{"title":"澳大利亚嘻哈音乐中的抒情参考","authors":"James Lewandowski-Cox","doi":"10.1558/jwpm.26641","DOIUrl":null,"url":null,"abstract":"Australian MCs, like other hip hop artists around the world, often quote lyrics from others in their own works. Australian MCs quote from a wide range of texts to help situate their music as being distinctly hip hop. The positioning of these quotes allows MCs to place themselves into a lineage of hip hop music, and this lineage identifies their influences. By quoting from previous works, Australian hip hop artists are constructing a hip hop identity that is constructed through an interaction with other works. Drawing on ethnographic research with hip hop practitioners in Australia, I will argue that lyrical borrowing and quotation is an essential aspect of hip hop culture. This interaction with other, global, hip hop texts not only forms a crucial structure to the genre, but has also drawn many of the artists into the genre. The intertextual nature of the genre is something that the MCs seek to explore, with many wishing to insert themselves into the narrative of the genre.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2019-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Lyrical Referencing in Australian Hip Hop\",\"authors\":\"James Lewandowski-Cox\",\"doi\":\"10.1558/jwpm.26641\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Australian MCs, like other hip hop artists around the world, often quote lyrics from others in their own works. Australian MCs quote from a wide range of texts to help situate their music as being distinctly hip hop. The positioning of these quotes allows MCs to place themselves into a lineage of hip hop music, and this lineage identifies their influences. By quoting from previous works, Australian hip hop artists are constructing a hip hop identity that is constructed through an interaction with other works. Drawing on ethnographic research with hip hop practitioners in Australia, I will argue that lyrical borrowing and quotation is an essential aspect of hip hop culture. This interaction with other, global, hip hop texts not only forms a crucial structure to the genre, but has also drawn many of the artists into the genre. The intertextual nature of the genre is something that the MCs seek to explore, with many wishing to insert themselves into the narrative of the genre.\",\"PeriodicalId\":40750,\"journal\":{\"name\":\"Journal of World Popular Music\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-11-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of World Popular Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/jwpm.26641\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of World Popular Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jwpm.26641","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Australian MCs, like other hip hop artists around the world, often quote lyrics from others in their own works. Australian MCs quote from a wide range of texts to help situate their music as being distinctly hip hop. The positioning of these quotes allows MCs to place themselves into a lineage of hip hop music, and this lineage identifies their influences. By quoting from previous works, Australian hip hop artists are constructing a hip hop identity that is constructed through an interaction with other works. Drawing on ethnographic research with hip hop practitioners in Australia, I will argue that lyrical borrowing and quotation is an essential aspect of hip hop culture. This interaction with other, global, hip hop texts not only forms a crucial structure to the genre, but has also drawn many of the artists into the genre. The intertextual nature of the genre is something that the MCs seek to explore, with many wishing to insert themselves into the narrative of the genre.
期刊介绍:
Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.