Studies in Theatre and Performance最新文献_第8页

Composting Grief: Part I 堆肥悲伤:第一部分

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-03-22 DOI: 10.1080/14682761.2022.2136330

melissandre varin, Carmen Wong

引用次数: 0

Free Bitch - Ongoing … .. 免费的婊子-正在进行... ..

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-03-22 DOI: 10.1080/14682761.2022.2142693

Stelly G

引用次数: 0

Special Interests 特殊利益集团

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-03-22 DOI: 10.1080/14682761.2022.2136342

Ash Williams

引用次数: 0

Audience behavior in immersive theatre: an environment-behavior studies analysis of Punchdrunk’s Sleep No More 沉浸式剧场中的观众行为:Punchdrunk《Sleep No More》的环境行为研究分析

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-03-08 DOI: 10.1080/14682761.2023.2185928

Özlem Gezgin, Çağrı Imamoğlu

{"title":"Audience behavior in immersive theatre: an environment-behavior studies analysis of Punchdrunk’s Sleep No More","authors":"Özlem Gezgin, Çağrı Imamoğlu","doi":"10.1080/14682761.2023.2185928","DOIUrl":"https://doi.org/10.1080/14682761.2023.2185928","url":null,"abstract":"ABSTRACTPlace can shape and influence audience behavior during a performance. This is especially noticeable in the site-specific immersive theatre model, where the performance occurs in a non-theatre setting and audiences have an active role. In this article, we argue that ‘place schema’ – a term from the interdisciplinary field of environment-behavior studies – provides a conceptual framework for better understanding audience behavior within immersive theatre environments. We know how to behave in a theatre building because we have codified experiences regarding the environment in our minds called place schemata. They help us process spatial information, predict what is likely to happen, and decide how to take action accordingly. However, if this spatial information does not match the ‘theatre schema’ we have in our minds, as is often the case in an immersive theatre setting, we would need to update our existing schema. In this article, we examine Punchdrunk’s Sleep No More (2011 New York production, which is still running) to evaluate how audiences carry the behavioral rules of traditional theatre schema into immersive theatres and consider how expectations, roles, and rules of place influence the relationship between the audience and setting.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"38 4","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-03-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Martyr plot and the national founding myth: staging Croatian national identity through amateur performances of a medieval genre 烈士情节和国家建立神话:通过中世纪流派的业余表演来展现克罗地亚的民族身份

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-02-20 DOI: 10.1080/14682761.2022.2145543

Marija Krnić

{"title":"Martyr plot and the national founding myth: staging Croatian national identity through amateur performances of a medieval genre","authors":"Marija Krnić","doi":"10.1080/14682761.2022.2145543","DOIUrl":"https://doi.org/10.1080/14682761.2022.2145543","url":null,"abstract":"ABSTRACTA windy day in May in a small village Velo Grabje on top of the hill of the island of Hvar. A small, centuries old, chapel and a dry, dusty island’s landscape is the only mise en scene for the performance of the medieval saint play which is just about to take place in front of around 40 visitors. As the wind carries their entrance song and waves their costumes, long black and white black tunics, a group of well-coordinated men of all ages, deliver a well know story of the life and suffering of Saint Lawrence. They deftly pronounce the verses from the sixteenth century, largely incomprehensive to the contemporary ear. Yet the costumes which in a plain and accessible way distinguish the good from the evil personae (the Christians in white tunics, the pagans in black ones, obviously); the overemphasised gestures of these characters; along with the stage directions read aloud; render the plot easy to follow. The fact that for many visitors (me included), this is not the first time they witness the performance, but one in many stagings which they will have seen, only makes the apprehension of the plot easier. This is their play!","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"38 3","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Brecht and the writer’s workshop – Fatzer and other dramatic projects 布莱希特和作家工作室-法泽和其他戏剧项目

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2023-01-02 DOI: 10.1080/14682761.2019.1606980

Lara Maleen Kipp

引用次数: 0

A conversation about new directions in studies of modernity and theatre 关于现代性和戏剧研究新方向的对话

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-12-13 DOI: 10.1080/14682761.2022.2145679

Esther Kim Lee, Glenn Odom, Aparna Bhargava Dharwadker

引用次数: 1

Directorial strategies for enhancing stage presence: When practice- based research meets phenomenology 提高舞台存在感的指导策略:当实践研究遇上现象学

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-10-11 DOI: 10.1080/14682761.2022.2131981

Linan Xian

引用次数: 0

Building theatre, making policy: materiality and cultural democracy at Liverpool’s PurpleDoor 建造剧院，制定政策:利物浦紫门的物质性和文化民主

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-17 DOI: 10.1080/14682761.2022.2121027

Karl Falconer, Steven Hadley, Jon Moorhouse

{"title":"Building theatre, making policy: materiality and cultural democracy at Liverpool’s PurpleDoor","authors":"Karl Falconer, Steven Hadley, Jon Moorhouse","doi":"10.1080/14682761.2022.2121027","DOIUrl":"https://doi.org/10.1080/14682761.2022.2121027","url":null,"abstract":"ABSTRACTThis article approaches the idea of architecture, theatre and cultural democracy as relational concepts, and considers the theatre building as a cultural artefact which both manifests and embodies power relations. We use the case study of Liverpool’s PurpleDoor to explore this idea. We consider theatre buildings as cultural artefacts to focus attention on the impact of material or physical factors and the power of cultural institutions to orient specific forms of behaviour and activity around themselves. In seeing architectural design as an embodiment of politics, philosophy and cultural policy, the article considers both the practical and theoretical dimensions of the future of a theatre architecture concerned with cultural democracy. The interconnection between political ideas of theatre’s contemporary social role and the material construction of the building – the performative nature of the performance space – become vital in recognising and re-prioritising values designed to address the intersectional nature of power systems afflicting the cultural sector and enabling citizen usage of cultural space. The article situates PurpleDoor in an historical lineage which articulates the aspiration to become both a site for critical inquiry and a contemporary manifestation of cultural democracy for 21st century British theatre.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"25 2","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50167785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The City (Revised) 城市(修订版)

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-02 DOI: 10.1080/14682761.2022.2136345

Fannie Sosa

引用次数: 0