Studies in Theatre and Performance最新文献_第10页

(Skin)Aesthetics (First Manifesto) (皮肤)美学(第一宣言)

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2021-05-03 DOI: 10.1080/14682761.2021.1912489

Freya Verlander

引用次数: 1

‘He did not go back to the army’: war, patriotism and desertion in Pavel Pryazhko’s The Soldier “他没有回到军队”:帕维尔·普里日科的《士兵》中的战争、爱国主义和逃兵

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2021-04-23 DOI: 10.1080/14682761.2021.1917873

J. Rowson

{"title":"‘He did not go back to the army’: war, patriotism and desertion in Pavel Pryazhko’s The Soldier","authors":"J. Rowson","doi":"10.1080/14682761.2021.1917873","DOIUrl":"https://doi.org/10.1080/14682761.2021.1917873","url":null,"abstract":"ABSTRACT Over the past twenty years, a collection of theatre makers in Russia have staged suppressed and marginalised voices to engage with the political and social realities of contemporary Russia. The work of these innovative theatre practitioners has been collated under the idiom of New Drama (Novaya Drama). Previous studies of New Drama have placed an emphasis on the role of the text and the playwright’s dynamic use of contemporary language. While acknowledging that these are important features of the New Drama repertoire, this article provides an alternative approach by examining the work of Pavel Pryazhko. This article explores Pryazhko’s The Soldier (Soldat, 2011), in the context of the Second Chechen War and Vladimir Putin’s revivification of the military in the public sphere. Through a detailed study of The Soldier in performance, this article contends that the production’s content and form is vital in generating an oppositional discourse about the role of the military in contemporary Russian society. Pryazhko’s eschewal of traditional notions of theatrical language and dialogic interaction in The Soldier disrupts the audience’s expectations of what a theatre performance is, and subsequently facilitates a wider dialogue about the Kremlin’s privileging of the military in Russia.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"49 1","pages":"200 - 221"},"PeriodicalIF":0.3,"publicationDate":"2021-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85321840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Performativity and fragmentation in Samuel Beckettʼs That Time 塞缪尔·贝克特《那个时代》中的表演与碎片化

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2021-04-19 DOI: 10.1080/14682761.2021.1917187

Aténé Mendelyté

引用次数: 0

The pleasure in moving: drawing the space through flamenco bodies 移动的乐趣:通过弗拉门戈身体来绘制空间

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2021-04-09 DOI: 10.1080/14682761.2021.1913322

Miriana Lausic

引用次数: 0

Horses and Cowboys on the Contemporary American Stage: The Horse as Prop in Sam Shepard’s Kicking a Dead Horse and Sarah Ruhl’s Late: a cowboy song 当代美国舞台上的马和牛仔:在山姆·谢泼德的《踢死马》和莎拉·鲁尔的《迟到:一首牛仔歌》中，马作为道具

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2021-03-26 DOI: 10.1080/14682761.2021.1902139

Ana Fernández-Caparrós

{"title":"Horses and Cowboys on the Contemporary American Stage: The Horse as Prop in Sam Shepard’s Kicking a Dead Horse and Sarah Ruhl’s Late: a cowboy song","authors":"Ana Fernández-Caparrós","doi":"10.1080/14682761.2021.1902139","DOIUrl":"https://doi.org/10.1080/14682761.2021.1902139","url":null,"abstract":"ABSTRACT This comparative essay analyses the dramatic representation of horses in two early twenty-first-century American plays by Sam Shepard and Sarah Ruhl. Both plays bring a horse figure onto the stage as a prop and couple it to human characters fashioned by the iconography of the American cowboy. While both plays rely heavily on the symbolic power of horses and trope the animal, thus failing to achieve a portrayal of animality initially capable of challenging traditional humanist forms of representation, a close analysis of the materiality of equine presence on the stage shows the overlooked yet essential dramatic function horses have in these plays; that, far from being static symbols, they intervene decisively in the construction and cultural perception of space, gender and values of evolving American cowboy cultures; that their presence contributes to an appreciation of the potential of the horse-human partnership; and that, bringing to the stage their historical heritage as inhabitants of the American frontier, their presence contributes to the reconceptualization of borders making boundaries between humans and animals more permeable.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"106 1","pages":"91 - 107"},"PeriodicalIF":0.3,"publicationDate":"2021-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78254419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Field works: wild experiments for performance research 野外工作:为性能研究而进行的野外实验

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2021-03-07 DOI: 10.1080/14682761.2021.1895543

D. Overend

{"title":"Field works: wild experiments for performance research","authors":"D. Overend","doi":"10.1080/14682761.2021.1895543","DOIUrl":"https://doi.org/10.1080/14682761.2021.1895543","url":null,"abstract":"ABSTRACT This article reflects on a series of wild experiments in literal field sites. It develops a practice-based methodology that aims to identify, perform and assert wild presences and unruly processes, playfully engaging with vibrant and dynamic ecologies. To explore these concerns ‘in the field’, a series of research trips were undertaken in the United Kingdom between 2017 and 2020, including repeated visits to Knepp Wildland Project in West Sussex and Bamff Estate in Perthshire. These locations were chosen due to their engagement with rewilding as an experimental mode of ecosystem management. Rewilding is explored here as a process-driven approach to conservation that offers a potential model for transdisciplinary artistic research. Adopting and adapting its methods through a combination of place writing, collaborative performance making and site-specific art, a creative practice is developed that prompts collaborative ways of working in response to the ecologies, conceptualisations and performances of these field sites. Aiming to bring something back from the field into the academy, the article argues for a (re)wilding of disciplinary knowledge exchange. It concludes with a call for wild epistemology, proposing that research in specific field sites can be informed by an artistic practice that is entangled, unsettling and continually practiced.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"32 1","pages":"70 - 90"},"PeriodicalIF":0.3,"publicationDate":"2021-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82485620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Borderline society and ‘rebellious mourning’: the case of South Korean feminist activism 边缘社会与“反叛的哀悼”:韩国女权主义运动的案例

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2021-01-25 DOI: 10.1080/14682761.2021.1874106

Y. J. Hwang

{"title":"Borderline society and ‘rebellious mourning’: the case of South Korean feminist activism","authors":"Y. J. Hwang","doi":"10.1080/14682761.2021.1874106","DOIUrl":"https://doi.org/10.1080/14682761.2021.1874106","url":null,"abstract":"ABSTRACT In this article I propose two concepts – a borderline society and ‘rebellious mourning’ – to present a conceptual framework for understanding contemporary Korean feminism. This article argues that borderline society is both a concept and a product of co-existing and contesting ways of Korean women’s speaking against the culture of gender-based violence to consider the (imagined) topography for their co-existence as one that requires the psychic conception of reality as a counterpart to the patriarchy. Given that the 2016 femicide accelerated the movement of Korean women speaking about their experiences as an act of mourning, borderline society provides an understanding of how Korean women perform it. Drawing on contemporary news clippings and websites related to Korean feminist activism, this article examines how ‘rebellious mourning’ is embodied through the cultural practices of Korean activist groups. While Womad stands in opposition to #MeToo because of its negation of the patriarchy, Flame, Femi, Action is situated as a point of contact between the two. This article will thus provide a new understanding of the particularity of Korean feminism based on the link between the psyche and gender subjectivity of women speaking up, thereby placing a specific local situation into the broader context of constructing activism.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"1 1","pages":"32 - 46"},"PeriodicalIF":0.3,"publicationDate":"2021-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88210783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Vulnerability, care and hope in audience research: theatre as a site of struggle for an intergenerational politics 观众研究中的脆弱、关怀和希望:戏剧作为代际政治斗争的场所

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2021-01-03 DOI: 10.1080/14682761.2020.1862998

K. Gallagher, C. Balt, Lindsay Valve

{"title":"Vulnerability, care and hope in audience research: theatre as a site of struggle for an intergenerational politics","authors":"K. Gallagher, C. Balt, Lindsay Valve","doi":"10.1080/14682761.2020.1862998","DOIUrl":"https://doi.org/10.1080/14682761.2020.1862998","url":null,"abstract":"ABSTRACT This article considers the theatre as a vital site for the formation of an ‘intergenerational polis’ through its examination of the verbatim play, Towards Youth: A play on radical hope, by Andrew Kushnir. Performed in Toronto from February to March, 2019, at Crow’s Theatre, Towards Youth attracted a uniquely intergenerational audience. Our audience research on this production, consisting of post-performance interviews, conducted in the lobby of Crow’s Theatre, gave rise to difficult dialogues between generations, particularly regarding questions of ‘intergenerational injustice’ at these times of economic, environmental, and socio-political precarity. We examine how discomfort,witnessing and vulnerability manifested in these audience interviews and in the development of a tentative and temporary ‘intergenerational polis’ in the theatre. We look to how the affective labour performed by the audience in these interviews sought to establish an ‘ethics of care’ between some younger and older audience members, as a practice of hope in uncertain times. This research gestures towards the importance of attuning to ‘dissensus’ in audience research towards the cultivation of a critical and civically-engaged spectatorship.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"25 1","pages":"35 - 53"},"PeriodicalIF":0.3,"publicationDate":"2021-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82676884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A manifesto to decentre theatre and performance studies 下放戏剧和表演研究的宣言

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2021-01-02 DOI: 10.1080/14682761.2021.1881730

Swati Arora

引用次数: 9

If/when performance studies came to Singapore: PSi #10 and its ramifications 如果/当绩效研究来到新加坡:PSi #10及其后果

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2021-01-02 DOI: 10.1080/14682761.2021.1889238

N. Cheng

引用次数: 1