Studia Litterarum最新文献_第2页

Intertextuality and Archetype Transformation as the Polysemy Basis of the Modern Reimagined Fairy Tale 互文性与原型转换:现代再造童话的多义性基础

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-1-198-217

K. Nurgali, A. A. Gilea

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引用次数: 0

S.A. Yesenin’s Diptich about the Sound “Under the Red Elm, the Porch and the Yard...” and “Your Voice is Invisible, Like Smoke in a Hut...”: Context, Poetics, Dating 叶塞宁关于“红榆树下、门廊和院子……”和“你的声音看不见，就像茅屋里的烟……”:语境、诗学、约会

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-1-302-323

S. Seregina

{"title":"S.A. Yesenin’s Diptich about the Sound “Under the Red Elm, the Porch and the Yard...” and “Your Voice is Invisible, Like Smoke in a Hut...”: Context, Poetics, Dating","authors":"S. Seregina","doi":"10.22455/2500-4247-2023-8-1-302-323","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-1-302-323","url":null,"abstract":"The article is devoted to the revision of the conditional dating of S.A. Yesenin’s poem “Under the red elm, the porch and the yard...” (1917) accepted in the Complete Works of S.A. Yesenin (1995–2002). The work introduces on evidentiary grounds a number of previously unknown sources of Yesenin’s ideas about the life-creating nature of sound. The study also presents the results of textual analysis of the white autograph of S.A. Yesenin’s poem “Under the red elm, the porch and the yard...”. These searches allowed us to challenge A.A. Kozlovsky’s arguments, who dated the poem “Under the red elm porch and yard...” to 1917, on documentary grounds. The author of the article proposes revise the dating of this work in favor of 1916 on the basis of a comparative analysis with another poem — “Your voice is invisible, like smoke in a hut...” (1916). This analysis demonstrates the artistic-philosophical, metrical and compositional unity of the two works, due to the general context and specific sources. This unity allows us to speak of the poems “Under the red elm, the porch and the yard...” and “Your voice is invisible, like smoke in a hut...” as a diptych created in 1916.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"23 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90349952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

John Bunyan’s Pilgrim’s Progress: From Emblem to Comics 约翰·班扬的《天路历程:从徽章到漫画》

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-2-108-139

Maria R. Nenarokova

{"title":"John Bunyan’s Pilgrim’s Progress: From Emblem to Comics","authors":"Maria R. Nenarokova","doi":"10.22455/2500-4247-2023-8-2-108-139","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-2-108-139","url":null,"abstract":"The article analyses the imagery of John Bunyan’s allegorical treatise The Pilgrim’s Progress, which belongs to the most important works of both English and world culture, and its visual embodiment tradition. The illustration series for Bunyan’s book were created almost immediately after its first publication in 1678. The study shows that even the early illustrations for The Pilgrim’s Progress can be characterized as creolized texts, since they form a single complex with accompanying texts. Stable images associated with one or another episode of the book, are formed already at the end of the 17th century. They are used in illustrated books and comics in the 20th–21st centuries. Each of the images is the result of the development or revision of a long pictorial tradition. Although each image is based on the corresponding fragment of the book, its specific realizations reflect both the artist’s ideas and a certain artistic style of the time. As the language of culture underwent a global change at the turn of the 18th–19th centuries, the illustrations for The Pilgrim’s Progress gradually became more realistic, allegorism in them receded into the background. The artists of the 20th–21st centuries turned to new forms of material presentation, that is to illustrated books and comics. The illustrations accompanying the text of Bunyan’s book become allegorical again but on a different level, consistent with the perception of the modern readership.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88648825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The “Dacha Myth” in Russian Literature of the Turn of the 20th–21st Centuries: The Case of Yuri Mamleev 20 - 21世纪之交俄罗斯文学中的“别墅神话”——以尤里·马姆列耶夫为例

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-2-200-219

O. Bogdanova

{"title":"The “Dacha Myth” in Russian Literature of the Turn of the 20th–21st Centuries: The Case of Yuri Mamleev","authors":"O. Bogdanova","doi":"10.22455/2500-4247-2023-8-2-200-219","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-2-200-219","url":null,"abstract":"The formation of the “dacha myth” in Russian literature at the turn of the XX–XXI centuries is shown on the prose of Yu.V. Mamleev, primarily his novel “Wandering Time” (2000). Based on the socio-cultural evolution of the phenomenon of the dacha in the USSR, the dynamics of the “dacha topos” in Mamleev's prose is traced: in the 1960s (“Connecting Rods”, etc.) this is the final apotheosis of the Soviet neo-myth about the Russian landowner's estate as a “nest” of violence and vice; in the 1990s–2000s. (“Wings of Horror”, “Wandering Time”, “World and Laughter”, etc.) this is the birth of a new myth about the post-Soviet dacha with clear positive connotations. To understand the innovative content of the “dacha myth”, the philosophical theses of Mamleev (“Last Doctrine” and “Russian Doctrine”), as well as the essence of his “metaphysical realism” and “metaphysical patriotism” are considered. On this basis, the analysis of six dacha loci in the novel “Wandering Time” is carried out. It is concluded that Mamleev's “dacha myth” is a fundamentally new category compared to the “estate myths\" of the Silver Age and the Soviet era, since it is not based on the mythologeme of “paradise on earth” and not the exposure of the “exploitative” “hell”, but the doctrine of “Eternal Russia”, which more than “paradise” and “hell” combined. According to the writer, “Eternal Russia” opens up in a unique dacha space peculiar only to Russia, simultaneously preserving the Absolute (God), opened into an incomprehensible Abyss and preserving its natural and cultural identity.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"20 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84453525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Hunting Birds in German Epic and Courtly Romance 德国史诗和宫廷浪漫中的猎鸟

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-2-68-85

A. Khokhlova

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Culture Codes in Children’s Literature: Voices from Scotland and Armenia 儿童文学中的文化密码:来自苏格兰和亚美尼亚的声音

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-1-324-347

Evgeniia V. Zimina, M. Sargsyan

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„Ein Wort für junge Dichter“ by I.W. Goethe: On the History of One Interpretation 歌德的《一种解释的历史》

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-1-364-381

T. Kudryavtseva

{"title":"„Ein Wort für junge Dichter“ by I.W. Goethe: On the History of One Interpretation","authors":"T. Kudryavtseva","doi":"10.22455/2500-4247-2023-8-1-364-381","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-1-364-381","url":null,"abstract":"The article presents a comparative analysis of I.V. Goethe’s “The Word to Young Poets” („Ein Wort für junge Dichter,“ 1833) and the article written in connection with A.M. Gorky death by the theorist of Marxist aesthetics D. (G.) Lukács “The Liberator” („Der Befreier,“ 1936). The subject of the analysis is Lukách’s interpretation of the ‛liberator’ concept used by Goethe in relation to his own work. Lukács, who chose this keyword from Goethe’s paper as the title of his own article, tries within the framework of the theme set by Goethe about the liberating mission of the writer to prove the validity of applying the theses of the German classic in the era of proletarian art. In the course of the undertaken analysis, the author of the article comes to the conclusion about the selectivity of Lukács’s approaches to research material. That was dictated by the specificities of the functional-target settings the author of “The Liberator,” dedicated not just to a great writer per se, but to the classic of socialist realism, was guided by. Therefore, Lukács’s interpretation of Goethe’s text isn’t based on a comprehensive analysis of the German classic and the Soviet writer views on a given topic, but is limited to the juxtaposition of iconic semantic constants that are embedded in the word “liberator,” important for Lukács in terms of their relevance to Gorky’s personality and work.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"9 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81694255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Russian Chastushka (Ditties) vs Spanish Flamenco Verses: the Experience of Typological Comparison 俄国Chastushka(小曲)与西班牙弗拉门戈诗歌:类型学比较的经验

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Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-1-348-363

T. M. Balmatova

{"title":"Russian Chastushka (Ditties) vs Spanish Flamenco Verses: the Experience of Typological Comparison","authors":"T. M. Balmatova","doi":"10.22455/2500-4247-2023-8-1-348-363","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-1-348-363","url":null,"abstract":"The fate of folk genres can be completely different in different peoples and historical periods: some disappear without a trace in the manuscripts, others reach the later epochs on the pages of a small number of surviving books and others develop, go out into great stages and conquer entire countries. This is the destiny of flamenco which consists of three elements, that is music, poetry and dance and became the cultural practice of southern Spain during the 19th century. In that same century in Russia, the genre of chastushka was formed. Like the flamenco couplets, it flourished in the vulnerable and precarious social layer of the urban population formed by the peasants deprived of land who went to earn a living in the cities. The synchrony of the global socio-political processes, one of which and also the most key throughout the 19th century was industrialization, suggests that in some social groups in different countries could arise and develop similar forms of art so it is interesting to compare milestones in the history of flamenco copla and chastushka, analyze themes and their lexical content. The aim of the paper is to discover similarity and difference between two folk genres at a certain historical stage of their existence. As an analytical basis, collections of texts and scientific research in Russian and Spanish are adopted from the end of the 19th century to the beginning of the 21st one.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"45 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73895747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From the History of English Dystopia of the End of the 20th Century: Conceptual and Substantial Dominants of the Novel The Children of Men by P.D. James 从20世纪末英国反乌托邦史看:詹姆斯小说《人类之子》的概念和实质主导

Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-3-68-81

Victoria I. Pulatova

{"title":"From the History of English Dystopia of the End of the 20th Century: Conceptual and Substantial Dominants of the Novel The Children of Men by P.D. James","authors":"Victoria I. Pulatova","doi":"10.22455/2500-4247-2023-8-3-68-81","DOIUrl":"https://doi.org/10.22455/2500-4247-2023-8-3-68-81","url":null,"abstract":"The paper suggests the analysis of the way dystopian genre invariant was realized in the novel The Children of Men by the English writer P.D. James. Particularly, the author of the article studies the novel’s conceptual and thematic elements regarding dystopian canon. Firstly, the article characterizes literary dystopia. Secondly, it defines the level of novel’s research in Russian and English literary studies. Thirdly, using the methods of genre typology and artistic analysis, the article investigates conceptual and thematic content of the novel, that is defined, according to the canon, by the concept of power, theme of an authoritarian state, problems of freedom restriction, progress of material values and regress of spiritual ones and by the complex of motifs (destruction of the past, standardization, prevention, etc.). The results show that the dystopia The Children of Men was written in the conceptual and substantial aspect within the bounds of the genre tradition. At the same time the motif of family ties’ destruction and decay of family is presented originally: the central image of the child gains sacred meaning. The author intensifies the motifs of prevention and profanation of sacred biblical thematic.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135355973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Reminiscences from Saadi’s Works in the Publicism and Epistolary of Ivan Bunin: The Source Studies Aspect of the Problem 《伊凡·布宁的公共主义与书信体》中萨阿迪作品的回忆:问题的来源研究视角

Studia Litterarum Pub Date : 2023-01-01 DOI: 10.22455/2500-4247-2023-8-3-168-193

Anton V. Bakuntsev

引用次数: 0