De Arte最新文献 - Book学术

I’ll Be Your Mirror: Emma Wolukau-Wanambwa’s Science Fiction of Truth 我是你的镜子艾玛-沃卢考-瓦南布瓦的科幻小说《真相

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De Arte Pub Date : 2024-04-22 DOI: 10.1080/00043389.2024.2317496

Bea Gassmann de Sousa

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The Horizontal Sublime in Post-apartheid Gothic Landscape 后种族隔离时代哥特式景观中的水平崇高

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De Arte Pub Date : 2024-04-22 DOI: 10.1080/00043389.2024.2311504

Leana van der Merwe

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DisOrientations: Thinking through Lines of Desire in the Visual Artwork of Jordache A. Ellapen 偏离：通过乔尔达奇-A-埃拉彭的视觉艺术作品思考欲望之线

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De Arte Pub Date : 2024-04-22 DOI: 10.1080/00043389.2024.2311958

Sharlene Khan

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“Africanness” in the Oeuvre of the Ceramist Esias Bosch (1923–2010) "陶瓷艺术家埃西亚斯-博什（1923-2010 年）作品中的 "非洲性

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De Arte Pub Date : 2023-12-13 DOI: 10.1080/00043389.2023.2281851

Ronnie Watt

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Diane Victor: Estampes, Dessins, Suie / Prints, Drawings, Smoke Diane Victor: Estampes, Dessins, Suie / Prints, Drawings, Smoke , With contributions by Stéphane Laurent, Renaud Faroux, Karen von Veh, and Francis van der Riet, Mare et Martin. 2022. pp. 244, ISBN: 9782362220807 黛安·维克多:Estampes, Dessins, Suie / Prints, Drawings, Smoke, With st<s:1> stephane Laurent, Renaud Faroux, Karen von Veh, and Francis van der Riet, Mare et Martin. 2022。第244页，ISBN: 9782362220807

De Arte Pub Date : 2023-11-10 DOI: 10.1080/00043389.2023.2273650

Deléne Human

引用次数: 0

Curriculum Change in the Postcolonial Art History Classroom: A Case Study 后殖民艺术史课堂课程改革的个案研究

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De Arte Pub Date : 2023-08-24 DOI: 10.1080/00043389.2023.2226989

Nicola Cloete

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引用次数: 0

Inherited Obsessions: Conversations with an Exhibition, edited by Laura de Harde 《继承的痴迷：与展览的对话》，Laura de Harde编辑

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De Arte Pub Date : 2023-08-18 DOI: 10.1080/00043389.2023.2248787

C. Kros

引用次数: 0

Noisy Surfaces: Vulnerability and Art in Human–Ocean Relations 嘈杂的表面:人类与海洋关系中的脆弱与艺术

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De Arte Pub Date : 2023-02-15 DOI: 10.1080/00043389.2022.2145005

Meghan Judge

{"title":"Noisy Surfaces: Vulnerability and Art in Human–Ocean Relations","authors":"Meghan Judge","doi":"10.1080/00043389.2022.2145005","DOIUrl":"https://doi.org/10.1080/00043389.2022.2145005","url":null,"abstract":"Abstract At the shoreline, human and ocean activities often act in unproductive tension with one another. This article draws from encounters between the modernist architecture in the port city of Toamasina in Madagascar and the activities of the Indian Ocean at that location to sense how human–ocean binary lines might become more porous. The first part of the article sketches a material-discursive theory of the weathered hole in modernist architectural surfaces. It explores the hole as a vital collective of queer otherings to the specific land-centred individualistic subject-hood of modernist Man, a specific figuration of a human who draws binary lines to separate itself out from the “natural world”. The second part of the article argues that artistic inquiry is well positioned to sense into the activities of the hole. It looks to how the hole at the surface of modernist Man can co-shape the specific human–ocean relationship that forms at this shoreline. Such inquiry is explored through my solo exhibition titled Static Drift, held at the Wits Art Museum in Johannesburg in 2021. Sensing, the exhibition reveals, has the potential for listening to binary lines as they erect a surface that both pushes away yet also receives what has been pushed. In Static Drift, being vulnerable through human perceptions was highlighted as a critical mode for sensory attunement to the relationships that form at such surfaces. This article argues that the sonic is a useful sensory mode for opening perceptions toward what is not yet perceived in surface–hole relationships. The sonic opens sites for ontological thinking into human–ocean relations by sensing into the re-orienting potentials that noise offers for thinking about disrupting binaried surfaces.","PeriodicalId":40908,"journal":{"name":"De Arte","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43100850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

An Intersectional Reading of Senzeni Marasela’s Work: Making Visible the Marginalised Lived Experiences of Black South African Women in States of Perpetual Waiting 森泽尼·马拉塞拉作品的交叉性解读:使南非黑人妇女在永久等待状态下被边缘化的生活经历变得可见

De Arte Pub Date : 2023-01-02 DOI: 10.1080/00043389.2023.2250693

Lois A. Anguria

引用次数: 0

Untold Stories: Material Narratives of Fragility, Grief, and Healing 不为人知的故事：脆弱、悲伤和治愈的物质叙事

IF 0.1

De Arte Pub Date : 2022-09-02 DOI: 10.1080/00043389.2022.2152968

A. Kearney, Annemi Conradie-Chetty

{"title":"Untold Stories: Material Narratives of Fragility, Grief, and Healing","authors":"A. Kearney, Annemi Conradie-Chetty","doi":"10.1080/00043389.2022.2152968","DOIUrl":"https://doi.org/10.1080/00043389.2022.2152968","url":null,"abstract":"This is the second guest-edited, themed issue emerging from papers that were presented at the 35th Annual South African Visual Arts Historians (SAVAH) Conference, hosted by the research entity Visual Narratives and Creative Outputs (ViNCO) in the Faculty of Humanities, North-West University, Potchefstroom Campus, from September 29 to October 2, 2021. The first themed issue, titled Untold Stories: (Re-)narrativising the Past in the Present through Visual Artmaking ( de arte volume 57, issue 2), focused on the ways in which visual narratives bring the past into the present, to tell previously untold stories. The articles in this issue engage with local and global stories; the authors focus on human conceptions and experiences of time, space, and place as told in and through film, video, installation, photography, and found and fashioned objects. The articles in this themed issue explore visual storytelling as a method of coming to terms with grief, loss, and bereavement, with contemporary mourners adapting new technologies and merging these with older rituals and traditions. Among the narrative themes shared by the articles are methods of storytelling; notions of narrativity, historicity, and temporalities; and the blurring of past and present, fact and fiction. Concepts of time and narrative time are central to visual accounts of grief, collective memory, and memorialisation, although the trauma of losing a loved one or experiencing violence throws sequential time out of joint. Themes of absence and presence—the present","PeriodicalId":40908,"journal":{"name":"De Arte","volume":" ","pages":"1 - 3"},"PeriodicalIF":0.1,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48837186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0