Nineteenth-Century Music Review最新文献

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Salons in Belgrade in the Nineteenth Century: The Coexistence of Different Cultural Models 19世纪贝尔格莱德的沙龙:不同文化模式的共存
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2022-12-09 DOI: 10.1017/s1479409822000465
Marijana Kokanović Marković
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引用次数: 0
Notes on Article Contributors 文章投稿人须知
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2022-12-01 DOI: 10.1017/s1479409822000556
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引用次数: 0
NCM volume 19 issue 3 Cover and Front matter NCM第19卷第3期封面和封面
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2022-12-01 DOI: 10.1017/s1479409822000544
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引用次数: 0
NCM volume 19 issue 3 Cover and Back matter NCM第19卷第3期封面和封底
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2022-12-01 DOI: 10.1017/s1479409822000568
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引用次数: 0
CD Review CD审查
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2022-11-09 DOI: 10.1017/S1479409822000477
Edward Klorman
{"title":"CD Review","authors":"Edward Klorman","doi":"10.1017/S1479409822000477","DOIUrl":"https://doi.org/10.1017/S1479409822000477","url":null,"abstract":"This illuminating release is the brainchild of violinist-musicologist Katharina Uhde, who has established herself in recent years as an avid and multifaceted advocate of Joseph Joachim (1831–1907), the Austro-Hungarian violinist and composer. Among her contributions to date are an excellent scholarly monograph on Joachim’s music, an international conference, updates to Joachim’s works list in Grove Music Online, and a scholarly/performance edition of two recently rediscovered compositions for violin and orchestra: Joachim’s Fantasy on Hungarian Themes (1848–50) and his Fantasy on Irish Themes (1852). The two fantasies receive their world-premiere recordings on the present album, whose programme is completed with two shorter Joachim compositions, both of lyrical character: (1) the Romance, op. 2 no. 1 (c. 1849, performed in a c. 1900 arrangement with orchestral accompaniment) and (2) theNotturno, op. 12 (1858). All tracks feature Uhde as violin soloist, performing with the Polish Radio Orchestra Warsaw led by Dennis Friesen-Carper. Since the fantasies were nearly lost to history, the story of their recent rediscoverywarrants recounting here. In 1943, at the height ofWorldWar II, the bulk of the collection of the Berlin Staatliche Akademische Hochschule für Musik was hastily","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"20 1","pages":"443 - 447"},"PeriodicalIF":0.3,"publicationDate":"2022-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44006886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge: Cambridge University Press, 2022). xiv + 193 pp. £75.00. Erica Buurman,《贝多芬时代的维也纳舞厅》(剑桥:剑桥大学出版社,2022)。xiv+193页,75.00英镑。
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2022-11-02 DOI: 10.1017/S1479409822000453
Heeseung Lee
{"title":"Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge: Cambridge University Press, 2022). xiv + 193 pp. £75.00.","authors":"Heeseung Lee","doi":"10.1017/S1479409822000453","DOIUrl":"https://doi.org/10.1017/S1479409822000453","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"20 1","pages":"433 - 437"},"PeriodicalIF":0.3,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47075014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
David Kennerley, Sounding Feminine: Women's Voices in British Musical Culture, 1780–1850 (Oxford: Oxford University Press, 2020). xii + 220 pp. £47.99. 大卫·肯纳利,《女性的声音:英国音乐文化中的女性之声》,1780-1850(牛津:牛津大学出版社,2020)。xii+220页,47.99英镑。
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2022-10-21 DOI: 10.1017/s1479409822000416
Jennifer Ronyak
{"title":"David Kennerley, Sounding Feminine: Women's Voices in British Musical Culture, 1780–1850 (Oxford: Oxford University Press, 2020). xii + 220 pp. £47.99.","authors":"Jennifer Ronyak","doi":"10.1017/s1479409822000416","DOIUrl":"https://doi.org/10.1017/s1479409822000416","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"20 1","pages":"227 - 230"},"PeriodicalIF":0.3,"publicationDate":"2022-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44351058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Philipp Jakob Riotte, Clarinet Concerto in C Minor, Op. 36, edited by Martin Harlow. Recent Researches in the Music of the Classic Era (Middleton, WI: A-R Editions, 2016). Full Score, C104, xv + 103 pp. USD145.00. 菲利普·雅各布·里奥特,《C小调单簧管协奏曲》,作品36,马丁·哈洛主编。《古典时代音乐的最新研究》(威斯康星州米德尔顿:A-R版,2016)。满分,C104,xv+103页,145.00美元。
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2022-10-19 DOI: 10.1017/s1479409822000404
Allan Badley
{"title":"Philipp Jakob Riotte, Clarinet Concerto in C Minor, Op. 36, edited by Martin Harlow. Recent Researches in the Music of the Classic Era (Middleton, WI: A-R Editions, 2016). Full Score, C104, xv + 103 pp. USD145.00.","authors":"Allan Badley","doi":"10.1017/s1479409822000404","DOIUrl":"https://doi.org/10.1017/s1479409822000404","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"20 1","pages":"231 - 233"},"PeriodicalIF":0.3,"publicationDate":"2022-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47486013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Clara Schumann, Drei Romanzen für Violine und Klavier, Three Romances for Violin and Piano, Op. 22, ed. Jacqueline Ross (Basel: Bärenreiter-Verlag, 2021), ix + 27 pp. € 19.95. 克拉拉·舒曼,《小提琴与钢琴三首浪漫曲》,作品22,杰奎琳·罗斯主编(巴塞尔:Bärenreiter Verlag,2021),ix ch27页,19.95欧元。
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2022-09-27 DOI: 10.1017/s1479409822000301
J. Davies
{"title":"Clara Schumann, Drei Romanzen für Violine und Klavier, Three Romances for Violin and Piano, Op. 22, ed. Jacqueline Ross (Basel: Bärenreiter-Verlag, 2021), ix + 27 pp. € 19.95.","authors":"J. Davies","doi":"10.1017/s1479409822000301","DOIUrl":"https://doi.org/10.1017/s1479409822000301","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46424448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music-Making as Witness in the Mexican–American War: Testimony, Embodiment and Trauma 美墨战争中的音乐创作见证:见证、体现与创伤
IF 0.3 3区 艺术学
Nineteenth-Century Music Review Pub Date : 2022-09-26 DOI: 10.1017/S1479409822000246
Elizabeth Morgan
{"title":"Music-Making as Witness in the Mexican–American War: Testimony, Embodiment and Trauma","authors":"Elizabeth Morgan","doi":"10.1017/S1479409822000246","DOIUrl":"https://doi.org/10.1017/S1479409822000246","url":null,"abstract":"During the two years of the Mexican–American War (1846–48) and in its immediate aftermath, American composers and publishers produced numerous pieces on topics related to the conflict. Many of these were written for solo piano or voice with keyboard accompaniment and marketed as popular entertainment to amateur musicians performing in the home. This repertoire comprises lament songs, battle pieces and patriotic songs and dances. Works include musical depictions of violent and tragic scenes, but most pieces are in major keys, featuring lyrical melodies and upbeat dance rhythms – the typical fare of parlour music of the period.","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"20 1","pages":"33 - 60"},"PeriodicalIF":0.3,"publicationDate":"2022-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41380796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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