Studia Litterarum最新文献_第4页

Sainte-Beuve vs Eckermann, or How the First Russian Translation of “Conversations with Goethe” Was Made 圣伯夫vs埃克曼，或者《与歌德对话录》的第一个俄语译本是如何产生的

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-2-316-333

E. A. Andrushchenko

{"title":"Sainte-Beuve vs Eckermann, or How the First Russian Translation of “Conversations with Goethe” Was Made","authors":"E. A. Andrushchenko","doi":"10.22455/2500-4247-2023-8-2-316-333","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-2-316-333","url":null,"abstract":"The article discusses a curious case of the reception of Goethe in Russia in the late 19th century — the first translation of “Conversations with Goethe” (1891), authored by D.V. Averkiev and commissioned by A.S. Suvorin. Taking the expectations of the implicit reader into account had made his newspaper and publishing house one of most successful Russian enterprises by the turn of the century. It also aligned with Averkiev’s Kulturträger attitude, both as a writer who introduced the public to the culture and everyday life of old Russia and as a translator who familiarized it with the achievements of Western European literature and science. In his translation Averkiev utilized an intermediate text, namely É. Delerot’s translation of the “Conversations” into French. He transferred not only its structural features, but also the skeptical opinion of Eckermann’s personality expressed by C.A. Sainte-Beuve in his letter to G. Charpentier. By reducing the original text, extending his translation with materials from Goethe’s correspondence and recollections about him, Delerot corrected the “wrong” genre of the source text — with the ideal seen in J. Boswell’s book on S. Johnson. Averkiev retained the essential features of the intermediate text, but complemented it with his own article as well as footnotes bringing the text closer to Russian understanding. He expanded some footnotes into detailed comments on the history of literature and theatre, which he specialized in. Having emerged in the depths of a fading culture, Averkiev’s translation anticipated the future explorations of Russian modernism, whose representatives studied the personality of Goethe via his translation and quoted the German writer’s conversations in his interpretation.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"65 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89353081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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The Metamorphosis of Mannerism in Russian Poetry at the Turn of the 19th–20th Centuries: Valery Bryusov and Nikolay Gumilev 19 - 20世纪之交俄罗斯诗歌中矫揉造作的变形:瓦列里·布留索夫和尼古拉·古米列夫

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-2-182-199

S. Titarenko

{"title":"The Metamorphosis of Mannerism in Russian Poetry at the Turn of the 19th–20th Centuries: Valery Bryusov and Nikolay Gumilev","authors":"S. Titarenko","doi":"10.22455/2500-4247-2023-8-2-182-199","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-2-182-199","url":null,"abstract":"This article is dedicated to the insufficiently studied topic concerning comparative analysis of European mannerism and neo-mannerist tendencies in Russian modernist poetry. The basis of this analysis is formed by ideas of Ernst Robert Curtius regarding mannerism as a constant theme in European literature and classic art history studies (Max Dvořák, Erwin Panofsky) and modern philological studies dedicated to this style of the 16th century. The article examines the poems from early poetry collections by Valery Bryusov, such as “Juvenilia” (1892–1894), “Chefs d’oeuvre” (1894–1896), “Mе eum esse” (1896–1897), and “Pearls” (1910) by Nikolay Gumilev. It demonstrates that the neo-mannerism in Bryusov’s and Gumilev’s poetry was brought upon by influence of French culture and Art Nouveau style, which reveals in the creation of the contingent, aestheticized and exotic image of the world. The poets use techniques of theatricalization in order to develop plots. A complexity of poetic manner is characteristic, principles of surprise poetics are created in line with it. The picturesque scenes, motifs of narcissism and love games are varied. The topoi of mannerism or early baroque are used. It allows us to talk about the actualization of mannerist model of thinking that embody ideas of aesthetic rebel against tradition.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"25 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87028247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Time in Narrative: “Fabula — Syuzhet” and “Story — Discourse” vs Semiotic Triangle 叙事中的时间:“寓言-故事-话语”与符号学三角

Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-3-10-27

Evgeniy S. Maslov

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Plots and Motifs of Matvey Korguev’s Runosongs in the Context of Karelian Epic Tradition 卡累利阿史诗传统语境下马特维·科尔格耶夫《奔跑之歌》的情节与母题

Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-3-232-255

Maria V. Kundozerova

{"title":"Plots and Motifs of Matvey Korguev’s Runosongs in the Context of Karelian Epic Tradition","authors":"Maria V. Kundozerova","doi":"10.22455/2500-4247-2023-8-3-232-255","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-3-232-255","url":null,"abstract":"The article is devoted to the study of the Karelian runosongs of the bilingual storyteller of the White Sea, Matvey Korguev. The tasks of the study include the identification of runosongs recorded from Korguev in archival and published sources; determination of their genre affiliation, range of plots and motifs; analysis of their features in the context of the Karelian epic tradition. The texts of 29 runosongs containing the plot “Searching for a tree for a boat” and 271 runes with the plot “Feast in Päivölä” from published collections and the Scientific Manuscript Archive of the Karelian Research Center of the Russian Academy of Sciences were used for comparison. It has been established that three runosongs were written down from M. Korguev, one of which (a handwritten version of 1938) is introduced into scientific circulation for the first time. According to a comparative textual analysis, the records of 1938 and 1941 are variants of the epic runosong with contamination of the plots “Search for a tree for a boat” and “Feast in Päivölä,” while the text of 1935 contains only the plot “Feast in Päivölä.” All texts have an original composition, complicated by interspersing motifs from the plots “Competition in matchmaking” and “Journey to Pohjola.” The text of 1935 contains the motif of the birth of the sun from the yolk, which belongs to the plot “Creation of the World.” Most of the identified motifs are traditional for Karelian epic poetry. Unique are the motifs for setting off to marry on an ahkivo and the marriage of an uninvited guest who killed the host of the feast, as well as some details of the narrative.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"2012 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135356416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Principles of Constructing Femininity in O.P. Runova’s Novel Moonlight 论鲁诺娃小说《月光》中女性气质的建构原则

Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-3-106-125

Marianna V. Kaplun

{"title":"Principles of Constructing Femininity in O.P. Runova’s Novel Moonlight","authors":"Marianna V. Kaplun","doi":"10.22455/2500-4247-2023-8-3-106-125","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-3-106-125","url":null,"abstract":"The article examines the work of the Russian writer Olga Pavlovna Runova (nee Meshcherskaya) (1864–1952) in the context of literary and gender discourse that developed in the modernist period. One of the most striking, accentuated feminine works of Runova is the epistolary story Moonlight, published in 1913 in the leading literary and political publication “Russian Thought.” Later, the story was included in another collection of Runova’s gender-specific prose, published in Petrograd in 1916 with the same title. In Moonlight the writer uses diary genre of unsent letter with first-person narration, trying to penetrate deeper into the inner world of a woman, to demonstrate her vulnerability to the patriarchal environment and to show possible options for overcoming a spiritual split. The story combines various artistic tactics of Runova in the construction of femininity, which were reflected in the prose of the writer of the 1900–1910s (psychosis, conformism, escapism). The character of story goes through all the stages of feminine self-determination: from internal discontent through rebellion/rejection to a compromise acceptance of dictated conditions. Runova sees the main way out for a woman in inner escapism, which gives an imaginary respite from the oppressive reality, the prevailing patriarchy, but not solving the problem of women’s self-determination outside the patriarchal world.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135356448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Spanish Mystic of the 16th Century and the “Spiritual Canticle” of Saint John of the Cross 16世纪的西班牙神秘主义者和十字架的圣约翰的“精神赞美诗”

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-2-86-107

M. Y. Ignatieva (Oganissian)

{"title":"Spanish Mystic of the 16th Century and the “Spiritual Canticle” of Saint John of the Cross","authors":"M. Y. Ignatieva (Oganissian)","doi":"10.22455/2500-4247-2023-8-2-86-107","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-2-86-107","url":null,"abstract":"The article analyzes the poetics of the “Spiritual Canticle” of St. John of the Cross as a single two-part work, consisting of a poetic text and its prosaic commentary. The “Spiritual Canticle” is one of the masterpieces of Spanish mystical literature of the 16th century. The author of the article describes this literary context, showing the reasons for its emergence and flourishing, the main directions and features, and then proceeds to analyze the poetics of the texts under consideration. The relationship between poetry and prose in the literary legacy of St. John of the Cross is one of the traditional themes of juanística. The article proposes to consider both the one and the other as a manifestation of both the mystical experience and the poetic genius of St. John, without placing the commentary in an auxiliar position in relation to the verses. By interpreting his own poetic text, John creates a new parallel text on the same topic, but in a different genre. Each component has its own internal plot.These two plots, called “lyrical” and “theological,” enter into complex relationships. Thus, “mountains,” “forests,” “extraordinary islands” and other images change their meaning both in verses and in commentary, revealing a general but whimsical transformation of an earthly topos into a transcendental one. Transformation takes place through various types of intersection of created and uncreated beginnings: in man, in nature and in God. Poems from lyrics become sacred text, commentary from didactic becomes exegetical.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"12 2 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83568496","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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L’Orpheline de Montmartre: A Newly Discovered Novel by Very Popular in Russia Writer 《蒙马特的奥菲琳》:俄罗斯著名作家新发现的小说

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-1-144-161

Elena V. Trepetova

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Typology of the Female Characters in D.S. Merezhkovsky’s and Z.N. Gippius’ Plays 梅列日科夫斯基和吉皮乌斯戏剧中女性角色的类型学

Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-3-82-105

Veronika B. Zuseva-Özkan

{"title":"Typology of the Female Characters in D.S. Merezhkovsky’s and Z.N. Gippius’ Plays","authors":"Veronika B. Zuseva-Özkan","doi":"10.22455/2500-4247-2023-8-3-82-105","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-3-82-105","url":null,"abstract":"The article reveals patterns in the construction of female characters in the entire corpus of D.S. Merezhkovsky’s and Z.N. Gippius’ dramas. Although their plays are connected by a number of common motifs, themes and images, the construction of femininity by the husband-and-wife authors differs in many ways. Merezhkovsky is more traditional than Gippius: in his plays, female figures, as a rule, turn out to be only a background for a male character who suffers between “two loves,” anticipating, but not being able to accept the truth of the Third Testament. Therefore, the female characters either embody two faces of Eros, or simply represent variations of female types constant for literature and culture, such as the “Amazon,” “comforter,” “strong woman,” etc. In Gippius, female figures are brought to the fore, it is they who solve existential issues. Their main characteristic is the desire for “that which is not of this world.” The male characters of Merezhkovsky are mainly occupied by their love for two different women, while the female characters of Gippius are occupied by their attempts to find some “meaning,” to transform life, Russia and themselves.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135356122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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“Tuberkulez Kuporosovich!” On I. Bunin’s Marginalia at V. Khodasevich’s “Collection of Poems” “Tuberkulez Kuporosovich !”论布宁对霍达谢维奇《诗集》的旁注

Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-3-214-231

Ekaterina V. Volkova, Zoya S. Zakruzhnaya

{"title":"“Tuberkulez Kuporosovich!” On I. Bunin’s Marginalia at V. Khodasevich’s “Collection of Poems”","authors":"Ekaterina V. Volkova, Zoya S. Zakruzhnaya","doi":"10.22455/2500-4247-2023-8-3-214-231","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-3-214-231","url":null,"abstract":"The article introduces into scientific circulation and for the first time examines the marginalia of I.A. Bunin at the “Collection of Poems” (1927) by V.F. Khodasevich from the funds of the Russian Archive of Leeds (RAL). A comprehensive analysis of the marginalia of I. Bunin, undertaken by the authors of the article, allows to clarify both the aesthetic and general poetic principles of I. Bunin himself, and his attitude to the poetry of V. Khodasevich. As a result of the study, conclusions were made that in his marginalia I. Bunin appears as a traditionalist advocating for classical aesthetic orientation. He does not accept the symbolist worldview and modernist poetics, the mixing of prosaism and poetism, reduced “physiological” imagery, the use of heterogeneous lexical and stylistic layers. It is these characteristic features of V. Khodasevich’s poetry that cause the negative attitude of I. Bunin, which is reflected in his marks and comments. The negative marginalia of I. Bunin are also associated with the biographical context of V. Khodasevich’s poems, which is not always “read” by I. Bunin, as well as with allusions to the poetry of A. Bely and A. Blok.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"62 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135356165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Phenomena of Color and Sound in the Autumn Lyrics by Georg Trakl 格奥尔格·特拉克秋季抒情诗中的色声现象

Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-3-28-45

Elizaveta V. Sokolova

{"title":"Phenomena of Color and Sound in the Autumn Lyrics by Georg Trakl","authors":"Elizaveta V. Sokolova","doi":"10.22455/2500-4247-2023-8-3-28-45","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-3-28-45","url":null,"abstract":"The autumn poems of the Austrian poet Georg Trakl (1887–1914), making up a significant part of his lyrical heritage, may be examined through the prism of color and acoustic imagery. The article shows that in his earlier lyric poems (1909–1912) color and sound serve primarily to distinguish between the two spaces, the first of which associates with the reality (natural life, autumn landscape), while the second corresponds to the places of “otherness” (sleep, death). The first space is characterized by a rich palette and sound diversity; the “other” space is depicted mostly in black and white, full of disturbing silence or sharp mechanical sounds. Later verses from 1913–1914 demonstrate less clear distinction of the two spaces, both flow into each other and even merge into one. Color and sound, as it were, “stitch” them through, connecting one with the other. Duality leaves the space and is now concentrated in the very image of autumn, which combines the generosity (abundance of fruits) of the life lived and dying, “black decay.” At the same time, color and sound markers of life and death remain the same, though their use changes slightly: color often acts now as a part of a complex image (“blue wings of the evening”), “dark” tends to become “black”; sounds subside, replaced by a meaningful silence.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135356462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0