CINEJ Cinema Journal最新文献_第4页

Thirteen Days: A Political Reading 《十三天:政治解读

IF 0.1

CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.537

İkbal Sinemden Oylumlu

{"title":"Thirteen Days: A Political Reading","authors":"İkbal Sinemden Oylumlu","doi":"10.5195/cinej.2022.537","DOIUrl":"https://doi.org/10.5195/cinej.2022.537","url":null,"abstract":"Thirteen Days is a historical political thriller, reflecting John F. Kennedy's leadership characteristics and the decision-making process during the Cuban Missile Crisis, close to reality. The study explains the connection between fictional and real and the decision-making process through the similarities and differences between film scenes and real images. In this sense, it examines John F. Kennedy's decision-making process and leadership structure using both international relations theories and film review methods. The film has been created with a historical perspective, the character traits, crisis and resolution processes of the American president and his small group members, as well as the actors in the Soviet bloc. In addition, evaluating the attitudes and approaches of the Kennedy government and Kennedy's leadership structure are clearly reflected to the audience in the film. This study contributes to the understanding of international relations by explaining Small Thinking Decision and Rational Actor Model theories with the cooperation of the field of international relations and cinema. The sum up, to compare of film scenes and real elements is also important in terms of editing the parts that appear as black-boxes during the crisis and interpreting them close to reality.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"50 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86521523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Minik Serçe as a Contrary Example Among the Singer Films in Turkish Cinema 土耳其电影歌手电影中的反例——米尼克·塞帕尔瑟雷

IF 0.1

CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.522

Yasemin Barlan

引用次数: 0

Victims and Survivors in the Rape-Revenge Narrative: A Comparison of Black Christmas (2019) and I May Destroy You (2020) 强奸-复仇叙事中的受害者和幸存者:《黑色圣诞节》(2019)与《我可能毁灭你》(2020)的比较

IF 0.1

CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.436

Michaela Keating

引用次数: 0

Review of An Orthodox Monk Watching Films 《一个东正教修士看电影》书评

IF 0.1

CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.423

Ioan Buteanu

引用次数: 0

Exploring Modes of Surveillance in Films 探索电影中的监视模式

IF 0.1

CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.444

Matteo Ciccognani

引用次数: 0

The Ambivalent Object(s) of America in Wim Wenders 维姆·文德斯笔下美国的矛盾对象

IF 0.1

CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.507

Laurent Shervington

{"title":"The Ambivalent Object(s) of America in Wim Wenders","authors":"Laurent Shervington","doi":"10.5195/cinej.2022.507","DOIUrl":"https://doi.org/10.5195/cinej.2022.507","url":null,"abstract":"This article will consider Wim Wenders’ relationship to America in several of his films during the New German Cinema Movement of the 1970s and 1980s. In particular, it will explore the place America occupies as a fantasy object, framing this through the distinct roles individual objects play in Wenders’ films. Firstly, in the initial period of his life, various accounts point to the fact that the director related to American culture as a substitute for his own country’s fascistic past. Such a viewpoint is then countered in his film Alice in the Cities (1972), where the protagonist is initially puzzled by the enigma of America, but finds he can comprehend it upon hearing of the Hollywood director John Ford’s passing from a newspaper. In The State of Things (1982), apropos Wenders’ experience working in Hollywood under Francis Ford Coppola, the relationship to objects again changes, this time from the subject’s mastery over objects, to the mastery of the object over the subject. However, an alternative position emerges through a more careful reading of the film Hammett (1982), which, exists as a short-circuit in the typical narrative of Wenders’ cinematic trajectory. Rather than emphasizing the mastery of the subject or the object, through the use of narrative, the film Hammett reveals an alternative position by implicating the two in a dialectic. Such a position takes on a refined inflection in Paris, Texas (1982), in which the subject implicates themselves in their own fantasy, repeating the radical gesture from Hammett (1982) and forging a new relationship between subject and object.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"5 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79183982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Zombie-Themes Outbreak Films and World War Z (2013) 僵尸题材的爆发电影和僵尸世界大战(2013)

IF 0.1

CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.499

Barış Tolga Ekinci

引用次数: 0

Deterritorializing The Self: Becoming-Child in the Characters of Reha Erdem’s What’s A Human Anyway? (2004) 自我去疆域化:在Reha Erdem的《人到底是什么?》(2004)

IF 0.1

CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.364

Suphi Keskin

引用次数: 0

The Relation of Female Characters to Nature in the Turkish Series Wounded Love (2016–2018): Ecofeminist Approaches 土耳其系列《受伤的爱》(2016-2018)中女性角色与自然的关系:生态女性主义的视角

IF 0.1

CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.410

Fazıla Derya Agiş

{"title":"The Relation of Female Characters to Nature in the Turkish Series Wounded Love (2016–2018): Ecofeminist Approaches","authors":"Fazıla Derya Agiş","doi":"10.5195/cinej.2022.410","DOIUrl":"https://doi.org/10.5195/cinej.2022.410","url":null,"abstract":"This study analyzes the female characters and their relationship to nature in the Turkish series, entitled “You are my country” (“Vatanım Sensin” originally in Turkish) or “Wounded Love” (2016-2018) from an ecofeminist point of view. The Turkish and Greek mothers, daughters, and sisters try to unify their families after each attack in the series. Thus, their efforts will be analyzed within the framework of “Ecofeminism” as Turkey is a land linguistically feminized in Latin as “Turquia” with a female gender ending -a. The ecological metaphorical spaces associated with the images of Turkish and Greek women trying to preserve the family continuity during the liberation war of Turkey will be analyzed; such ecological spaces include the Aegean Sea, forests, and roads of Izmir, Ankara, and Salonica. Moreover, ecological metaphorical objects include flowers, trees, and animals. Illnesses, famines, plunders, and forced migrations are the main reasons for the losses of some family members; this study examines how these lost members get united through the metaphorical uses of the environmental spaces important for women, who try to keep the new Turkey free through their efforts in the 1920s within the framework of ecofeminism, a term coined by Françoise d’Eaubonne in 1974.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"11 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88939370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Politicizing the superhero genre: The case of Watchmen (HBO, 2019) 将超级英雄类型政治化:《守望者》(HBO, 2019)

IF 0.1

CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.509

Evdokia Stefanopoulou

引用次数: 0