通过伊曼纽尔·卢贝兹基的方法揭示世界

IF 0.2 0 FILM, RADIO, TELEVISION
Majid Bagherzadeh, Elyas Sanati, Masoud Naghipour
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引用次数: 0

摘要

这篇文章是基于一个电影摄影师通过电影的镜头来揭示世界的概念。如果没有摄影师,电影在视觉上和情感上对观众的影响就不会那么大。电影试图穿透事物之外,创造一种完全现象学的体验。电影摄影师负责通过各种电影技术创造观众的情感。也许它们最重要的作用之一是促进电影框架作为一个调解人。这项研究声称,电影的摄像机通过对焦和取景组件照亮世界。它为电影形象提供了电影的存在,并使其在现象学意义上可行(回归事物本身)。最终,这导致观众浮力和沉浸感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exposing the world through Emanuel Lubezki's method
This article is based on the concept of exposing the world through the lens of cinema by a cinematographer. Without a cinematographer, movies are not as visually and emotionally impactful on audiences. Cinema is trying to penetrate beyond things and create an utterly phenomenological experience. Cinematographers are responsible for creating the audience's emotions through various cinematic techniques. It is perhaps one of their most significant roles is to promote the cinematic frame as a mediator. This research claims that the cinema’s camera illuminates the world through focusing and framing components. It provides the cinematic image with a cinematic presence and makes it feasible in a phenomenological sense (return to things themselves). And eventually, this leads to viewer buoyancy and immersiveness.
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来源期刊
CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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