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Journal of World Popular Music最新文献

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Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics 流行歌曲来世:中国流行经典街头表演的口头传播与世俗创意
Journal of World Popular Music Pub Date : 2019-03-17 DOI: 10.1558/JWPM.34195
Samuel Horlor
{"title":"Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics","authors":"Samuel Horlor","doi":"10.1558/JWPM.34195","DOIUrl":"https://doi.org/10.1558/JWPM.34195","url":null,"abstract":"Amateur live performances on the city streets of Wuhan give afterlives to songs of Chinese pop’s canon; they are sites for this repertory to be adapted and assimilated into musical worlds beyond those of the artists and industries responsible for its original production and dissemination. Singers here learn the songs by following commercial recordings, a process I understand with reference to oral transmission as it enables and constrains creativity in ways reflective of the social and technological circumstances of performers’ lives. Recordings feed into the spread of change among Wuhan’s amateur singers, with certain limitations and new possibilities also resulting from the technologies and skills available on the streets. Looking at popular song afterlives exposes mundane layers of creativity, and it comments more broadly on prosaic drivers of new meaning in current popular music practices.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43922029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sounding Dublin: Mapping Popular Music Experience in the City 聆听都柏林:绘制城市流行音乐体验
Journal of World Popular Music Pub Date : 2019-03-17 DOI: 10.1558/JWPM.34372
J. O’Flynn, Áine Mangaoang
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引用次数: 1
From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local 从世界节奏到地方节奏:音乐从外借到本地的转换理论
Journal of World Popular Music Pub Date : 2019-03-17 DOI: 10.1558/JWPM.28024
W. Bere
{"title":"From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local","authors":"W. Bere","doi":"10.1558/JWPM.28024","DOIUrl":"https://doi.org/10.1558/JWPM.28024","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41717157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Yo Nací Caminando”: Community-Engaged Scholarship, Hip Hop as Postcolonial Studies, and Rico Pabón’s Knowledge of Self “Yo NacíCaminando”：社区参与奖学金、嘻哈作为后殖民研究和Rico Pabón的自我知识
Journal of World Popular Music Pub Date : 2018-12-28 DOI: 10.1558/JWPM.37841
J. Rollefson
{"title":"“Yo Nací Caminando”: Community-Engaged Scholarship, Hip Hop as Postcolonial Studies, and Rico Pabón’s Knowledge of Self","authors":"J. Rollefson","doi":"10.1558/JWPM.37841","DOIUrl":"https://doi.org/10.1558/JWPM.37841","url":null,"abstract":"This article outlines an open, decentred and unfinished vision for community-engaged scholarship in hip hop studies. Employing examples from the Hip Hop as Postcolonial Studies initiative at the University of California, Berkeley, it elaborates in theory and method how (and why) hip hop's community knowledges might (and should) be better valued and leveraged in university contexts. The article argues that hip hop is itself a form of open (and vulnerable) scholarship; that hip hop's core praxis of \"knowledge of self\" (KoS) is an intellectually and artistically rigorous form of (counter)history; that hip hop is postcolonial studies. By examining artist-facilitator Rico Pabon's pivotal role in the initiative, the article elaborates how hip hop's performed KoS calls into question our reliance on the professorial structure of the university knowledge trade. Centring on a \"questing\" track that gives this article its title, it shows how the seamless and unfinished unity of Pabon's knowledge/performance, content/form and theory/method can model ways in which to decentre our scholarly praxis and bring our decolonial theory into a pedagogical form more befitting of postcolonial studies.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45408269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Double Entendre Got Bodied: Strategic Ambivalence and Latinx Young Men Rappin’ under the White Gaze 双重恩怨缠身：战略模糊与拉丁裔年轻人在白眼下说唱
Journal of World Popular Music Pub Date : 2018-12-18 DOI: 10.1558/JWPM.37842
C. Wong
{"title":"Double Entendre Got Bodied: Strategic Ambivalence and Latinx Young Men Rappin’ under the White Gaze","authors":"C. Wong","doi":"10.1558/JWPM.37842","DOIUrl":"https://doi.org/10.1558/JWPM.37842","url":null,"abstract":"I explore how two Latinx young men made use of rapping within a creative and healing afterschool hip hop space at a California Bay Area High School. I argue that they performed a calculated, strategic ambivalence. That is, just as they composed raps that made use of wordplay with double or more meanings, they constructed personhoods that quite literally embodied double or more meanings. They became the embodiment of double entendre, strategically performing, rapping and narrativizing personas that allowed them to synchronously survive the classroom and the 'hood, subverting the \"White gaze\" and the gaze of the streets.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49128869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip HoArchival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop 档案行动主义:解密国家认可的历史和报告加拿大嘻哈档案行动主义:解密国家认可的历史和报告加拿大嘻哈
Journal of World Popular Music Pub Date : 2018-12-18 DOI: 10.1558/JWPM.37844
Mark V. Campbell, Maya Stitski
{"title":"Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip HoArchival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop","authors":"Mark V. Campbell, Maya Stitski","doi":"10.1558/JWPM.37844","DOIUrl":"https://doi.org/10.1558/JWPM.37844","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43687188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Inhale Determination, We Will Overcome: Eavesdrop, Mr Devious and Brasse vannie Kaap’s Representational PoliticInhale Determination, We Will Overcome: Eavesdrop, Mr Devious and Brasse vannie Kaap’s Representational Politics 吸气决心，我们将克服：Eavesdrop，Devious先生和Brasse vannie Kaap的代表性政治吸气决心，We Will Overcome：Eavesdrop，Devius先生和Brase vannie Kaap的代表政治
Journal of World Popular Music Pub Date : 2018-12-18 DOI: 10.1558/JWPM.37840
Adam Haupt
{"title":"Inhale Determination, We Will Overcome: Eavesdrop, Mr Devious and Brasse vannie Kaap’s Representational PoliticInhale Determination, We Will Overcome: Eavesdrop, Mr Devious and Brasse vannie Kaap’s Representational Politics","authors":"Adam Haupt","doi":"10.1558/JWPM.37840","DOIUrl":"https://doi.org/10.1558/JWPM.37840","url":null,"abstract":"This article contends that the work of South African (Cape Flats) MC Eavesdrop, the late Mr Devious, Brasse vannie Kaap and Prophets of da City provide important insights into the extent to which South African hip hop activists challenge hegemonic representations of working-class black subjects over two decades after the fall of legislated apartheid. In a context that is influenced by racialized class inequalities, which are produced by neoliberal macroeconomic policies, the terms upon which race is represented are highly contested. Thanks to apartheid spatial planning and the internalization of racism, tensions between subjects classified as black, coloured and African immigrants/foreigners run high. Eavesdrop presents the Black Consciousnessinspired concept of knowledge of self, meditation and introspection as a means of engaging these tensions, thereby producing counter-hegemonic narratives about the forces that shape spaces that continue to be shaped by the violent legacy of apartheid.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45906709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Hip Hop, En-voicing and Agency 简介：嘻哈、配音和经纪
Journal of World Popular Music Pub Date : 2018-12-18 DOI: 10.1558/JWPM.37839
Adam Haupt, Q. Williams, H. Alim
{"title":"Introduction: Hip Hop, En-voicing and Agency","authors":"Adam Haupt, Q. Williams, H. Alim","doi":"10.1558/JWPM.37839","DOIUrl":"https://doi.org/10.1558/JWPM.37839","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42214946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Solution or a “Fake Sense of Integration”?: Contradictions of Rap as a Resource within the Danish Welfare State’s Integration Project 解决方案还是“虚假的整合感”?说唱作为丹麦福利国家一体化项目资源的矛盾
Journal of World Popular Music Pub Date : 2018-12-18 DOI: 10.1558/JWPM.37845
Kristine Ringsager
{"title":"Solution or a “Fake Sense of Integration”?: Contradictions of Rap as a Resource within the Danish Welfare State’s Integration Project","authors":"Kristine Ringsager","doi":"10.1558/JWPM.37845","DOIUrl":"https://doi.org/10.1558/JWPM.37845","url":null,"abstract":"During the past decades, rap music and hip hop culture have increasingly been utilized within the context of the Danish welfare state's integration project as a solution to societal problems with youths, who experience being marginalized and \"Othered\" within Danish society. This article addresses some of the contradictions that are related to this. By approaching the blend of hip hop pedagogy and policies against radicalization and criminalization of these youths through the theoretical lens of social technologies, it can be illustrated how mechanisms of power are conducted within social rap-based programmes. While such programmes are often considered as great successes by funding bodies and users alike, the article critically discusses how the use of rap as a resource for citizenship-building and inclusion of the target group in a broader societal context might entail the risk of actually excluding them.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":"5 1","pages":"250-268"},"PeriodicalIF":0.0,"publicationDate":"2018-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67599475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
MC Solaar and the Influence of Globalization on Local Hip-Hop Aesthetics MC Solaar与全球化对本土嘻哈美学的影响
Journal of World Popular Music Pub Date : 2018-12-18 DOI: 10.1558/JWPM.37843
Saesha Senger
{"title":"MC Solaar and the Influence of Globalization on Local Hip-Hop Aesthetics","authors":"Saesha Senger","doi":"10.1558/JWPM.37843","DOIUrl":"https://doi.org/10.1558/JWPM.37843","url":null,"abstract":"As a transnational phenomenon, rap music has inspired both critiques of globalization and celebrations of locality within the Global Hip Hop Nation. This article contributes to this discussion by incorporating the work of Murray Forman and Doreen Massey on space, place and time as it relates to French rap in general and the work of French rapper MC Solaar in particular. The writing of Andre J. M. Prevos, Tricia Rose, and others, and analyses of MC Solaar's songs 'Leve-toi et rap' and 'Nouveau Western' illustrate how linguistic and musical vocabularies depict personal, cultural and economic issues within the confines of late capitalism.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44713700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
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