19世纪贝尔格莱德的沙龙:不同文化模式的共存

IF 0.2 3区 艺术学 0 MUSIC
Marijana Kokanović Marković
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引用次数: 0

摘要

本研究的目的是在社会历史环境和地缘政治背景下,描述19世纪塞尔维亚公国宫廷和资产阶级沙龙的出现。从19世纪30年代到19世纪70年代在贝尔格莱德组织的沙龙聚会的一些例子表明,通过西欧、奥斯曼和塞尔维亚等不同文化模式的共存和融合,新的文化身份出现了。从19世纪30年代在Tomanija和Jevrem Obrenović的家中组织的第一次沙龙开始,沙龙聚会将通过选定的宫廷和资产阶级沙龙来看待。特别关注的是只有女性参加的沙龙。在现代塞尔维亚国家建设时期,这些沙龙聚会有助于妇女的解放,有助于她们从社会的私人领域走向公共领域。为了更全面地理解沙龙的作用和意义,我们观察了多层次的沙龙实践,重点是(1)分析室内装饰和服装的象征意义以及沙龙客人的社会地位;(2) 通过点心(食物和饮料)的细节、个人沙龙的具体装饰和表演的舞蹈来重建气氛;(3) 艺术和智力内容分析:音乐、文学、诗歌和科学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Salons in Belgrade in the Nineteenth Century: The Coexistence of Different Cultural Models
The aim of this study is to describe the emergence of court and bourgeois salons in the nineteenth-century Principality of Serbia, in the context of the socio-historical circumstances and geopolitical background. A selection of examples of salon gatherings organized in Belgrade from the 1830s to the 1870s show the emergence of a new cultural identity through the coexistence and merging of different cultural models: Western European, Ottoman and Serbian. Starting with the first salons, organized in the 1830s in the home of Tomanija and Jevrem Obrenović, salon gatherings will be viewed through the prism of selected court and bourgeois salons. Special attention is paid to salons in which only women took part. In the period of the construction of the modern Serbian state, these salon gatherings contributed to the emancipation of women and their step from the private to the public sphere of society. In order to more comprehensively understand the role and significance of salon, the multi-layered salon practices are observed, with a focus on (1) analysis of the symbolism of interior decoration and clothing and of the social status of salon guests; (2) a reconstruction of the atmosphere through details of refreshments (food and drink), specific decorations of individual salons and dances performed; (3) analysis of the artistic and intellectual content: music, literature, poetry and science.
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来源期刊
CiteScore
0.30
自引率
66.70%
发文量
58
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