后人类中心排练研究。一个概念框架,以说明社会和物质调解在表演制作

IF 0.3 3区 艺术学 0 THEATER
Carmen Pellegrinelli, L. Parolin
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引用次数: 0

摘要

本文使用“调解”的概念来解释新剧排练中涉及的社会物质。借鉴源自科学技术研究的“新艺术社会学”的思想,我们展示了排练的社会物质性如何成为戏剧制作过程的重要组成部分。这意味着在发展和完善一个场景的过程中,排练室里的材料、身体和事物起着至关重要的作用。使用人种学研究方法,特别强调视频记录的摘录,我们分析了排练室中发生的特定活动,以减少人类中心主义和更细致的方式解读有助于创造场景的过程。通过分析表演制作工作实践中纠缠的动态,我们揭示了构成戏剧工艺的容易被忽视的专业过程的物质基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Post-anthropocentric Rehearsal Studies. A conceptual framework to account for the social and material mediations in performance-making
ABSTRACT This article uses the concept of ‘mediation’ to account for the sociomateriality involved in the rehearsal of a new play. Drawing on ideas from the ‘New Sociology of Art’ that has its origins in Science and Technology Studies, we show how the sociomateriality of the rehearsal is an essential part of the process of theatre-making. It means giving to materials, bodies and matters in the rehearsal room a crucial role in the process of developing and refining a scene. Using ethnographic research methods, with particular emphasis on excerpts from video recordings, we analyse specific activities that take place in the rehearsal room to give a less anthropocentric and a more nuanced reading of the processes that contribute to the creation of a scene. Analysing the dynamics of entanglements in work practices of performance-making, we reveal the material base of the easily overlooked professional processes that constitute the craft of theatre.
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来源期刊
CiteScore
0.60
自引率
33.30%
发文量
11
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