{"title":"土耳其电影歌手电影中的反例——米尼克·塞帕尔瑟雷","authors":"Yasemin Barlan","doi":"10.5195/cinej.2022.522","DOIUrl":null,"url":null,"abstract":"This article is about the Turkish film Minik Serçe (Little Sparrow, 1978), starring Sezen Aksu, one of Turkey’s most legendary female singer-songwriters. The film belongs to the category of musical “singer films” of Turkish cinema, which were popular between the 1940s and late 1980s. It is also a remake of A Star is Born (1976). The article examines the similarities and differences between the original film and the Turkish remake and compares it with another singer film from the same era Yansın Bu Dünya (1977), which falls into the category of an Arabesk singer film. Both films have similar plotlines but very different portrayals of female characters. The focus of the article is on what makes Minik Serçe stand out from the other films of its time. In doing so, it also examines the role of its auteur director Atıf Yılmaz, and the cliches of Turkish cinema from the Yeşilçam era.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"8 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Minik Serçe as a Contrary Example Among the Singer Films in Turkish Cinema\",\"authors\":\"Yasemin Barlan\",\"doi\":\"10.5195/cinej.2022.522\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article is about the Turkish film Minik Serçe (Little Sparrow, 1978), starring Sezen Aksu, one of Turkey’s most legendary female singer-songwriters. The film belongs to the category of musical “singer films” of Turkish cinema, which were popular between the 1940s and late 1980s. It is also a remake of A Star is Born (1976). The article examines the similarities and differences between the original film and the Turkish remake and compares it with another singer film from the same era Yansın Bu Dünya (1977), which falls into the category of an Arabesk singer film. Both films have similar plotlines but very different portrayals of female characters. The focus of the article is on what makes Minik Serçe stand out from the other films of its time. In doing so, it also examines the role of its auteur director Atıf Yılmaz, and the cliches of Turkish cinema from the Yeşilçam era.\",\"PeriodicalId\":41802,\"journal\":{\"name\":\"CINEJ Cinema Journal\",\"volume\":\"8 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-12-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CINEJ Cinema Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5195/cinej.2022.522\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CINEJ Cinema Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5195/cinej.2022.522","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章是关于土耳其电影Minik ser(小麻雀,1978),主演Sezen Aksu,土耳其最具传奇色彩的女歌手兼词曲作家之一。这部电影属于土耳其电影的音乐“歌手电影”的范畴,在20世纪40年代到80年代后期流行。这也是1976年《一个明星的诞生》的翻拍版。本文考察了原版电影与土耳其翻拍电影的异同,并将其与同时代的另一部歌手电影Yansın Bu d nya(1977)进行了比较,后者属于阿拉伯歌手电影的范畴。两部电影都有相似的情节,但对女性角色的刻画却截然不同。这篇文章的重点在于是什么让mink serpere从同时期的其他电影中脱颖而出。在此过程中,它也审视了其导演Atıf Yılmaz的角色,以及ye ilam时代土耳其电影的陈词滥调。
Minik Serçe as a Contrary Example Among the Singer Films in Turkish Cinema
This article is about the Turkish film Minik Serçe (Little Sparrow, 1978), starring Sezen Aksu, one of Turkey’s most legendary female singer-songwriters. The film belongs to the category of musical “singer films” of Turkish cinema, which were popular between the 1940s and late 1980s. It is also a remake of A Star is Born (1976). The article examines the similarities and differences between the original film and the Turkish remake and compares it with another singer film from the same era Yansın Bu Dünya (1977), which falls into the category of an Arabesk singer film. Both films have similar plotlines but very different portrayals of female characters. The focus of the article is on what makes Minik Serçe stand out from the other films of its time. In doing so, it also examines the role of its auteur director Atıf Yılmaz, and the cliches of Turkish cinema from the Yeşilçam era.