Nineteenth-Century Music Review最新文献

Zanden Jos van der. Beethoven and Greco-Roman Antiquity (Abingdon: Routledge, 2022). xvi + 272 pp. £130.00 (cloth), £38.99 (paper), £35.09 (ebook). Zanden Jos van der.贝多芬与希腊罗马古代》（阿宾顿：Routledge，2022 年）。xvi + 272 pp.130.00英镑（布），38.99英镑（纸），35.09英镑（电子书）。

IF 0.3 3区艺术学

Nineteenth-Century Music Review Pub Date : 2024-05-22 DOI: 10.1017/s1479409824000144

Rose Mauro

引用次数: 0

China National Knowledge Infrastructure (CNKI) as a Resource for Nineteenth-Century Music Studies 作为十九世纪音乐研究资源的中国国家知识基础设施（CNKI）

IF 0.3 3区艺术学

Nineteenth-Century Music Review Pub Date : 2024-05-20 DOI: 10.1017/s1479409824000119

Annie Yen-Ling Liu

{"title":"China National Knowledge Infrastructure (CNKI) as a Resource for Nineteenth-Century Music Studies","authors":"Annie Yen-Ling Liu","doi":"10.1017/s1479409824000119","DOIUrl":"https://doi.org/10.1017/s1479409824000119","url":null,"abstract":"As the largest and most comprehensive Chinese database in the world, China National Knowledge Infrastructure (CNKI: Zhong guo zhi shi ji chu she shi gong cheng 中国知识基础设施工程, also commonly known as Zhi wang 知网)1 is supervised by Tsinghua University and Tonfang Knowledge Network (TKN), a high-tech enterprise funded by Tsinghua University in 1997. It is supported by the Chinese Ministry of Education, the Publicity Department of the Communist Party of China, the Ministry of Science and Technology, the State Administration of the Press, Publication, Radio, Film and Television of the People's Republic of China and the State Planning Commission of the PRC. In December 1996, CNKI began providing CD-ROM and CAJ-CD for Chinese academic journals, and it was officially launched in 1999. This repository initially focused on Chinese academic journals and later expanded its coverage to PhD dissertations, masters’ theses, conference proceedings, yearbooks, books and patent documents. It is divided into three categories: ‘databases’, ‘specialized sources’, and ‘international sources’, including ProQuest and Taylor and Francis journal databases. Ten service centres are established across the world, including Beijing, North America, Japan, Korea, Taiwan and Hong Kong; users include universities, research institutions, government think tanks, industries, hospitals and public libraries.2 CNKI (or CIKRD) updates its information on a daily basis, and its current growth rate is approximately 350,000 new journal articles per month.","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141122556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Clara & Robert Schumann: Piano Concertos Beatrice Rana, pianoChamber Orchestra of EuropeYannick Nézet-Séguin, conductorWarner Classics, 5419729625, 2023(1 CD: 57 minutes) £12.75 克拉拉与罗伯特-舒曼：钢琴协奏曲 Beatrice Rana，钢琴欧洲室内乐团Yannick Nézet-Séguin，指挥华纳经典，5419729625，2023（1 张 CD：57 分钟）12.75 英镑

IF 0.3 3区艺术学

Nineteenth-Century Music Review Pub Date : 2024-04-22 DOI: 10.1017/s1479409824000107

Joe Davies

引用次数: 0

Richard Strauss Online 理查德-施特劳斯在线

IF 0.3 3区艺术学

Nineteenth-Century Music Review Pub Date : 2024-04-17 DOI: 10.1017/s1479409824000065

David Larkin

{"title":"Richard Strauss Online","authors":"David Larkin","doi":"10.1017/s1479409824000065","DOIUrl":"https://doi.org/10.1017/s1479409824000065","url":null,"abstract":"In an era when historical statues can be toppled and reputations smashed, critical editions remain one of the more durable monuments to the significance of a composer. Initiated by the nineteenth-century Bach-Gesellschaft and Händel-Gesellschaft editions, the practice of trying to produce a ‘correct’ text of the complete musical works of a single composer reached its apogee in the decades after World War II, leading to marquee projects like the Neue Bach-Ausgabe (1954–2007) and the Neue Mozart-Ausgabe (1955–91). So pervasive was edition-making in this era that it led Joseph Kerman to complain ‘there is something wrong with a discipline that spends (or spent) so much more of its time establishing texts than thinking about the texts thus established’. But despite such criticisms and amid the proliferation of alternative forms of musicological research in the last 40 years or so, the making of critical editions has continued, with new projects taking in figures such as Janáček (1978–), Verdi (1983–), Donizetti (1989–) and Bartók (2016–), among many others. Even if it may be nowhere near as dominant a part of musicological endeavour as it once was, edition-making has survived, a tacit refutation of the challenges that the canon has met with.","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-04-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140615400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Nineteenth-Century Women in Music: MuGI, Sophie Drinker, Art Song Augmented and BID 十九世纪音乐中的女性：MuGI、苏菲-德林克、艺术歌曲增强版和 BID

IF 0.3 3区艺术学

Nineteenth-Century Music Review Pub Date : 2024-04-02 DOI: 10.1017/s147940982400003x

Chanda VanderHart

引用次数: 0

NCM volume 21 issue 1 Cover and Front matter NCM 第 21 卷第 1 期封面和封底

IF 0.3 3区艺术学

Nineteenth-Century Music Review Pub Date : 2024-04-01 DOI: 10.1017/s1479409824000089

引用次数: 0

NCM volume 21 issue 1 Cover and Back matter NCM 第 21 卷第 1 期封面和封底

IF 0.3 3区艺术学

Nineteenth-Century Music Review Pub Date : 2024-04-01 DOI: 10.1017/s1479409824000077

引用次数: 0

Lars Helgert, ed., Herrman S. Saroni, Complete Songs 1844–1889. Recent Researches in American Music, vol. 91. Middleton, WI: A-R Editions, 2023, 197 + xlii. $425.00 Lars Helgert 编辑，《Herrman S. Saroni，歌曲全集 1844-1889》。美国音乐最新研究》，第 91 卷。Middleton, WI: A-R Editions, 2023, 197 + xlii.$425.00

IF 0.3 3区艺术学

Nineteenth-Century Music Review Pub Date : 2024-03-21 DOI: 10.1017/s1479409824000053

Petra Meyer-Frazier

引用次数: 0

Letting the Lark Ascend: Vaughan Williams's ‘Most Popular Work’ and the Limits of Revisionism 让云雀升空沃恩-威廉斯的 "最受欢迎作品 "与修正主义的局限性

IF 0.3 3区艺术学

Nineteenth-Century Music Review Pub Date : 2024-03-05 DOI: 10.1017/s1479409824000028

Ryan Ross

{"title":"Letting the Lark Ascend: Vaughan Williams's ‘Most Popular Work’ and the Limits of Revisionism","authors":"Ryan Ross","doi":"10.1017/s1479409824000028","DOIUrl":"https://doi.org/10.1017/s1479409824000028","url":null,"abstract":"Ralph Vaughan Williams's The Lark Ascending is a perennial favourite in the British classical music radio station Classic FM's ‘Hall of Fame’ poll. In spite of its apparent popularity, however, the work sits uncomfortably with the way revisionist critics and scholars have wanted to portray the composer. As an escapist piece of English musical pastoralism, The Lark undermines their preferred view of Vaughan Williams as a progressive or even ‘modernist’ participant in his artistic milieu. To combat this image, some critics and musicologists have argued for complex, harder-edged interpretations of the work that have little to no basis in the music's primary source materials or the composer's stated priorities in his own writings. Such emphases reflect a problem in recent revisionist literature, wherein traditionalist, nationalist, or Romantic aspects of Vaughan Williams's music are excessively downplayed (or re-situated) in favour of arguments that better support elite sensibilities. As a work consisting of accessible, melody-centric music, and following from a poem excerpt suggesting an idyllic scene, The Lark serves as a bulwark against revisionist overreach and a check against over-emphasis on trendy priorities.","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2024-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140056081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Sam Girling, ed., Pierre Rode: Selected String Quartets, Recent Researches in the Music of the Nineteenth and Early Twentieth Century, vol. 87. Middleton, WI: A-R Editions, 2023, xxi, 162 pp. $250.00. 萨姆-吉林编，《皮埃尔-罗德：弦乐四重奏选集》，《19 世纪和 20 世纪早期音乐的最新研究》，第 87 卷。Middleton, WI: A-R Editions, 2023, xxi, 162 pp.$250.00.

IF 0.3 3区艺术学

Nineteenth-Century Music Review Pub Date : 2024-03-05 DOI: 10.1017/s1479409824000041

Simone Laghi

引用次数: 0