{"title":"Self-Borrowing in Nineteenth-Century Italian Opera: A Reconsideration","authors":"C. Mantica","doi":"10.1017/s1479409822000441","DOIUrl":"https://doi.org/10.1017/s1479409822000441","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45353619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L'art de la flûte française","authors":"James William Sobaskie","doi":"10.1017/s1479409822000489","DOIUrl":"https://doi.org/10.1017/s1479409822000489","url":null,"abstract":"Some albums entail more than meets the ear. In the Age of Ravel and In the Age of Debussy surround representative works of Maurice Ravel (1875–1937) and Claude Debussy (1862–1918) with contextualizing selections from contemporaries. Compellingly rendered by Ransom Wilson and François Dumont, these discs document six decades of innovation. They also illuminate intriguing connections as well as fascinating contrasts among familiar and unfamiliar works. And each celebrates the art of the French flute. But there's more.","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46913638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Salons in Belgrade in the Nineteenth Century: The Coexistence of Different Cultural Models","authors":"Marijana Kokanović Marković","doi":"10.1017/s1479409822000465","DOIUrl":"https://doi.org/10.1017/s1479409822000465","url":null,"abstract":"The aim of this study is to describe the emergence of court and bourgeois salons in the nineteenth-century Principality of Serbia, in the context of the socio-historical circumstances and geopolitical background. A selection of examples of salon gatherings organized in Belgrade from the 1830s to the 1870s show the emergence of a new cultural identity through the coexistence and merging of different cultural models: Western European, Ottoman and Serbian. Starting with the first salons, organized in the 1830s in the home of Tomanija and Jevrem Obrenović, salon gatherings will be viewed through the prism of selected court and bourgeois salons. Special attention is paid to salons in which only women took part. In the period of the construction of the modern Serbian state, these salon gatherings contributed to the emancipation of women and their step from the private to the public sphere of society. In order to more comprehensively understand the role and significance of salon, the multi-layered salon practices are observed, with a focus on (1) analysis of the symbolism of interior decoration and clothing and of the social status of salon guests; (2) a reconstruction of the atmosphere through details of refreshments (food and drink), specific decorations of individual salons and dances performed; (3) analysis of the artistic and intellectual content: music, literature, poetry and science.","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42348813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Notes on Article Contributors","authors":"","doi":"10.1017/s1479409822000556","DOIUrl":"https://doi.org/10.1017/s1479409822000556","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47627276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"NCM volume 19 issue 3 Cover and Front matter","authors":"","doi":"10.1017/s1479409822000544","DOIUrl":"https://doi.org/10.1017/s1479409822000544","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45525920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"NCM volume 19 issue 3 Cover and Back matter","authors":"","doi":"10.1017/s1479409822000568","DOIUrl":"https://doi.org/10.1017/s1479409822000568","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44890412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"CD Review","authors":"Edward Klorman","doi":"10.1017/S1479409822000477","DOIUrl":"https://doi.org/10.1017/S1479409822000477","url":null,"abstract":"This illuminating release is the brainchild of violinist-musicologist Katharina Uhde, who has established herself in recent years as an avid and multifaceted advocate of Joseph Joachim (1831–1907), the Austro-Hungarian violinist and composer. Among her contributions to date are an excellent scholarly monograph on Joachim’s music, an international conference, updates to Joachim’s works list in Grove Music Online, and a scholarly/performance edition of two recently rediscovered compositions for violin and orchestra: Joachim’s Fantasy on Hungarian Themes (1848–50) and his Fantasy on Irish Themes (1852). The two fantasies receive their world-premiere recordings on the present album, whose programme is completed with two shorter Joachim compositions, both of lyrical character: (1) the Romance, op. 2 no. 1 (c. 1849, performed in a c. 1900 arrangement with orchestral accompaniment) and (2) theNotturno, op. 12 (1858). All tracks feature Uhde as violin soloist, performing with the Polish Radio Orchestra Warsaw led by Dennis Friesen-Carper. Since the fantasies were nearly lost to history, the story of their recent rediscoverywarrants recounting here. In 1943, at the height ofWorldWar II, the bulk of the collection of the Berlin Staatliche Akademische Hochschule für Musik was hastily","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44006886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge: Cambridge University Press, 2022). xiv + 193 pp. £75.00.","authors":"Heeseung Lee","doi":"10.1017/S1479409822000453","DOIUrl":"https://doi.org/10.1017/S1479409822000453","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47075014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"David Kennerley, Sounding Feminine: Women's Voices in British Musical Culture, 1780–1850 (Oxford: Oxford University Press, 2020). xii + 220 pp. £47.99.","authors":"Jennifer Ronyak","doi":"10.1017/s1479409822000416","DOIUrl":"https://doi.org/10.1017/s1479409822000416","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44351058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Philipp Jakob Riotte, Clarinet Concerto in C Minor, Op. 36, edited by Martin Harlow. Recent Researches in the Music of the Classic Era (Middleton, WI: A-R Editions, 2016). Full Score, C104, xv + 103 pp. USD145.00.","authors":"Allan Badley","doi":"10.1017/s1479409822000404","DOIUrl":"https://doi.org/10.1017/s1479409822000404","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47486013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}