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The role of orthographic and phonetic distances in mutual intelligibility between Montenegrin and Bulgarian 门的内哥罗语和保加利亚语之间的正字法和语音距离在相互可理解性中的作用

Logos et Littera Pub Date : 2019-06-30 DOI: 10.31902/ll.2019.6.1.3

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Metadiscourse markers in newspaper columns: A study of texts written by Nigerian columnists 报纸专栏中的元话语标记:尼日利亚专栏作家的文本研究

Logos et Littera Pub Date : 2019-06-30 DOI: 10.31902/ll.2019.6.1.2

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Speech and its dimensions. A case of the emergence, tradition and continuity of the theory of rhetoric In the contemporary digital media landscape 语言及其维度。当代数字媒体环境下修辞学理论的兴起、传统与延续

Logos et Littera Pub Date : 2019-06-30 DOI: 10.31902/ll.2019.6.1.1

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Rape as catalyst to epistolary discourse and womanist bonding: Alice Walker’s reconstructive strategy in The Color Purple 强奸作为书信体话语和女性主义结合的催化剂:爱丽丝·沃克在《紫色》中的重构策略

Logos et Littera Pub Date : 2018-12-01 DOI: 10.31902/5.3.2

F. Roshnavand

{"title":"Rape as catalyst to epistolary discourse and womanist bonding: Alice Walker’s reconstructive strategy in The Color Purple","authors":"F. Roshnavand","doi":"10.31902/5.3.2","DOIUrl":"https://doi.org/10.31902/5.3.2","url":null,"abstract":"A patriarchal society employs several strategies to reinforce the pattern of domination and strengthen its grip on power. One of these strategies is rape, which serves as a weapon to terrorize and further subjugate women. A typical reading of any such an encounter between a male aggressor and a female entity entails the victimization of the latter, followed by her loss of bodily integrity and also subjectivity. This reading obviates the possibility of women’s resistance during and after the crime as it perpetuates men’s sexual domination and women’s vulnerability to violation as natural inevitable patterns. Nevertheless, recent feminist critics, including the American scholar Carine M. Mardorossian, reject the conventional view of women rape victims as passive and state that speaking out against the offence turns the individual victim into an active voiced agent who can not only survive the incident, but can also raise consciousness in the androcentric community and puncture the sociopolitical structure of power. Alice Walker’s The Color Purple is famous for its bold treatment of the controversial issues of rape and incest in the African American community. In line with Walker’s theory of womanism, the protagonist of the novel, constantly raped and silenced by her father and husband, transforms herself from a subservient victim into an assertive subject after establishing a meaningful discourse with other women. Through engaging in epistolary and face-to-face womanist communication, she manages to rid herself from the stigma of being a rape victim and after a while, plays the role of a savior for other oppressed women. This paper tries to analyze Walker’s deconstructive approach towards rape and shed light on the role of epistolary discourse and womanist bonding in helping the protagonist find her autonomy and voice.","PeriodicalId":409335,"journal":{"name":"Logos et Littera","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133899629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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“Fair is foul, and foul is fair”: A carnivalesque approach to Justin Kurzel and Billy Morrissette’s cinematic adaptations of William Shakespeare’s Macbeth “公平即犯规，犯规即公平”:贾斯汀·库泽尔和比利·莫里塞特将莎士比亚的《麦克白》改编成电影，这是一种狂欢式的方式

Logos et Littera Pub Date : 2018-12-01 DOI: 10.31902/5.3.1

M. Beyad, M. Javanian

{"title":"“Fair is foul, and foul is fair”: A carnivalesque approach to Justin Kurzel and Billy Morrissette’s cinematic adaptations of William Shakespeare’s Macbeth","authors":"M. Beyad, M. Javanian","doi":"10.31902/5.3.1","DOIUrl":"https://doi.org/10.31902/5.3.1","url":null,"abstract":"The conventional approach to literary adaptation, which\u0000insisted on rigid adherence to the source and denounced any deviation from the\u0000established text as unprofessional and negligent, has been substituted with\u0000attitudes that define the adaptation-source relation in new ways. Bakhtinian\u0000dialogism, as one of these approaches, redefines this relation in terms of a\u0000persistent contact between the two sides as the participants of a never-ending,\u0000all-inclusive network of relations. The idea of carnivalesque, a key part of\u0000Bakhtin’s theory of dialogism, can be used in adaptation studies to reflect both\u0000on the nature of adaptation-source relation and the internal mechanisms and\u0000techniques used by a particular adapter to reverse and suspend the orders and\u0000hierarchies established in its source work. Within this framework, the present\u0000study investigates Bakhtinian carnivalesque in Justin Kurzel and Billy\u0000Morrissette’s cinematic adaptations of William Shakespeare’s Macbeth (1606).\u0000Kurzel’s Macbeth (2015), set in Scottish Highlands during the 11th century, seeks\u0000to retain the Shakespearean air while addressing its contemporary issues mostly\u0000by highlighting or adding to the elements of carnival within the play.\u0000Morrissette’s Scotland PA (2001) takes a radically different stance toward the\u0000play, though. He transforms Shakespeare’s bloody tragedy into a dark comedy\u0000about the revolt of the lower class against the social structure. The study\u0000suggests that while these two adaptations take different, and at times opposing,\u0000approaches toward the play Macbeth, they both point to the carnivalesque\u0000potential of the play which can be released in and adapted to various sociocultural contexts","PeriodicalId":409335,"journal":{"name":"Logos et Littera","volume":"124 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123081440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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WWII as a US-led Western imperialist war in Kurt Vonnegut’s "Slaughterhouse-Five" 库尔特·冯内古特的《第五屠宰场》:二战是美国领导的西方帝国主义战争

Logos et Littera Pub Date : 2018-06-01 DOI: 10.31902/5.1.1

Lilijana Burcar

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L’image romantique du Monténégro dans les récits de voyage de Pierre Loti: Pasquala Ivanovitch et voyage de quatre officiers de l’escadre internationale au Monténégro 皮埃尔·洛蒂的旅行故事中黑山的浪漫形象:帕斯夸拉·伊万诺维奇和国际联队四名军官在黑山的旅行

Logos et Littera Pub Date : 1900-01-01 DOI: 10.31902/5.3.2.3

Miloš Abramović

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Les origines des expressions figées 冻结表达式的起源

Logos et Littera Pub Date : 1900-01-01 DOI: 10.31902/5.3.2.5

Danijela Ljepavić