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Introduction 介绍
IF 0.1
De Arte Pub Date : 2020-05-03 DOI: 10.1080/00043389.2020.1832374
Wendy Gers, Elizabeth Perrill
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引用次数: 1
Self/Other/Clay/Skin: Reflections on Ceramics by Andile Dyalvane, Juliet Armstrong, and Kim Bagley Andile Dyalvane、Juliet Armstrong和Kim Bagley的《自我/他人/粘土/皮肤：陶瓷反思》
IF 0.1
De Arte Pub Date : 2020-05-03 DOI: 10.1080/00043389.2020.1829356
K. Bagley
{"title":"Self/Other/Clay/Skin: Reflections on Ceramics by Andile Dyalvane, Juliet Armstrong, and Kim Bagley","authors":"K. Bagley","doi":"10.1080/00043389.2020.1829356","DOIUrl":"https://doi.org/10.1080/00043389.2020.1829356","url":null,"abstract":"Abstract This reflection on practice develops the idea of a skin metaphor in the work of a selection of contemporary South African artists working in clay. In particular, it discusses selected works by Juliet Armstrong and Andile Dyalvane in relation to the author's own practice. The author proposes that body- and skin-like forms can speak about how we see ourselves and others within post-apartheid South African cultural contexts. Themes discussed in relation to ceramic works include cultural appropriation, the anxieties of whiteness, and cultural identities. The article covers works produced at least ten years after the pivotal democratic elections in 1994 that symbolise the end of the socially and economically damaging apartheid regime. With this in mind, all of these works can be interpreted as part of an (admittedly flawed) project of slowly healing our metaphorical skin, in which South African artists have grappled with cultural and human identities from a range of highly individual perspectives. In engaging with their works, we are better able to understand specific local human conditions.","PeriodicalId":40908,"journal":{"name":"De Arte","volume":"55 1","pages":"4 - 22"},"PeriodicalIF":0.1,"publicationDate":"2020-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/00043389.2020.1829356","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48493346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Samuele Makoanyane: Reconsidering Ceramics Technology and Connoisseurship in Early Modern Southern African Ceramics Samuele Makoanyane：对早期现代南部非洲陶瓷技术和鉴赏力的重新思考
IF 0.1
De Arte Pub Date : 2020-05-03 DOI: 10.1080/00043389.2020.1829357
Wendy Gers
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引用次数: 0
A Social Life of Pots in Southern Africa 南非Pots的社会生活
IF 0.1
De Arte Pub Date : 2020-05-03 DOI: 10.1080/00043389.2020.1769896
D. Riep
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引用次数: 0
Against Ordentlikheid: Disobedient Femininities in Selected Embroideries by Hannalie Taute 反对奥尔登特里克海德：汉娜·陶特作品选集中的不听话女性主义
IF 0.1
De Arte Pub Date : 2020-01-02 DOI: 10.1080/00043389.2019.1631552
T. Sonnekus
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引用次数: 0
Cruel Art: Intersections between Art, Animals, and Morality 残酷的艺术:艺术、动物和道德的交集
IF 0.1
De Arte Pub Date : 2020-01-02 DOI: 10.1080/00043389.2019.1643072
Y. Coetser
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引用次数: 3
Somewhere, Over the Rainbow: RIP Muffin Stevens 在彩虹之上的某处:安息吧，玛芬·史蒂文斯
IF 0.1
De Arte Pub Date : 2020-01-02 DOI: 10.1080/00043389.2020.1721720
R. Sassen
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引用次数: 0
Acts of Transgression: Contemporary Live Art in South Africa 越轨行为：南非当代现场艺术
IF 0.1
De Arte Pub Date : 2020-01-02 DOI: 10.1080/00043389.2019.1626532
L. V. D. van der Merwe
{"title":"Acts of Transgression: Contemporary Live Art in South Africa","authors":"L. V. D. van der Merwe","doi":"10.1080/00043389.2019.1626532","DOIUrl":"https://doi.org/10.1080/00043389.2019.1626532","url":null,"abstract":"Acts of Transgression, edited by Jay Pather and Catherine Boulle, speaks to the aesthetics of crises observed in performance or “live art” in contemporary South Africa. The subversive nature of the performances discussed in this book is related to lingering emotions of anger, resentment, and dispossession, but also to a way of articulating the unsayable—the desire to know, to say, and to be (Braidotti 2011, 126). The authors contributing to this book question an understanding of art as mere representations of identities and humanist notions of self, rather positioning figurations as “embedded and embodied, social positions” (Braidotti 2011, 5), constantly in flux and operating as a process of teasing out new meanings of citizenship, agency, and relationality. Acts of Transgression is the product of Pather’s and Boulle’s longstanding interest in and engagement with performance practices in South Africa, supported by the Institute for Creative Arts at the University of Cape Town, where they are based. The volume consists of 15 chapters, divided into four sections, each addressing a different aspect of the multidisciplinary field of performance or “live art”, as it is referred to in this book. The book contains engagements with a variety of artists’ work by a diverse collection of authors, critics, and artist-writers, who each contribute in a meaningful way to the debates offered in this book.","PeriodicalId":40908,"journal":{"name":"De Arte","volume":"55 1","pages":"104 - 108"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/00043389.2019.1626532","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43504829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
In the World: Essays on Contemporary South African Art, by Ashraf Jamal 《在世界上:当代南非艺术随笔》，作者:Ashraf Jamal
IF 0.1
De Arte Pub Date : 2020-01-02 DOI: 10.1080/00043389.2020.1721721
A. Kearney
{"title":"In the World: Essays on Contemporary South African Art, by Ashraf Jamal","authors":"A. Kearney","doi":"10.1080/00043389.2020.1721721","DOIUrl":"https://doi.org/10.1080/00043389.2020.1721721","url":null,"abstract":"","PeriodicalId":40908,"journal":{"name":"De Arte","volume":"55 1","pages":"109 - 112"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/00043389.2020.1721721","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46639454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Promoting “African Art” and African Modernisms in Johannesburg in the 1960s 20世纪60年代在约翰内斯堡推广“非洲艺术”和非洲现代主义
IF 0.1
De Arte Pub Date : 2020-01-02 DOI: 10.1080/00043389.2019.1608405
A. Nettleton
{"title":"Promoting “African Art” and African Modernisms in Johannesburg in the 1960s","authors":"A. Nettleton","doi":"10.1080/00043389.2019.1608405","DOIUrl":"https://doi.org/10.1080/00043389.2019.1608405","url":null,"abstract":"ABSTRACT In the 1960s, during the years in which apartheid was to become fully entrenched in South Africa and black Africans relegated to second-class citizen status, there was an apparently paradoxical growth of interest in art circles in the art of black Africans. Two major players in the Johannesburg art market who acquired large collections of historical African art and promoted contemporary forms said to be African in quality are identified as having fuelled this interest. This article traces the founding of both the Günther Gallery and the Totem Meneghelli Gallery and the influence they exerted on the artists they exhibited and on other emerging galleries in Johannesburg—such as Gallery 101 (later the Pelmama Gallery)—in their constructions of particular African themes and aesthetics in the 1960s and early 1970s. The fact that many of the gallerists involved in this Africa-philia were immigrants from Europe is examined in relation to the apparent paradox noted at the outset and to the politics of race in the South African context and of “primitivism” in the wider art world.","PeriodicalId":40908,"journal":{"name":"De Arte","volume":"55 1","pages":"30 - 5"},"PeriodicalIF":0.1,"publicationDate":"2020-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/00043389.2019.1608405","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46638787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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