Royal”, first published in 1623 under the name of A. de Pluvinel, who was the riding teacher of the young King Louis XIII. The book was translated into Russian in 1670, albeit not from the original French edition, but from the German version in the bilingual edition “Maneige Royal / Königliche Reitschul”, published in Braunschweig, 1626. The book's Russian title is a verbatim translation of the German one, “Korolevskaia ezdnaia shkola”. The translation is known from two copies: RNB, F.XI.1 (Saint Petersburg), and as one of the texts in the Codex AD 10 (Västerås, Sweden). Our analysis leads to the conclusion that both the translation itself and the two copies most probably were made at the Ambassadorial Chancery (Posol'skii prikaz). The translation of the Latin panegyrical poem shows that the translator understood the Latin text quite well, although it contains a few isolated errors. At the same time, some of these mistakes might have been the result of misprints in the German original, or they may have been caused by the copyist who produced the fair copy. It seems very likely that the translation of the Latin poem (as well as of the entire book) was made by the translator Ivan Tiazhkogorskii, who knew all three languages used in the book (German, Latin, and French). Although Tiazhkogorskii for the most part translated texts from his native language, German, he was able to make decent translations also from Latin and French; however, historical, political and above all mythological allusions caused a few difficulties.","PeriodicalId":42189,"journal":{"name":"Slovene-International Journal of Slavic Studies","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69618798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Linguistic Harmony as a Means of Symbolization in Folklore and Poetic Texts 语言和谐:民俗学与诗歌文本的符号化手段

IF 0.2

Slovene-International Journal of Slavic Studies Pub Date : 2021-01-01 DOI: 10.31168/2305-6754.2021.10.1.14

Alexander V. Gura

{"title":"Linguistic Harmony as a Means of Symbolization in Folklore and Poetic Texts","authors":"Alexander V. Gura","doi":"10.31168/2305-6754.2021.10.1.14","DOIUrl":"https://doi.org/10.31168/2305-6754.2021.10.1.14","url":null,"abstract":"The article discusses the use of linguistic harmony in traditional culture as a means of symbolisation. In folklore texts, the phonetic similarity of the words heightens the semantic connections between them. This happens when homonyms, paronyms, and other similar-sounding words in the text along with anagrammatic coding of the meaning of the text (for example, riddles) merge, combining two words in one hybrid word paronymous with both of them; by means of phonetic strengthening, complex sound compilation of the text as a whole, as frequently seen in poetry, etc. Symbolic correlations based on verbal consonances usually occur in spells, conjurations, dream interpretations, superstitions, and rituals that have a magical function (prognostic, healing, etc.). In archaic elements of the poetry, the harmony of the words combines an aesthetic function with a magical one (merging more and more with the aesthetic one over time), which allows us to talk about their true syncretism and the magical origins of poetry. Sound and logical-conceptual methods of symbolisation often interact with each other. The symbolism generated by the harmony of words fits into a wide cultural context, revealing deep-semantic cultural parallels from different eras and communities, since the supraindividual memory operating in culture is able to store and bring to life the accumulated connotations. Symbolism arising from the consonances of words has the property of reviving the etymological memory of a word in cultural contexts. In some archaic Slavic zones, symbolism, based on consonant words, still retains its productivity. In the symbolic language of the culture, it also performs a structuring function, takes part in the formation of connections and relationships between the single elements of the traditional picture of the world setting up certain parameters for it, for example, it forms parallels in folk zoology in animal and bird codes, isolating single groups of characters.","PeriodicalId":42189,"journal":{"name":"Slovene-International Journal of Slavic Studies","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69618812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Living and the Dead: Visionary Political Ideas of Alexander Radishchev 生与死:亚历山大·拉迪舍夫的远见政治思想

IF 0.2

Slovene-International Journal of Slavic Studies Pub Date : 2021-01-01 DOI: 10.31168/2305-6754.2021.10.2.7

Dmitry Ya. Kalugin

{"title":"The Living and the Dead: Visionary Political Ideas of Alexander Radishchev","authors":"Dmitry Ya. Kalugin","doi":"10.31168/2305-6754.2021.10.2.7","DOIUrl":"https://doi.org/10.31168/2305-6754.2021.10.2.7","url":null,"abstract":"The article is dedicated to the usage of the concept of prisutstvie (presence) in the texts by Alexander Radishchev. As the analysis shows, this concept is the meeting ground of three semantic fields: first of all, it signifies God’s presence in the Holy Gifts, secondly, it means ‘being together at one place’, as well as ‘court hearing’, and, finally, it is associated with the presence of an object in the mind (for example, in the work of Descartes, Hume, Locke). Thanks to Radishchev’s philosophical interests, his dependence on the language of European philosophers, and the circumstances of his biography, Radishchev’s works provide abundant material for analyzing the topoi of presence and absence in their different meanings. In spite of the fact that this concept is not essentially reflected by Radishchev, its usage has a systematic character: ‘presence’ emerges in special contexts. The article discusses three aspects of its usage. The first one is philosophical, linked with the idea of ‘personal identity’. The second aspect is intersubjective, connected with the presence-absence of a friend. The last one is political, where the utopian vision of the future is formulated. The conclusion of the article is that the concept of presence denotes a special regime of relations with another person, which is then correlated with the particular perception of the political society.","PeriodicalId":42189,"journal":{"name":"Slovene-International Journal of Slavic Studies","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69619753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Towards the Reconstruction of the Text of The Twelve Dreams of King Shahaisha 《沙海沙王十二个梦》文本的重构

IF 0.2

Slovene-International Journal of Slavic Studies Pub Date : 2021-01-01 DOI: 10.31168/2305-6754.2021.10.1.3

Anna A. Pichkhadze

{"title":"Towards the Reconstruction of the Text of The Twelve Dreams of King Shahaisha","authors":"Anna A. Pichkhadze","doi":"10.31168/2305-6754.2021.10.1.3","DOIUrl":"https://doi.org/10.31168/2305-6754.2021.10.1.3","url":null,"abstract":"In this paper, the attempt is made to define principles for the reconstruction of the primary Slavonic version of The Twelve Dreams of King Shahaisha. The original of the tale is unknown; it is supposed to be of Oriental provenance. The Twelve Dreams has survived in Russian and South Slavonic copies from the 14th–19th cc.; the discrepancies between single manuscripts are very significant. For the present study, six South Slavonic and three East Slavonic manuscripts have been used. The paper interprets some obscure fragments of The Twelve Dreams, examines the differences between the oldest Russian redaction and the text of the South Slavonic manuscripts and argues that the lexical Russisms of the Russian redaction are secondary and the lexemes characteristic of South Slavonic dialects, on the contrary, are primary. Certain grammatical peculiarities (conservation of the archaic vowel alternations in the presence / infinitive verb stems) are regarded as an argument for the early (before the end of the 13th c.) emergence of the Russian redaction which is a result of the revision of the original Slavonic text. At the same time, some facts are adduced confirming that the Russian manuscripts preserve a range of authentic readings and that their evidence is of value for the reconstruction of the original text, especially since the South Slavonic manuscripts often contain abridged or corrupted text and diverge essentially. The author claims that the reconstruction of the primary Slavonic text of The Twelve Dreams may be rather reliable in the places where the readings of at least one of the two earliest Russian manuscripts coincide with the readings of at least one South Slavonic manuscript because of the early split of the textual tradition into an East Slavonic and a South Slavonic branch.","PeriodicalId":42189,"journal":{"name":"Slovene-International Journal of Slavic Studies","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69618766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0