{"title":"The Erotic Gaze of the Italienreise: Wilhelm von Gloeden and Der Tod in Venedig","authors":"Marie. James","doi":"10.1080/09593683.2021.1999611","DOIUrl":"https://doi.org/10.1080/09593683.2021.1999611","url":null,"abstract":"ABSTRACT From Winckelmann and Platen to Goethe and Mann, the cultural narrative of the German ‘Italian journey’ spins a highly intertextual web — one often embedded within a subtext of homoerotic interests. This article expands on the homoerotic iconography of Thomas Mann’s Der Tod in Venedig (1912) by comparing the novella’s visual language to the fin-de-siècle Sicilian photographs of Wilhelm von Gloeden. As both works play into a long-running codification of homosexual desire through the Italian imaginary of classical and Renaissance art, a comparative reading delves into tropes of pederasty, exoticism, and nostalgia.","PeriodicalId":40789,"journal":{"name":"Publications of the English Goethe Society","volume":"90 1","pages":"229 - 252"},"PeriodicalIF":0.2,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48659657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Choreographies of (Dis)order: Dance and Same-Sex Desire in Thomas Mann’s Unordnung und frühes Leid (1925) and Klaus Mann’s Der fromme Tanz (1926)","authors":"Francesco Albé","doi":"10.1080/09593683.2021.1999604","DOIUrl":"https://doi.org/10.1080/09593683.2021.1999604","url":null,"abstract":"ABSTRACT The year 1925 marks both the publication of Thomas Mann’s novella Unordnung und frühes Leid and the debut of his son Klaus as a novelist with the writing of Der fromme Tanz (published in 1926), two texts deeply concerned with the disruption of normative orders. Drawing on contemporary Weimar debates around new choreographic practices and (homo)sexuality, this article develops a comparative reading of the two texts, exploring the way in which they use dance as an intergenerational site for the re-articulation of sexual codes. Inspired by Nietzschean philosophy, images of choreographic order and disorder, in particular, become the literary means through which father and son negotiate their own, contrasting relationship with same-sex desire.","PeriodicalId":40789,"journal":{"name":"Publications of the English Goethe Society","volume":"90 1","pages":"214 - 228"},"PeriodicalIF":0.2,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45298337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Willoughby, Blunck, and their Jewish Critics: The English Goethe Society and Anglo-German Relations in the Nazi Period","authors":"W. D. Wilson","doi":"10.1080/09593683.2021.1999620","DOIUrl":"https://doi.org/10.1080/09593683.2021.1999620","url":null,"abstract":"ABSTRACT H. G. Fiedler and L. A. Willoughby, the most important officers of the English Goethe Society during the years 1933 to 1945, pursued the goal of peace through stronger Anglo-German ties, which led Willoughby to gestures of support for the Nazi regime. His Jewish colleague William Rose criticized him for inviting poet and Nazi literary official Hans Friedrich Blunck to an EGS reading. Willoughby then channelled his appeasement efforts into his new periodical, German Life and Letters, before abandoning rapprochement in 1937–38. Though he gave a platform to Jewish émigré writers in PEGS before and after the war, and broke with the revanchist writer Hans Grimm, he supported Blunck’s denazification and positively reviewed Blunck’s untrustworthy memoirs.","PeriodicalId":40789,"journal":{"name":"Publications of the English Goethe Society","volume":"90 1","pages":"167 - 213"},"PeriodicalIF":0.2,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42006558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Goethe and Klopstock: A Last Word","authors":"Roger Paulin","doi":"10.1080/09593683.2021.1926064","DOIUrl":"https://doi.org/10.1080/09593683.2021.1926064","url":null,"abstract":"ABSTRACT This article examines the influence of Friedrich Gottlieb Klopstock on the poetry of the young Johann Wolfgang Goethe, tracing Goethe’s brief but intense relationship with the older poet by looking at well-known examples such as ‘Auf dem See’ and noting correspondences and above all differences. A further example of Klopstock’s influence is the early dramatic fragment Mahomet. There, the themes both of Klopstock’s poetry, but also of his epic Der Messias (1748–73), are discernible. A detailed examination and comparison of idyllic passages from Der Messias and Goethe’s early poem ‘Der Wandrer’ reveal this process of assimilation, but also Goethe’s growing independence.","PeriodicalId":40789,"journal":{"name":"Publications of the English Goethe Society","volume":"90 1","pages":"129 - 145"},"PeriodicalIF":0.2,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09593683.2021.1926064","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47698462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In memoriam: Hugh Barr Nisbet (24 August 1940 - 6 February 2021)","authors":"","doi":"10.1080/09593683.2021.1926067","DOIUrl":"https://doi.org/10.1080/09593683.2021.1926067","url":null,"abstract":"","PeriodicalId":40789,"journal":{"name":"Publications of the English Goethe Society","volume":"90 1","pages":"163 - 166"},"PeriodicalIF":0.2,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09593683.2021.1926067","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43840081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reluctant Readers on Mann’s Magic Mountain (Ida Herz Lecture 2020)","authors":"Karolina Watroba","doi":"10.1080/09593683.2021.1926066","DOIUrl":"https://doi.org/10.1080/09593683.2021.1926066","url":null,"abstract":"ABSTRACT Sanatorium Arktur, Konstantin Fedin’s Russian novel of 1940, is fashioned as a communist response to Thomas Mann’s Der Zauberberg (1924). In different ways, Fedin and his characters are shown to be both critical of the ideological backdrop of Mann’s novel and intensely drawn to the story world he portrays. This paper contextualizes a comparative reading of Der Zauberberg and Sanatorium Arktur with reference to discussions of and reactions to Mann’s work by many other communist, Marxist, or generally socially critical readers, ranging from Bertolt Brecht, Vittorio de Sica, and Thomas Bernhard to an anonymous Russian steamship machinist described by Peter Huchel.","PeriodicalId":40789,"journal":{"name":"Publications of the English Goethe Society","volume":"90 1","pages":"146 - 162"},"PeriodicalIF":0.2,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09593683.2021.1926066","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45424737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Authorship of the First English Translation of Goethe","authors":"T. Baynes","doi":"10.1080/09593683.2021.1926060","DOIUrl":"https://doi.org/10.1080/09593683.2021.1926060","url":null,"abstract":"ABSTRACT The anonymous translation of Werther that was published by James Dodsley (1724-1797) in 1779 has been attributed to both Daniel Malthus (1730-1800) and Richard Graves (1715-1804). The case for the latter can be appreciably strengthened if the Dodsley Werther is re-examined in the context of Graves’s life and work. The death of his wife in 1777 precipitated an emotional crisis, which could have led him to identify with Goethe’s protagonist. The Dodsley Werther exhibits, moreover, some notable similarities to Graves’s Columella (1779) and Lucubrations (1786) (both of which are indicative of a complex, ambivalent attitude to Goethe’s novel). In the light of these findings, the evidence for Malthus’s authorship of the translation should now be subjected to a thoroughgoing reappraisal.","PeriodicalId":40789,"journal":{"name":"Publications of the English Goethe Society","volume":"90 1","pages":"91 - 108"},"PeriodicalIF":0.2,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09593683.2021.1926060","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44409682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Neology vs. Radical Enlightenment: Gotthilf Samuel Steinbart, Jakob Mauvillon, and Frederick the Great’s Essai sur l’Amour-propre envisagé comme Principe de Morale (1770)","authors":"Kevin Hilliard","doi":"10.1080/09593683.2021.1926063","DOIUrl":"https://doi.org/10.1080/09593683.2021.1926063","url":null,"abstract":"ABSTRACT This article discusses a pirated translation and edition of a work by the German theologian Gotthilf Samuel Steinbart (1738–1809) and shows that it can be attributed to Jakob Mauvillon (1743–1794), an important figure of the late Radical Enlightenment in Germany. In this Examen des motifs à la vertu (1774) Mauvillon submerges the primary text in a flood of commentary, with the aim of discrediting Steinbart’s claims. Steinbart’s work was itself a response to a treatise by Frederick II of Prussia (1712–1786). Mauvillon’s intervention was intended to warn against the alliance between church and state that he saw emerging in Frederick’s treatise and Steinbart’s response","PeriodicalId":40789,"journal":{"name":"Publications of the English Goethe Society","volume":"37 5","pages":"109 - 128"},"PeriodicalIF":0.2,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09593683.2021.1926063","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41267177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Literature in the World: Introduction","authors":"B. Murnane","doi":"10.1080/09593683.2021.1887583","DOIUrl":"https://doi.org/10.1080/09593683.2021.1887583","url":null,"abstract":"ABSTRACT Coined by Christoph Martin Wieland and promoted by Johann Wolfgang Goethe, Weltliteratur/‘world literature’ has gained extraordinary traction in comparative literature, post-colonial studies, and Goethe studies. This article provides an overview of the emergence of Weltliteratur in Goethe’s critical activities, offering a comparison to its mutation into the contemporary critical framework of world literature. Adopting a genealogical approach, Edward Said’s ‘worldliness’ concept allows a consideration of literature’s materiality — from ‘bibliomigrancy’ (Mani) to the socio-economic locatedness of authors, works, and their critics — in relation to Weltliteratur/world literature. The article concludes with an overview of the essays in this special thematic issue of PEGS on ‘Literature in the World’.","PeriodicalId":40789,"journal":{"name":"Publications of the English Goethe Society","volume":"90 1","pages":"1 - 12"},"PeriodicalIF":0.2,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09593683.2021.1887583","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44184459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ambivalent Readings of World Literature: Goethe in the Writings of German-Jewish Readers in Mandate Palestine/Israel","authors":"Caroline Jessen","doi":"10.1080/09593683.2021.1887599","DOIUrl":"https://doi.org/10.1080/09593683.2021.1887599","url":null,"abstract":"ABSTRACT The article explores the ways in which German-Jewish émigré readers in Mandate Palestine/Israel referred to the idea of world literature, and to Goethe as its most prominent proponent, in order to advocate for the continuous significance of ‘German’ literature in spite of the break with tradition that the genocide of European Jewry caused. World literature emerges as a Kassiber, a coded message, enabling German-Jewish readers to hold on to familiar literary texts (and the particular memories tied to them) by adapting them to new ideological contexts as well as to new linguistic and cultural settings.","PeriodicalId":40789,"journal":{"name":"Publications of the English Goethe Society","volume":"90 1","pages":"72 - 90"},"PeriodicalIF":0.2,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09593683.2021.1887599","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42205282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}