Studia Litterarum最新文献

The Scream Phenomenon in the Poetry of Ted Hughes 休斯诗歌中的尖叫现象

Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-3-46-67

Antonina A. Myasnikova

{"title":"The Scream Phenomenon in the Poetry of Ted Hughes","authors":"Antonina A. Myasnikova","doi":"10.22455/2500-4247-2023-8-3-46-67","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-3-46-67","url":null,"abstract":"The article examines the phenomenon of artistic depiction of the scream in the poetry of the 20th century English poet Ted Hughes. The analysis of the poems reveals a gradual semantic expansion of the poetic image: while in early animalistic and landscape lyrics the scream is interpreted as an expression of animal suffering or the personification of wild nature, later collections containing elements of the author’s mythology show the acoustic image as a metaphor of the divine presence (“Adam and the Sacred Nine”), a symptom of split consciousness (“Prometheus on his crag”), a mechanism for healing psychological traumas (“Wolfwatching”), and also acquires cosmogonic features (“Crow,” “Cave birds”). The paradigm of the meanings ends with the “birth of the logos,” marking the beginning of the character’s communication with the outside world. The semantic transformation of the investigated motif turns out to be practically significant for the study of the author’s myth evolution. Hughes’ statements in letters and interviews, as well as the facts of biography, reflect the leitmotif formation in author’s work. This fact reveals the possibility of correlating the metaphor of the scream with Ted Hughes’ “poetic voice.”","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135355934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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To the Biography of the Woman Writer Nadezhda A. Lappo-Danilevskaia 《女作家娜杰日达·a·拉波-丹尼列夫斯卡娅传

Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-3-298-321

Konstantin Yu. Lappo-Danilevskii

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“Letters from Nature”: Autobiographical Material in the Early Prose of Ivan Bunin “来自大自然的信”:伊凡·布宁早期散文中的自传体材料

Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-3-148-167

Evgeny R. Ponomarev

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The Joke in Aristophanes’ Assemblywomen (v. 21–23) 阿里斯托芬女议员的玩笑(21-23节)

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-2-32-45

Ekaterina N. Buzurnyuk

{"title":"The Joke in Aristophanes’ Assemblywomen (v. 21–23)","authors":"Ekaterina N. Buzurnyuk","doi":"10.22455/2500-4247-2023-8-2-32-45","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-2-32-45","url":null,"abstract":"The article deals with the history of interpretation of the joke in v. 21–23 of Aristophanes’ Assemblywomen. There is no consensus among researchers about the meaning of the passage under consideration, what order of verses is preferable, and what role these verses play in the opening scene of the comedy. The textual and contextual analysis allows the author to interpret the obscure passage so that the proposed interpretation suits the poetics of Aristophanes’ comedies best. The author of the article argues against the change in the manuscripts’ order of the verses. The passage in question should be understood as follows: Aristophanes quotes a certain Phyromachus, who in public space made a speech mistake and instead of ἑτέρας ἕδρας ʽother places’ said ἑταίρας ἕδρας, which approximately means ‘hetairas’ seats.’ Since the context implies that the female characters ought to ʽtake their places,’ the quotation of Phyromachus’ mistake turns out to be suitable. In addition, the reduction of the paratragic pathos of the opening scene of the comedy with the help of a joke based on physiological humor is characteristic for the poetic toolkit of Aristophanes and allows him to gain the favor of viewers of different cultural levels.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"74 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80723209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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The Soviet Myth of Sibilla Aleramo 西比拉·阿莱莫的苏联神话

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-1-162-177

A. Golubtsova

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Yearning for Verne. Twenty Thousand Leagues under the Seas “Restored” Edition 对凡尔纳的思念。《海底两万里》再版

Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-3-322-337

Kirill A. Chekalov

{"title":"Yearning for Verne. Twenty Thousand Leagues under the Seas “Restored” Edition","authors":"Kirill A. Chekalov","doi":"10.22455/2500-4247-2023-8-3-322-337","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-3-322-337","url":null,"abstract":"In 2022, the university press Presses universitaires Blaise-Pascal (Clermont-Ferrand, France) published the first scholarly edition of one of the most prominent works by Jules Verne — Twenty Thousand Leagues Under the Seas. The publisher, ex-professor at the University of Hong Kong, and author of Jules Verne’s English-language biography (2006), as well as numerous works about the writer, William Butcher, describes this edition as the novel’s “restored revision” (texte restaure). This book is the result of many years of research into restoring Jules Verne’s works in their original form, untouched by extensive editorial revisions. It is commonly known that all works in The Extraordinary Voyages collection underwent various amendments and adjustments by the publisher Pierre-Jules Hetzel and later on, by Jules Verne’s son Louis-Jules. W. Butcher previously published English translations and the original versions of certain Jules Verne’s works, including Five Weeks in a Balloon, Journey to the Center of the Earth, The Adventures of Captain Hatteras, Around the World in Eighty Days and others. The pocket size of these editions, however, would not allow to carry out the ambitious editorial project. This review focuses on the core strategies of the Twenty Thousand Leagues Under the Seas’s edition, which W. Butcher refers to as dehetzelisation. The edition also includes a comprehensive scholarly apparatus (an introductory article, rationale, name index, biographical background, detailed chronology of novel writing, annotated bibliography, etc.).","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135356414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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“Dream of the Virgin” in Russian Handwritten and Folklore Traditions (17th – the Beginning of the 21st Century) 俄罗斯手书和民间传说中的“处女之梦”(17世纪至21世纪初)

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-2-268-287

A. Toporkov

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National Identity and a Literary Canon in British Tradition of the 20th Century 20世纪英国传统中的民族认同与文学经典

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-1-178-197

Viktoriia N. Karpukhina

{"title":"National Identity and a Literary Canon in British Tradition of the 20th Century","authors":"Viktoriia N. Karpukhina","doi":"10.22455/2500-4247-2023-8-1-178-197","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-1-178-197","url":null,"abstract":"The author of the article investigates the problem of a literary canon changing in the situation of installing the multilingual writers’ texts into literary tradition. The texts under consideration are the literary and publicistic works by Joseph Rudyard Kipling and John Robert Fowles, the writers acknowledged classical beyond Britain but appreciated as the mass literature authors in the United Kingdom. The paper aims at revealing the reasons and the consequences of installing the Rudyard Kipling’s and John Fowles’s texts into the literary canon, and at defining how the multilingualism and multiculturalism of these writers is connected with their interpretation of the notions of “Englishness” and “Britishness.” Anglo-Indian Kipling’s axiological priorities are the hierarchy of the text characters depending on their national and cultural characteristics and creating the unique author’s multicultural mythology. The key axiological principle of Fowles is understanding of the priority of French culture over the English one and creating the specific sample of an ideal representative of “Englishness,” who is the cosmopolitan lonely rebel with a strong artistic sense. Fowles’s national and cultural identity is shown in his stories and novels with the communicative fragments in different languages to create a very complex multicultural conceptual landscape, often ironical.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"5 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91188585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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The Artistic Embodiment of the Historiosophical Concept in the D.S. Merezhkovsky’s Novels 历史哲学观念在梅列日科夫斯基小说中的艺术体现

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-2-350-359

N. Shchedrina

{"title":"The Artistic Embodiment of the Historiosophical Concept in the D.S. Merezhkovsky’s Novels","authors":"N. Shchedrina","doi":"10.22455/2500-4247-2023-8-2-350-359","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-2-350-359","url":null,"abstract":"The review gives a general description of T.I. Dronova’s monograph “D.S. Merezhkovsky’s Historiosophical Novel in the Perspective of the 20th Century,” published in 2021 by the Saratov University Publishing House. The analysis of the book structure reveals the original concept of the historiosophical novel, which is presented by the author. The postulates of the research are based on theoretical studies and results of the genesis and genre novelty’s study of the historiosophical novel of the writer-thinker, as well as on the serious methodological basis and fundamental historical and literary works. The author of the monograph appeals to the controversial issues of the genre in modern literary studies and identifies the dominant and meaningful content of the concept “historiosophical novel.” The problem gets a practical solution in the analytical chapters. The transfer of the attention from the religious and philosophical concept of the writer-thinker to the cognitional method of history and the analysis of poetics prioritizes in further. It is declared that the attitude to history as a text leads D.S. Merezhkovsky to the aestheticization of the Past. The paradoxical nature of genre synthesis in the historiosophical novel, which T.I. Dronova brought out due to the conjugation of concrete historical and metahistorical narrative plans, has a deep impression. The monograph convincingly reveals the features of the artistic embodiment of the author’s historiosophical concept in the trilogy Christ and the Antichrist, as D.S. Merezhkovsky leads the reader outside the concrete historical epoch to metahistorical conflicts. The question of the nature of artistic historicism in the trilogy The Kingdom of the Beast is actualized, the author analyses the importance of the “historicity of narrative” problem for the Writer. A large section of the monograph about the nature of connections in the prose of the 1920–1930s (A. Platonov, M. Bulgakov, M. Aldanov) with D. Merezhkovsky’s works is also of interest.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"231 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80266695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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In the Search of Secret Meaning: the Role of “Inner Commentary” in Nasir-i Khusraw’s Poetic Works (11th Century) 探寻秘密意义:“内心评论”在胡斯鲁诗歌创作中的作用(11世纪)

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-1-100-125

M. Reysner

{"title":"In the Search of Secret Meaning: the Role of “Inner Commentary” in Nasir-i Khusraw’s Poetic Works (11th Century)","authors":"M. Reysner","doi":"10.22455/2500-4247-2023-8-1-100-125","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-1-100-125","url":null,"abstract":"The research is devoted to the function of inner commentary in the Nasir-i Khusraw’s poetic works. Being the outstanding religious philosopher and Ismaili Teacher, he had reformed the artistic language of Persian Classic Poetry with the help of strategy of allegorical commentary ta’wil, which was firstly used only on the Quran’s text. He used the traditional form of qasida for didactic aim. Сonventional poetic motifs and standard beginnings served as the basis for creating allegories of varying degrees of complexity. The objects of this article are some examples of allegories based on traditional poetic motifs and standard beginnings of Nasir-i Khusraw’s qasida, his interpretations of term ta’wil and author’s discourse upon form and meaning of Word. The article also deals with different kinds of inner commentary in Nasir-i Khusraw’s three spring qasida. The analysis shows that on the first stage of formation of mystic poetry’s language commentary, giving secret meaning of text was the sphere of author’s individual initiative. At the stage of fixing the created connotations in the canon, they become stable and to a lesser extent depended on the presence of the author’s commentary, thus the allegorical ambiguity of the text becomes the generally accepted norm.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"91 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87416430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0