Cruel Art: Intersections between Art, Animals, and Morality

IF 0.1 0 ART
Y. Coetser
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引用次数: 3

Abstract

ABSTRACT The process of making art, art itself, and the effects of art can be cruel to those who are, often unwillingly or by virtue of being unable to consent, a part of the process. Even though the thought of restricting, controlling, or censoring art is frowned upon, many would agree that cruelty ought to be avoided, condemned, and discouraged. To frame my discussion, I use the term “cruel art”. I define cruel art as any artistic endeavour (for example installation art, performance art, literary works, paintings, sculptures, etc.) that harms non-human animals physically or psychologically. In this article, I firstly examine the notion of cruelty. Thereafter I differentiate between three types of cruel art. I argue that cruel art ought to be avoided as a moral imperative.
残酷的艺术:艺术、动物和道德的交集
艺术的制作过程、艺术本身以及艺术的效果对那些往往不情愿或由于无法同意而成为过程一部分的人来说可能是残酷的。尽管限制、控制或审查艺术的想法不受欢迎,但许多人都认为应该避免、谴责和劝阻残忍行为。我用“残酷的艺术”来界定我的讨论。我将残酷艺术定义为任何在身体或心理上伤害非人类动物的艺术努力(例如装置艺术、行为艺术、文学作品、绘画、雕塑等)。在这篇文章中,我首先考察了残忍的概念。此后,我区分了三种残忍的艺术。我认为残忍的艺术应该作为一种道德义务来避免。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
De Arte
De Arte ART-
CiteScore
0.20
自引率
0.00%
发文量
7
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