De Arte最新文献 - Book学术

I’ll Be Your Mirror: Emma Wolukau-Wanambwa’s Science Fiction of Truth 我是你的镜子艾玛-沃卢考-瓦南布瓦的科幻小说《真相

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De Arte Pub Date : 2024-04-22 DOI: 10.1080/00043389.2024.2317496

Bea Gassmann de Sousa

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The Horizontal Sublime in Post-apartheid Gothic Landscape 后种族隔离时代哥特式景观中的水平崇高

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De Arte Pub Date : 2024-04-22 DOI: 10.1080/00043389.2024.2311504

Leana van der Merwe

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DisOrientations: Thinking through Lines of Desire in the Visual Artwork of Jordache A. Ellapen 偏离：通过乔尔达奇-A-埃拉彭的视觉艺术作品思考欲望之线

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De Arte Pub Date : 2024-04-22 DOI: 10.1080/00043389.2024.2311958

Sharlene Khan

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“Africanness” in the Oeuvre of the Ceramist Esias Bosch (1923–2010) "陶瓷艺术家埃西亚斯-博什（1923-2010 年）作品中的 "非洲性

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De Arte Pub Date : 2023-12-13 DOI: 10.1080/00043389.2023.2281851

Ronnie Watt

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Diane Victor: Estampes, Dessins, Suie / Prints, Drawings, Smoke Diane Victor: Estampes, Dessins, Suie / Prints, Drawings, Smoke , With contributions by Stéphane Laurent, Renaud Faroux, Karen von Veh, and Francis van der Riet, Mare et Martin. 2022. pp. 244, ISBN: 9782362220807 黛安·维克多:Estampes, Dessins, Suie / Prints, Drawings, Smoke, With st<s:1> stephane Laurent, Renaud Faroux, Karen von Veh, and Francis van der Riet, Mare et Martin. 2022。第244页，ISBN: 9782362220807

De Arte Pub Date : 2023-11-10 DOI: 10.1080/00043389.2023.2273650

Deléne Human

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Curriculum Change in the Postcolonial Art History Classroom: A Case Study 后殖民艺术史课堂课程改革的个案研究

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De Arte Pub Date : 2023-08-24 DOI: 10.1080/00043389.2023.2226989

Nicola Cloete

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引用次数: 0

Inherited Obsessions: Conversations with an Exhibition, edited by Laura de Harde 《继承的痴迷：与展览的对话》，Laura de Harde编辑

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De Arte Pub Date : 2023-08-18 DOI: 10.1080/00043389.2023.2248787

C. Kros

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Noisy Surfaces: Vulnerability and Art in Human–Ocean Relations 嘈杂的表面:人类与海洋关系中的脆弱与艺术

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De Arte Pub Date : 2023-02-15 DOI: 10.1080/00043389.2022.2145005

Meghan Judge

{"title":"Noisy Surfaces: Vulnerability and Art in Human–Ocean Relations","authors":"Meghan Judge","doi":"10.1080/00043389.2022.2145005","DOIUrl":"https://doi.org/10.1080/00043389.2022.2145005","url":null,"abstract":"Abstract At the shoreline, human and ocean activities often act in unproductive tension with one another. This article draws from encounters between the modernist architecture in the port city of Toamasina in Madagascar and the activities of the Indian Ocean at that location to sense how human–ocean binary lines might become more porous. The first part of the article sketches a material-discursive theory of the weathered hole in modernist architectural surfaces. It explores the hole as a vital collective of queer otherings to the specific land-centred individualistic subject-hood of modernist Man, a specific figuration of a human who draws binary lines to separate itself out from the “natural world”. The second part of the article argues that artistic inquiry is well positioned to sense into the activities of the hole. It looks to how the hole at the surface of modernist Man can co-shape the specific human–ocean relationship that forms at this shoreline. Such inquiry is explored through my solo exhibition titled Static Drift, held at the Wits Art Museum in Johannesburg in 2021. Sensing, the exhibition reveals, has the potential for listening to binary lines as they erect a surface that both pushes away yet also receives what has been pushed. In Static Drift, being vulnerable through human perceptions was highlighted as a critical mode for sensory attunement to the relationships that form at such surfaces. This article argues that the sonic is a useful sensory mode for opening perceptions toward what is not yet perceived in surface–hole relationships. The sonic opens sites for ontological thinking into human–ocean relations by sensing into the re-orienting potentials that noise offers for thinking about disrupting binaried surfaces.","PeriodicalId":40908,"journal":{"name":"De Arte","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43100850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

An Intersectional Reading of Senzeni Marasela’s Work: Making Visible the Marginalised Lived Experiences of Black South African Women in States of Perpetual Waiting 森泽尼·马拉塞拉作品的交叉性解读:使南非黑人妇女在永久等待状态下被边缘化的生活经历变得可见

De Arte Pub Date : 2023-01-02 DOI: 10.1080/00043389.2023.2250693

Lois A. Anguria

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Between the Pages: Human Fragility and the Patina of Time in Guy du Toit’s Book of Play I and Book of Play II 在书页之间:人类的脆弱性和时间的铜绿在居伊·杜·托伊的书的书的第一和第二

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De Arte Pub Date : 2022-09-02 DOI: 10.1080/00043389.2022.2152965

Catharina de Klerk

{"title":"Between the Pages: Human Fragility and the Patina of Time in Guy du Toit’s Book of Play I and Book of Play II","authors":"Catharina de Klerk","doi":"10.1080/00043389.2022.2152965","DOIUrl":"https://doi.org/10.1080/00043389.2022.2152965","url":null,"abstract":"Abstract Various contemporary artists have explored people’s relationships with the natural world through artworks based on the book format, including artist’s books and book sculptures. This study contributes to the discussion on the ways visual storytelling can work towards re-visualising narratives, making untold stories visible, with specific reference to Book of Play I and Book of Play II (2017) by contemporary South African artist Guy du Toit. The aim of this article is to explore narrative suggestions of stories that remain untold, as felt through the empty spaces between the book covers. I argue that Du Toit’s book sculptures evoke experiences of loss and transience through his representation of the impact of the passage of time and the effects of the elements on the medium of bronze. Building on David Macauley’s environmental philosophy (Elemental Philosophy: Earth, Air, Fire, and Water as Environmental Ideas. New York: SUNY Press, 2010), and specifically his suggestion to re-evaluate how to relate to the natural world by viewing ecological considerations as a form of “re-story-ation”, I suggest that Du Toit’s book sculptures offer a starting point for an exploration of our fragile relationship with the natural world.","PeriodicalId":40908,"journal":{"name":"De Arte","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46921482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0