强奸-复仇叙事中的受害者和幸存者:《黑色圣诞节》(2019)与《我可能毁灭你》(2020)的比较

IF 0.2 0 FILM, RADIO, TELEVISION
Michaela Keating
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引用次数: 0

摘要

强奸复仇叙事是探索性暴力经历及其后果的沃土。虽然这通常是通过男性视角在类型电影中看到的比喻,但女性电影人正在重新利用这种叙事方式。最近有两部女性电影人的作品进入了强奸复仇幻想的经典,分别是2019年的恐怖片《黑色圣诞节》和2020年HBO的戏剧喜剧《我可能毁灭你》。本文将比较这两个例子塑造经历过强奸的角色的方式,以及他们的个性特征和行为是如何融入“强奸受害者”或“强奸幸存者”的文化观念的。这一分析将以女权主义的话语为基础,这些话语围绕着强奸受害者这个词的使用,以及这如何影响我们对这些角色的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Victims and Survivors in the Rape-Revenge Narrative: A Comparison of Black Christmas (2019) and I May Destroy You (2020)
The rape-revenge narrative is fertile ground to explore and contextualize the experience of sexual violence and its aftermath. While typically a trope in genre films seen through the male gaze, female filmmakers are reclaiming this narrative. Two recent entries from female filmmakers into the canon of the rape-revenge fantasy are the 2019 horror remake Black Christmas, and the 2020 HBO drama-comedy series I May Destroy You. This article will compare the ways that these two examples construct characters who experience rape, and how their personality traits and behaviors are infused with the cultural perceptions of "rape victims" or "rape survivors." This analysis will be grounded in ongoing feminist discourse around the use of the term applied to those who experience rape, and how this impacts our understanding of these characters.
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来源期刊
CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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