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A Narrative of An Ideological Destruction: Where Do We Go Now? 意识形态毁灭的叙述:我们现在何去何从?
CINEJ Cinema Journal Pub Date : 2023-10-20 DOI: 10.5195/cinej.2023.506
Gamzenur Aygün, Ayça Tunç Cox
{"title":"A Narrative of An Ideological Destruction: Where Do We Go Now?","authors":"Gamzenur Aygün, Ayça Tunç Cox","doi":"10.5195/cinej.2023.506","DOIUrl":"https://doi.org/10.5195/cinej.2023.506","url":null,"abstract":"Lebanese filmmaker, actress, and screenwriter Nadine Labaki’s 2011 film Where Do We Go Now? is about the ideological manipulation that gradually results in a big conflict among people in a rural Middle Eastern village where Muslims and Christians live in a peaceful existence. Labaki is known for her politically engaged narratives which refer to the recent political past of Lebanese whilst centralizing strong female figures. Where Do We Go Now? is no exception, and thus, reflects the director's general cinematic style and political attitude. Labaki invites her audience through the comedy to question ideology which interpellates and thus constructs the individual as a subject by revealing the ways ideology creates differences, separation, and conflict among people. In this context, this article strives to analyze the film Where Do We Go Now? employing critical discourse analysis with references to Althusser's conceptualization of ideology and Subject-subject formation.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135617570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ancient Telling, Contemporary Showing: A Reading of The Killing of a Sacred Deer (2017) As Film Adaptation 古言今世:《杀圣鹿》(2017)电影改编解读
CINEJ Cinema Journal Pub Date : 2023-10-20 DOI: 10.5195/cinej.2023.465
Poya Raissi, Morteza Ghaffari
{"title":"Ancient Telling, Contemporary Showing: A Reading of The Killing of a Sacred Deer (2017) As Film Adaptation","authors":"Poya Raissi, Morteza Ghaffari","doi":"10.5195/cinej.2023.465","DOIUrl":"https://doi.org/10.5195/cinej.2023.465","url":null,"abstract":"This article aims to investigate the contemporary aspects of adaptation from ancient plays, presenting a reading of The Killing of a Sacred Deer (2017). A comparative view towards Iphigenia at Aulis by Euripides (405 BC) raises the question of how story elements of that play are recreated within the film adaptation. Also, it seeks to explore the relationship between the type of engagement, from hypotext (play) “telling” to hypertext (film) “showing”. The theoretical framework of the article utilized theories of Gerard Genette’s “hypertextuality” and Linda Hutcheon’s “adaptation”. The results indicate subtle thematic connections, as well as a significant interplay between hypotext and hypertext. The Killing of a Sacred Deer represents an adaptation with a creative interpretation, one which reimagines the forms and themes of ancient tragedy in a modern-life context. Various influences, imitations and transformations of Euripides’ story elements are interwoven in the adaptation process and discussed in the article.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135617574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Getting Your Money Back: Swedish Funding Institutions and Questions About Quality Films 拿回你的钱:瑞典资助机构和关于高质量电影的问题
CINEJ Cinema Journal Pub Date : 2023-10-20 DOI: 10.5195/cinej.2023.595
Zehra Cerrahoğlu
{"title":"Getting Your Money Back: Swedish Funding Institutions and Questions About Quality Films","authors":"Zehra Cerrahoğlu","doi":"10.5195/cinej.2023.595","DOIUrl":"https://doi.org/10.5195/cinej.2023.595","url":null,"abstract":"This article explores the ways in which policymakers, national institutions, and film funding bodies try to navigate the current challenges for Swedish cinema, and if/how distinctions such as “commercial value”, “circulation potential” and “quality” remains important criteria for them. This is done by analyzing reports and interviewing people from both the industry and funding bodies.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"115 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135618794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Slow Steps: The Institutional Development of Slovak Film From Proto-National to National Film 1939-1950 缓慢的步伐:斯洛伐克电影的制度发展，从原国家电影到国家电影1939-1950
CINEJ Cinema Journal Pub Date : 2023-10-20 DOI: 10.5195/cinej.2023.491
Nicholas David Hudac
{"title":"Slow Steps: The Institutional Development of Slovak Film From Proto-National to National Film 1939-1950","authors":"Nicholas David Hudac","doi":"10.5195/cinej.2023.491","DOIUrl":"https://doi.org/10.5195/cinej.2023.491","url":null,"abstract":"From 1939 to 1950, Slovak cinema underwent a massive institutional development, war-related setbacks, and finally became nationalized under the control of the Czechoslovak Ministry of Information. This article aims to thematize this understudied time period of Slovak cinema and to reveal how Slovak cinema transformed from a proto-national cinema into a national one.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135618801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Exposing the world through Emanuel Lubezki's method 通过伊曼纽尔·卢贝兹基的方法揭示世界
CINEJ Cinema Journal Pub Date : 2023-10-20 DOI: 10.5195/cinej.2023.447
Majid Bagherzadeh, Elyas Sanati, Masoud Naghipour
{"title":"Exposing the world through Emanuel Lubezki's method","authors":"Majid Bagherzadeh, Elyas Sanati, Masoud Naghipour","doi":"10.5195/cinej.2023.447","DOIUrl":"https://doi.org/10.5195/cinej.2023.447","url":null,"abstract":"This article is based on the concept of exposing the world through the lens of cinema by a cinematographer. Without a cinematographer, movies are not as visually and emotionally impactful on audiences. Cinema is trying to penetrate beyond things and create an utterly phenomenological experience. Cinematographers are responsible for creating the audience's emotions through various cinematic techniques. It is perhaps one of their most significant roles is to promote the cinematic frame as a mediator. This research claims that the cinema’s camera illuminates the world through focusing and framing components. It provides the cinematic image with a cinematic presence and makes it feasible in a phenomenological sense (return to things themselves). And eventually, this leads to viewer buoyancy and immersiveness.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135568069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From “Makers of Images” to Cineastes? Looking Critically at Festivals and Critics’ Reception of Nollywood 从“影像制造者”到“电影人”?从电影节和评论家对诺莱坞的评价看问题
CINEJ Cinema Journal Pub Date : 2023-10-20 DOI: 10.5195/cinej.2023.533
Floribert Patrick C. Endong
{"title":"From “Makers of Images” to Cineastes? Looking Critically at Festivals and Critics’ Reception of Nollywood","authors":"Floribert Patrick C. Endong","doi":"10.5195/cinej.2023.533","DOIUrl":"https://doi.org/10.5195/cinej.2023.533","url":null,"abstract":"At its inception in the early 1990s, the Nollywood film movement did not attract a positive appraisal from most “learned” critics. Its non-conformist approach to filmmaking made most critics to associate it with the act of just “making images” as well as a lack of respect for cinema. Even major film festivals seemed “not friendly” to Nollywood films. Today, the quality of Nollywood films has remarkably improved even though much is still to be done. However, it remains important to examine if such improvement in quality has affected international film critics’ reception of Nollywood films. Using secondary sources and critical observations this author examines how Nollywood film criticism has evolved over these last years. The author focuses specifically on how the FESPACO and Cannes Festival have received Nollywood productions.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135618413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Songs of Pyaasa - A Narrative within a Narrative 皮亚萨之歌-叙述中的叙述
CINEJ Cinema Journal Pub Date : 2023-10-19 DOI: 10.5195/cinej.2023.421
Srijana Siri Murthy
{"title":"The Songs of Pyaasa - A Narrative within a Narrative","authors":"Srijana Siri Murthy","doi":"10.5195/cinej.2023.421","DOIUrl":"https://doi.org/10.5195/cinej.2023.421","url":null,"abstract":"This article analyses how the songs of Pyaasa,1957 including musical and cinematic elements not only contribute to further the film’s narrative but also stands apart weaving its own narrative and themes relevant to current Indian politics and society. Five songs from Pyaasa are used to examine the objective of research. Each song including its lyrics and picturization is explored to understand the ways in which the song promoted the overall narrative of the film. Further, the songs are juxtaposed to the current Indian political and civilizational climate to highlight its relevance.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135780018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Socio-Cultural Archetypes: Interrogating African Virginity Discourse in Tunde Kelani’s Films. 社会文化原型:对Tunde Kelani电影中非洲童贞话语的质疑。
CINEJ Cinema Journal Pub Date : 2023-10-19 DOI: 10.5195/cinej.2023.405
Adeyoola Mercy Ojemola
{"title":"Socio-Cultural Archetypes: Interrogating African Virginity Discourse in Tunde Kelani’s Films.","authors":"Adeyoola Mercy Ojemola","doi":"10.5195/cinej.2023.405","DOIUrl":"https://doi.org/10.5195/cinej.2023.405","url":null,"abstract":"In African culture generally, virginity is associated with innocence from sexuality; it is ascribed the position of the pride of every woman and for the Yorubas’, one who has not “spoiled” herself. Public and empirical discourses on the influences of westernisation on cultural values like virginity in Nigeria-Africa have been significantly negative as a paradigm shift from the indigenous concept of communal honour and personal/ public morality and modesty to representations of westernisation and modernisation. This study examines four films by Tunde Kelani (Narrow Path, Magun, Campus Queen, and Arugba) to explain the unevolved socio-cultural importance attached to virginity before and after the embrace of westernization.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135780212","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Deceptive Retrospective Narrative Strategy and Synchronistic Prerequisite: Case Study on The Design of Impossible Puzzles 欺骗性回溯叙事策略与同步性前提——以《不可能谜题》设计为例
CINEJ Cinema Journal Pub Date : 2023-10-19 DOI: 10.5195/cinej.2023.475
Yu Yang
{"title":"Deceptive Retrospective Narrative Strategy and Synchronistic Prerequisite: Case Study on The Design of Impossible Puzzles","authors":"Yu Yang","doi":"10.5195/cinej.2023.475","DOIUrl":"https://doi.org/10.5195/cinej.2023.475","url":null,"abstract":"The deceptive clues in the impossible puzzle film confirm the viewer’s internal expectations and allow retrospective attributing. In the film, a transcendental object negates an internal expectation, causing a retrospective blockage. Retrospectivity does not stop there; the transcendental object reinterpreting deceptive clues in the associative area leads to repeated attribution. This article consists of three parts. First, it discusses impossible puzzle films in the context of complex narrative classification. The following section introduces the Jungian concept of synchronicity and illustrates how it works. The article concludes with a case study of Long Day’s Journey into Night (2018), which contains more complicated puzzles and explains how mind-game narrative techniques create deceptive clues and induce deceptive retrospective attribution.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135780213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Understanding masculinity in Turkey through the films of male auteur directors 通过男性导演的电影了解土耳其的男性气质
CINEJ Cinema Journal Pub Date : 2023-10-19 DOI: 10.5195/cinej.2023.413
Hasan Gürkan, Işıl Yarcı
{"title":"Understanding masculinity in Turkey through the films of male auteur directors","authors":"Hasan Gürkan, Işıl Yarcı","doi":"10.5195/cinej.2023.413","DOIUrl":"https://doi.org/10.5195/cinej.2023.413","url":null,"abstract":"This study focuses the representation of male characters in the films of contemporary male auteur directors in Turkey. Once Upon a Time in Anatolia (Zeki Demirkubuz, 2011), Underground (Demizkubuz, 2012), and Big World (Erdem, 2016) are explored using sociological film analysis. Unlike mainstream cinema, the protagonists in these directors’ films do not demonstrate hegemonic masculinity; the supporting male characters that do demonstrate hegemonic masculinity category are not white Turks. Arguably, the male characters embody a new hybrid hegemonic masculinity that combines various masculinities to reproduce patriarchy. It can be stated that “Others” in these films are negatively affected.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135780221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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