{"title":"歌德的《一种解释的历史》","authors":"T. Kudryavtseva","doi":"10.22455/2500-4247-2023-8-1-364-381","DOIUrl":null,"url":null,"abstract":"The article presents a comparative analysis of I.V. Goethe’s “The Word to Young Poets” („Ein Wort für junge Dichter,“ 1833) and the article written in connection with A.M. Gorky death by the theorist of Marxist aesthetics D. (G.) Lukács “The Liberator” („Der Befreier,“ 1936). The subject of the analysis is Lukách’s interpretation of the ‛liberator’ concept used by Goethe in relation to his own work. Lukács, who chose this keyword from Goethe’s paper as the title of his own article, tries within the framework of the theme set by Goethe about the liberating mission of the writer to prove the validity of applying the theses of the German classic in the era of proletarian art. In the course of the undertaken analysis, the author of the article comes to the conclusion about the selectivity of Lukács’s approaches to research material. That was dictated by the specificities of the functional-target settings the author of “The Liberator,” dedicated not just to a great writer per se, but to the classic of socialist realism, was guided by. Therefore, Lukács’s interpretation of Goethe’s text isn’t based on a comprehensive analysis of the German classic and the Soviet writer views on a given topic, but is limited to the juxtaposition of iconic semantic constants that are embedded in the word “liberator,” important for Lukács in terms of their relevance to Gorky’s personality and work.","PeriodicalId":41001,"journal":{"name":"Studia Litterarum","volume":"9 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"„Ein Wort für junge Dichter“ by I.W. Goethe: On the History of One Interpretation\",\"authors\":\"T. Kudryavtseva\",\"doi\":\"10.22455/2500-4247-2023-8-1-364-381\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article presents a comparative analysis of I.V. Goethe’s “The Word to Young Poets” („Ein Wort für junge Dichter,“ 1833) and the article written in connection with A.M. Gorky death by the theorist of Marxist aesthetics D. (G.) Lukács “The Liberator” („Der Befreier,“ 1936). The subject of the analysis is Lukách’s interpretation of the ‛liberator’ concept used by Goethe in relation to his own work. Lukács, who chose this keyword from Goethe’s paper as the title of his own article, tries within the framework of the theme set by Goethe about the liberating mission of the writer to prove the validity of applying the theses of the German classic in the era of proletarian art. In the course of the undertaken analysis, the author of the article comes to the conclusion about the selectivity of Lukács’s approaches to research material. That was dictated by the specificities of the functional-target settings the author of “The Liberator,” dedicated not just to a great writer per se, but to the classic of socialist realism, was guided by. Therefore, Lukács’s interpretation of Goethe’s text isn’t based on a comprehensive analysis of the German classic and the Soviet writer views on a given topic, but is limited to the juxtaposition of iconic semantic constants that are embedded in the word “liberator,” important for Lukács in terms of their relevance to Gorky’s personality and work.\",\"PeriodicalId\":41001,\"journal\":{\"name\":\"Studia Litterarum\",\"volume\":\"9 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studia Litterarum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.22455/2500-4247-2023-8-1-364-381\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Litterarum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22455/2500-4247-2023-8-1-364-381","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
本文对歌德的《给青年诗人的词》(Ein Wort f r junge Dichter, 1833)和与A.M.高尔基之死由马克思主义美学理论家d.g。Lukács“解放者”(“Der Befreier”,1936)。分析的主题是Lukách对歌德在他自己的作品中使用的“解放者”概念的解释。Lukács从歌德的论文中选择了这个关键词作为自己文章的标题,他试图在歌德关于作家解放使命的主题框架内,证明在无产阶级艺术时代应用德国经典的论点的有效性。在进行分析的过程中,本文作者得出了Lukács研究材料方法选择性的结论。这是由《解放者》的作者所遵循的功能目标设置的特殊性所决定的,《解放者》不仅致力于一个伟大的作家本身,而且致力于社会主义现实主义的经典。因此,Lukács对歌德文本的解释不是基于对德国经典和苏联作家对给定主题的观点的全面分析,而是局限于嵌入在“解放者”一词中的标志性语义常量的并列,这对于Lukács来说很重要,因为它们与高尔基的个性和工作有关。
„Ein Wort für junge Dichter“ by I.W. Goethe: On the History of One Interpretation
The article presents a comparative analysis of I.V. Goethe’s “The Word to Young Poets” („Ein Wort für junge Dichter,“ 1833) and the article written in connection with A.M. Gorky death by the theorist of Marxist aesthetics D. (G.) Lukács “The Liberator” („Der Befreier,“ 1936). The subject of the analysis is Lukách’s interpretation of the ‛liberator’ concept used by Goethe in relation to his own work. Lukács, who chose this keyword from Goethe’s paper as the title of his own article, tries within the framework of the theme set by Goethe about the liberating mission of the writer to prove the validity of applying the theses of the German classic in the era of proletarian art. In the course of the undertaken analysis, the author of the article comes to the conclusion about the selectivity of Lukács’s approaches to research material. That was dictated by the specificities of the functional-target settings the author of “The Liberator,” dedicated not just to a great writer per se, but to the classic of socialist realism, was guided by. Therefore, Lukács’s interpretation of Goethe’s text isn’t based on a comprehensive analysis of the German classic and the Soviet writer views on a given topic, but is limited to the juxtaposition of iconic semantic constants that are embedded in the word “liberator,” important for Lukács in terms of their relevance to Gorky’s personality and work.