CINEJ Cinema Journal最新文献_第4页

The Black magic: An aesthetic analysis of its illustration in the sociohorteur film: Dachra 黑魔法:社会幽默电影《达克拉》中黑魔法的美学分析

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CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.464

Faten Ridene

{"title":"The Black magic: An aesthetic analysis of its illustration in the sociohorteur film: Dachra","authors":"Faten Ridene","doi":"10.5195/cinej.2022.464","DOIUrl":"https://doi.org/10.5195/cinej.2022.464","url":null,"abstract":"Throughout the history of the humanity, and not withstanding of the humankind; the black magic has always been, and is still, an ugly and frightening human folklore in many cultures, whatever would be their religions and beliefs ; and from which, they are still suffering until nowadays, due to its distinction with mysterious and suspicious practices that have been imprinted in the identity of mankind, as a point of contention that transcends different sects and races. Discussing such issue is deeply hated by most of the populations, due to the huge rate of horror and frightens it may push the interlocutors to feel: what if such an internationally suffering from problematic is treated through a motion picture? Would its receiving and comprehension be better and easier? And how would a horror movie be a film d’auteur, horror and social one at the same time? Will there be a difference in the way of receiving it by the audience? And would the fact of being predecessor and identificatory at the same time, positively influence its distribution? We will try to answer all those questions through our article that we baptise: The Black magic: an intangible cultural heritage in defiance of the human will-An aesthetic and analytical lecture of its illustration in the sociohorteur movie: Dachra made by Abdelhamid Bouchnak","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"30 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72654520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Güneş Ne Zaman Doğacak?: A different approach from the perspective of Turkish cinematic art <s:1>新闻报Doğacak?:从土耳其电影艺术的角度来看，这是一种不同的方式

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CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.525

Mehmet Yılmazata, E. Güven

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Thirteen Days: A Political Reading 《十三天:政治解读

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CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.537

İkbal Sinemden Oylumlu

{"title":"Thirteen Days: A Political Reading","authors":"İkbal Sinemden Oylumlu","doi":"10.5195/cinej.2022.537","DOIUrl":"https://doi.org/10.5195/cinej.2022.537","url":null,"abstract":"Thirteen Days is a historical political thriller, reflecting John F. Kennedy's leadership characteristics and the decision-making process during the Cuban Missile Crisis, close to reality. The study explains the connection between fictional and real and the decision-making process through the similarities and differences between film scenes and real images. In this sense, it examines John F. Kennedy's decision-making process and leadership structure using both international relations theories and film review methods. The film has been created with a historical perspective, the character traits, crisis and resolution processes of the American president and his small group members, as well as the actors in the Soviet bloc. In addition, evaluating the attitudes and approaches of the Kennedy government and Kennedy's leadership structure are clearly reflected to the audience in the film. This study contributes to the understanding of international relations by explaining Small Thinking Decision and Rational Actor Model theories with the cooperation of the field of international relations and cinema. The sum up, to compare of film scenes and real elements is also important in terms of editing the parts that appear as black-boxes during the crisis and interpreting them close to reality.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"50 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86521523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Minik Serçe as a Contrary Example Among the Singer Films in Turkish Cinema 土耳其电影歌手电影中的反例——米尼克·塞帕尔瑟雷

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CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.522

Yasemin Barlan

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Victims and Survivors in the Rape-Revenge Narrative: A Comparison of Black Christmas (2019) and I May Destroy You (2020) 强奸-复仇叙事中的受害者和幸存者:《黑色圣诞节》(2019)与《我可能毁灭你》(2020)的比较

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CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.436

Michaela Keating

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Review of An Orthodox Monk Watching Films 《一个东正教修士看电影》书评

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CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.423

Ioan Buteanu

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Exploring Modes of Surveillance in Films 探索电影中的监视模式

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CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.444

Matteo Ciccognani

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The Ambivalent Object(s) of America in Wim Wenders 维姆·文德斯笔下美国的矛盾对象

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CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.507

Laurent Shervington

{"title":"The Ambivalent Object(s) of America in Wim Wenders","authors":"Laurent Shervington","doi":"10.5195/cinej.2022.507","DOIUrl":"https://doi.org/10.5195/cinej.2022.507","url":null,"abstract":"This article will consider Wim Wenders’ relationship to America in several of his films during the New German Cinema Movement of the 1970s and 1980s. In particular, it will explore the place America occupies as a fantasy object, framing this through the distinct roles individual objects play in Wenders’ films. Firstly, in the initial period of his life, various accounts point to the fact that the director related to American culture as a substitute for his own country’s fascistic past. Such a viewpoint is then countered in his film Alice in the Cities (1972), where the protagonist is initially puzzled by the enigma of America, but finds he can comprehend it upon hearing of the Hollywood director John Ford’s passing from a newspaper. In The State of Things (1982), apropos Wenders’ experience working in Hollywood under Francis Ford Coppola, the relationship to objects again changes, this time from the subject’s mastery over objects, to the mastery of the object over the subject. However, an alternative position emerges through a more careful reading of the film Hammett (1982), which, exists as a short-circuit in the typical narrative of Wenders’ cinematic trajectory. Rather than emphasizing the mastery of the subject or the object, through the use of narrative, the film Hammett reveals an alternative position by implicating the two in a dialectic. Such a position takes on a refined inflection in Paris, Texas (1982), in which the subject implicates themselves in their own fantasy, repeating the radical gesture from Hammett (1982) and forging a new relationship between subject and object.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"5 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79183982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Zombie-Themes Outbreak Films and World War Z (2013) 僵尸题材的爆发电影和僵尸世界大战(2013)

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CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.499

Barış Tolga Ekinci

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Deterritorializing The Self: Becoming-Child in the Characters of Reha Erdem’s What’s A Human Anyway? (2004) 自我去疆域化:在Reha Erdem的《人到底是什么?》(2004)

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CINEJ Cinema Journal Pub Date : 2022-12-19 DOI: 10.5195/cinej.2022.364

Suphi Keskin

引用次数: 0