后人类中心排练研究。一个概念框架,以说明社会和物质调解在表演制作

IF 0.3 3区 艺术学 0 THEATER
Carmen Pellegrinelli, L. Parolin
{"title":"后人类中心排练研究。一个概念框架,以说明社会和物质调解在表演制作","authors":"Carmen Pellegrinelli, L. Parolin","doi":"10.1080/14682761.2021.1979337","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article uses the concept of ‘mediation’ to account for the sociomateriality involved in the rehearsal of a new play. Drawing on ideas from the ‘New Sociology of Art’ that has its origins in Science and Technology Studies, we show how the sociomateriality of the rehearsal is an essential part of the process of theatre-making. It means giving to materials, bodies and matters in the rehearsal room a crucial role in the process of developing and refining a scene. Using ethnographic research methods, with particular emphasis on excerpts from video recordings, we analyse specific activities that take place in the rehearsal room to give a less anthropocentric and a more nuanced reading of the processes that contribute to the creation of a scene. Analysing the dynamics of entanglements in work practices of performance-making, we reveal the material base of the easily overlooked professional processes that constitute the craft of theatre.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"52 1","pages":"130 - 154"},"PeriodicalIF":0.3000,"publicationDate":"2021-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Post-anthropocentric Rehearsal Studies. A conceptual framework to account for the social and material mediations in performance-making\",\"authors\":\"Carmen Pellegrinelli, L. Parolin\",\"doi\":\"10.1080/14682761.2021.1979337\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article uses the concept of ‘mediation’ to account for the sociomateriality involved in the rehearsal of a new play. Drawing on ideas from the ‘New Sociology of Art’ that has its origins in Science and Technology Studies, we show how the sociomateriality of the rehearsal is an essential part of the process of theatre-making. It means giving to materials, bodies and matters in the rehearsal room a crucial role in the process of developing and refining a scene. Using ethnographic research methods, with particular emphasis on excerpts from video recordings, we analyse specific activities that take place in the rehearsal room to give a less anthropocentric and a more nuanced reading of the processes that contribute to the creation of a scene. Analysing the dynamics of entanglements in work practices of performance-making, we reveal the material base of the easily overlooked professional processes that constitute the craft of theatre.\",\"PeriodicalId\":42067,\"journal\":{\"name\":\"Studies in Theatre and Performance\",\"volume\":\"52 1\",\"pages\":\"130 - 154\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-09-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Theatre and Performance\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14682761.2021.1979337\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Theatre and Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14682761.2021.1979337","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0

摘要

本文使用“调解”的概念来解释新剧排练中涉及的社会物质。借鉴源自科学技术研究的“新艺术社会学”的思想,我们展示了排练的社会物质性如何成为戏剧制作过程的重要组成部分。这意味着在发展和完善一个场景的过程中,排练室里的材料、身体和事物起着至关重要的作用。使用人种学研究方法,特别强调视频记录的摘录,我们分析了排练室中发生的特定活动,以减少人类中心主义和更细致的方式解读有助于创造场景的过程。通过分析表演制作工作实践中纠缠的动态,我们揭示了构成戏剧工艺的容易被忽视的专业过程的物质基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Post-anthropocentric Rehearsal Studies. A conceptual framework to account for the social and material mediations in performance-making
ABSTRACT This article uses the concept of ‘mediation’ to account for the sociomateriality involved in the rehearsal of a new play. Drawing on ideas from the ‘New Sociology of Art’ that has its origins in Science and Technology Studies, we show how the sociomateriality of the rehearsal is an essential part of the process of theatre-making. It means giving to materials, bodies and matters in the rehearsal room a crucial role in the process of developing and refining a scene. Using ethnographic research methods, with particular emphasis on excerpts from video recordings, we analyse specific activities that take place in the rehearsal room to give a less anthropocentric and a more nuanced reading of the processes that contribute to the creation of a scene. Analysing the dynamics of entanglements in work practices of performance-making, we reveal the material base of the easily overlooked professional processes that constitute the craft of theatre.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.60
自引率
33.30%
发文量
11
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信