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Journal of World Popular Music最新文献

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Lauren Shaw, ed. 2013. Song and Social Change in Latin America 劳伦·肖，2013年编。拉丁美洲的歌曲与社会变迁
Journal of World Popular Music Pub Date : 2019-11-07 DOI: 10.1558/jwpm.29822
Styliani Fotopoulou
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引用次数: 0
Lyrical Referencing in Australian Hip Hop 澳大利亚嘻哈音乐中的抒情参考
Journal of World Popular Music Pub Date : 2019-11-07 DOI: 10.1558/jwpm.26641
James Lewandowski-Cox
{"title":"Lyrical Referencing in Australian Hip Hop","authors":"James Lewandowski-Cox","doi":"10.1558/jwpm.26641","DOIUrl":"https://doi.org/10.1558/jwpm.26641","url":null,"abstract":"Australian MCs, like other hip hop artists around the world, often quote lyrics from others in their own works. Australian MCs quote from a wide range of texts to help situate their music as being distinctly hip hop. The positioning of these quotes allows MCs to place themselves into a lineage of hip hop music, and this lineage identifies their influences. By quoting from previous works, Australian hip hop artists are constructing a hip hop identity that is constructed through an interaction with other works. Drawing on ethnographic research with hip hop practitioners in Australia, I will argue that lyrical borrowing and quotation is an essential aspect of hip hop culture. This interaction with other, global, hip hop texts not only forms a crucial structure to the genre, but has also drawn many of the artists into the genre. The intertextual nature of the genre is something that the MCs seek to explore, with many wishing to insert themselves into the narrative of the genre.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43473149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea 从家庭工作室到移动电话:巴布亚新几内亚流行音乐录制和分享的最新趋势
Journal of World Popular Music Pub Date : 2019-11-07 DOI: 10.1558/jwpm.36114
Oli Wilson
{"title":"From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea","authors":"Oli Wilson","doi":"10.1558/jwpm.36114","DOIUrl":"https://doi.org/10.1558/jwpm.36114","url":null,"abstract":"This article explores changes in home-based recording contexts in Papua New Guinea to highlight the ways that digital recording and communication technologies become embedded in localized social practices. It seeks to contribute to the emerging discourse in ethnomusicology about new technologies, local agency and cultural diversity. The research is informed by ethnography undertaken with urban music producers, and explores the impact of mobile phonebased music sharing, as well as the dissemination of music through social media. The article problematizes notions of homogenization in the context of indigenous music recording practices, and contributes to an emerging discourse on musical cultures in the Pacific that positions local popular music as a constituent part of local social relations. I conclude by considering how technological disruptions represent new possibilities for understanding the ways that cultures embed technologies in the context of music recording and production.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43945408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Review of "Made in Spain" “西班牙制造”回顾
Journal of World Popular Music Pub Date : 2019-11-07 DOI: 10.1558/jwpm.26786
D. Wheeler
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引用次数: 0
Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music 瑞安·托马斯·斯金纳，2015。巴马科之声:马里音乐的非裔伦理
Journal of World Popular Music Pub Date : 2019-11-07 DOI: 10.1558/jwpm.30489
Yair Hashachar
{"title":"Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music","authors":"Yair Hashachar","doi":"10.1558/jwpm.30489","DOIUrl":"https://doi.org/10.1558/jwpm.30489","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45731044","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity Simone krger Bridge, 2018。世界流行音乐的轨迹和主题:全球化，资本主义，身份
Journal of World Popular Music Pub Date : 2019-11-07 DOI: 10.1558/jwpm.38964
N. Deane, Elke Schuch
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引用次数: 0
Editors’ Introduction 编辑的介绍
Journal of World Popular Music Pub Date : 2019-06-13 DOI: 10.1558/jwpm.39104
Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett
{"title":"Editors’ Introduction","authors":"Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett","doi":"10.1558/jwpm.39104","DOIUrl":"https://doi.org/10.1558/jwpm.39104","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42082107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music Martha tupinamb<e:1> de Ulhôa, Cláudia Azevedo和Felipe Trotta编。巴西制造:流行音乐研究
Journal of World Popular Music Pub Date : 2019-05-01 DOI: 10.1558/JWPM.28450
Vincenzo A. Perna
{"title":"Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music","authors":"Vincenzo A. Perna","doi":"10.1558/JWPM.28450","DOIUrl":"https://doi.org/10.1558/JWPM.28450","url":null,"abstract":"Martha Tupinamba de Ulhoa, Claudia Azevedo and Felipe Trotta, eds. 2015. Made in Brazil: Studies in Popular Music. New York and London: Routledge. 249pp. ISBN 978-0-41562-560-9 (hbk).","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48358786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Barbara Browning. A Foreign Sound 芭芭拉·布朗宁。外来的声音
Journal of World Popular Music Pub Date : 2019-05-01 DOI: 10.1558/JWPM.37596
Andrew Snyder
{"title":"Barbara Browning. A Foreign Sound","authors":"Andrew Snyder","doi":"10.1558/JWPM.37596","DOIUrl":"https://doi.org/10.1558/JWPM.37596","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41399170","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk 克里斯托弗·帕特里奇。巴比伦的杜布：从塔比国王到后朋克，解读牙买加和英国杜布雷鬼音乐的演变及其意义
Journal of World Popular Music Pub Date : 2019-05-01 DOI: 10.1558/JWPM.32925
Lewis Tennant
{"title":"Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk","authors":"Lewis Tennant","doi":"10.1558/JWPM.32925","DOIUrl":"https://doi.org/10.1558/JWPM.32925","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45074337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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