Untold Stories: Material Narratives of Fragility, Grief, and Healing

IF 0.1 0 ART
A. Kearney, Annemi Conradie-Chetty
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引用次数: 0

Abstract

This is the second guest-edited, themed issue emerging from papers that were presented at the 35th Annual South African Visual Arts Historians (SAVAH) Conference, hosted by the research entity Visual Narratives and Creative Outputs (ViNCO) in the Faculty of Humanities, North-West University, Potchefstroom Campus, from September 29 to October 2, 2021. The first themed issue, titled Untold Stories: (Re-)narrativising the Past in the Present through Visual Artmaking ( de arte volume 57, issue 2), focused on the ways in which visual narratives bring the past into the present, to tell previously untold stories. The articles in this issue engage with local and global stories; the authors focus on human conceptions and experiences of time, space, and place as told in and through film, video, installation, photography, and found and fashioned objects. The articles in this themed issue explore visual storytelling as a method of coming to terms with grief, loss, and bereavement, with contemporary mourners adapting new technologies and merging these with older rituals and traditions. Among the narrative themes shared by the articles are methods of storytelling; notions of narrativity, historicity, and temporalities; and the blurring of past and present, fact and fiction. Concepts of time and narrative time are central to visual accounts of grief, collective memory, and memorialisation, although the trauma of losing a loved one or experiencing violence throws sequential time out of joint. Themes of absence and presence—the present
不为人知的故事:脆弱、悲伤和治愈的物质叙事
这是在2021年9月29日至10月2日,由西北大学Potchefstroom校区人文学院的研究实体视觉叙事和创意输出(ViNCO)主办的第35届南非视觉艺术历史学家(SAVAH)年度会议上发表的论文中出现的第二个嘉宾编辑主题问题。第一期主题为《不为人知的故事:通过视觉艺术在现在(重新)叙述过去》(de arte第57卷,第2期),重点关注视觉叙事将过去带入现在的方式,讲述以前不为人知的故事。这期的文章涉及当地和全球的故事;作者关注人类对时间、空间和地点的概念和经验,通过电影、录像、装置、摄影以及发现和塑造的物品来讲述。本期主题的文章探讨了视觉叙事作为一种与悲伤、损失和丧亲之痛达成协议的方法,当代哀悼者采用新技术并将其与旧的仪式和传统相结合。文章共有的叙事主题有:讲故事的方法;叙事性、历史性和时间性的概念;过去和现在,事实和虚构的模糊。时间和叙事时间的概念是悲伤、集体记忆和纪念的视觉描述的核心,尽管失去亲人或经历暴力的创伤会使顺序时间脱离关节。缺席和在场的主题——现在
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来源期刊
De Arte
De Arte ART-
CiteScore
0.20
自引率
0.00%
发文量
7
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