Studies in Theatre and Performance最新文献_第9页

Composting Grief: Part II & III 堆肥悲伤:第二和第三部分

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-02 DOI: 10.1080/14682761.2022.2136300

melissandre varin, Carmen Wong

引用次数: 0

Making Sense: Part I 讲道理:第一部分

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-02 DOI: 10.1080/14682761.2022.2136338

Lou Sarabadzic

引用次数: 0

Making Sense: Part II 理解:第二部分

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-02 DOI: 10.1080/14682761.2022.2136341

Lou Sarabadzic

引用次数: 0

Fragments of Encounters 相遇的片段

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-02 DOI: 10.1080/14682761.2022.2136280

nomi blum

引用次数: 0

ANTI – PERFORMANCE AS PRAXIS 反性能作为实践

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-02 DOI: 10.1080/14682761.2022.2136331

Raju Rage

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引用次数: 0

Exhibition curation as practice-as-research performance historiography: an incomplete story of audience experience 展览策展作为实践-研究的表演史学:一个不完整的观众体验故事

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-07-26 DOI: 10.1080/14682761.2022.2105544

Kate Holmes

{"title":"Exhibition curation as practice-as-research performance historiography: an incomplete story of audience experience","authors":"Kate Holmes","doi":"10.1080/14682761.2022.2105544","DOIUrl":"https://doi.org/10.1080/14682761.2022.2105544","url":null,"abstract":"Taking an interdisciplinary approach to information-led exhibitions focused on performance can be considered practice-as-research historiography if curation is engaged with as praxis. Approaching exhibition curation as research praxis is a knowledge-making process, reconfiguring exhibitions as far more than a ‘pathway to impact’ designed at securing a grant. In the curation of two linked exhibitions on nineteenth-century popular entertainments at the Bill Douglas Cinema Museum and University of Bristol Theatre Collection, which were stunted due to COVID-19, I developed an argument for the shared ground of exhibitions and performance. If archival objects can perform, the exhibition space itself is a stage through which they communicate embodied meanings to audiences. I explore how exhibition curation generates different epistemologies to written research by putting museum studies, performance history, audience studies and performance practice-as-research in conversation. I demonstrate how museum studies could benefit from performance in developing epistemological arguments, and how performance studies can more significantly privilege the audience in the knowledge production process. I conclude my findings by discussing how planned activities and lessons learnt from these exhibitions could provide a blueprint for practitioners interested in using the exhibition form and format to conduct historically relational practice-research inquiries in conversation with audiences. © 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"27 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83286990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dancers as interpreters: the aesthetics and social commentary of Hausa Koroso Dance 作为诠释者的舞者:豪萨科罗索舞蹈的美学与社会评论

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-07-26 DOI: 10.1080/14682761.2022.2105541

Olumuyiwa A. Akande

引用次数: 0

Editorial (42.2) 编辑(42.2)

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-07-06 DOI: 10.1080/14682761.2022.2097368

Tom Cornford

引用次数: 0

Testing scores for performing placestories 执行地点故事的测试分数

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-03-09 DOI: 10.1080/14682761.2022.2046366

Phil M. Smith

{"title":"Testing scores for performing placestories","authors":"Phil M. Smith","doi":"10.1080/14682761.2022.2046366","DOIUrl":"https://doi.org/10.1080/14682761.2022.2046366","url":null,"abstract":"ABSTRACT This paper describes an experimental project conducted by artists/researchers Crab & Bee (Helen Billinghurst and Phil Smith). The project was put together in response to the Covid Lockdown restrictions during 2020 in the UK and drew upon an art and performance practice that had been unfolding since 2018. ‘Testing Scores for Performing Placestories’ describes the testing of a group of scores (with accompanying avatars, gameboards, narratives and images) for participants to perform in their own homes, for their effectivesss (or lack of it) in encouraging participants to make displaced performances by ‘fictioning’ with unhuman agents. The scores were based on narrative features of a terrain around the Tamar river system (a post-industrial landscape of former mining sites, ruined quays and hollow lanes, with a troubled ecology and a varied folklore) gathered by Crab & Bee during performative visits to these sites. The players were encouraged to use the games to immerse themselves, in displaced domestic settings, in the materials and folkloric revenant of the wounded terrain and then invited to respond to their experiences. The second half of the paper addresses what the 22 detailed responses from the participants reveal, and draws some provisional conclusions.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"81 1","pages":"54 - 69"},"PeriodicalIF":0.3,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80494935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Negotiating cultural exchange. Federico García Lorca on the British stage from the Spanish civil war until the mid-fifties 商谈文化交流。费德里科García洛尔卡在英国舞台上从西班牙内战直到50年代中期

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-03-08 DOI: 10.1080/14682761.2022.2035120

María Bastianes

引用次数: 0