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Journal of World Popular Music最新文献

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Sounds in the City: Street Technology and Public Space - An Introduction 城市中的声音:街道技术与公共空间导论
Journal of World Popular Music Pub Date : 2021-06-23 DOI: 10.1558/jwpm.43083
Brian D’Aquino, Oana Pârvan
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引用次数: 0
Dub Essay #1 - Tikur Sound System Dub散文#1-Tikur音响系统
Journal of World Popular Music Pub Date : 2021-06-23 DOI: 10.1558/jwpm.43088
Tikur Sound System
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引用次数: 0
Editors’ Introduction 编辑的介绍
Journal of World Popular Music Pub Date : 2020-09-22 DOI: 10.1558/jwpm.42342
Simone Krüger Bridge, J. Stock
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引用次数: 1
Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. 《台湾制造:流行音乐研究》蔡爱娃、何东鸿、简妙菊编。2020.
Journal of World Popular Music Pub Date : 2020-06-18 DOI: 10.1558/jwpm.40990
H. Shin
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引用次数: 0
Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues by Vic Hobson. 2014. 《创造爵士对位:新奥尔良、理发店和谐与蓝调》，维克·霍布森著，2014。
Journal of World Popular Music Pub Date : 2020-06-18 DOI: 10.1558/jwpm.40968
Mathilde Zagala
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引用次数: 0
The Borders of Subculture: Resistance and the Mainstream by Alexander Dhoest, Steve Maillet, Barbara Segaert and Jacques Haers, eds. 2015. Alexander Dhoest、Steve Maillet、Barbara Segaert和Jacques Haers主编的《亚文化的边界：抵抗与主流》，2015年。
Journal of World Popular Music Pub Date : 2020-06-18 DOI: 10.1558/jwpm.33346
Héctor Fouce
{"title":"The Borders of Subculture: Resistance and the Mainstream by Alexander Dhoest, Steve Maillet, Barbara Segaert and Jacques Haers, eds. 2015.","authors":"Héctor Fouce","doi":"10.1558/jwpm.33346","DOIUrl":"https://doi.org/10.1558/jwpm.33346","url":null,"abstract":"Alexander Dhoest, Steve Maillet, Barbara Segaert and Jacques Haers, eds. \u00002015. The Borders of Subculture: Resistance and the Mainstream. New York: Routledge. 218pp. ISBN 978-1-138-85354-6 (hbk)","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45503313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Italian Birds of Passage: The Diaspora of Neapolitan Musicians in New York by Simona Frasca. 2014. 《意大利的候鸟：纽约那不勒斯音乐家的散居》，西蒙娜·弗雷斯卡著。2014
Journal of World Popular Music Pub Date : 2020-06-18 DOI: 10.1558/jwpm.40709
A. Moran
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引用次数: 0
“The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality “世界的工具”：数字音乐制作、民主与环保
Journal of World Popular Music Pub Date : 2020-06-17 DOI: 10.1558/jwpm.37489
Brent Keogh, Ivan V Collinson
{"title":"“The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality","authors":"Brent Keogh, Ivan V Collinson","doi":"10.1558/jwpm.37489","DOIUrl":"https://doi.org/10.1558/jwpm.37489","url":null,"abstract":"The “Pro Tooling” of the world and the democratization of recording technologies, made possible by the affordances of the internet and technological innovation, have been praised for the ways in which prohibitively expensive production tools have been made available to anyone with an internet connection and a laptop. The echoes of a utopian, perhaps even Marxian, tune can be heard in the positivist accounts of the affordances of such technologies: finally, the means of production have been made available to the masses. And not only the means of production, but also dissemination: one can use a “free” digital audio workstation (DAW), download a multitude of “free” plug-ins emulating expensive analogue and digital gear of the past, and upload their song to SoundCloud or a number of different streaming services for consumption by anyone around the globe with an internet connection. However, the overly positivist accounts of the democratization of recording technologies often obscures the anxieties concerning the material conditions and environmentality of these newer technological forms. The digital realm is often (mistakenly) set against the material, a realm of infinite creative and even political possibilities. However, the digital realm is thoroughly material, and inherently dependent on material resources. The explosion in music production made possible through the development of digital technologies disseminated as affordable commodities, has also produced deplorable social and environmental conditions that significantly undermine any utopian narrative. This article thus critically examines the environmentality of contemporary music production technologies and argues for the vital relevance of an ecomusicological approach to all stages of the production process.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46507175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) 教室里的桑巴舞和合唱团:colegio Pedro II (sao cristovao)的文化
Journal of World Popular Music Pub Date : 2020-03-04 DOI: 10.1558/jwpm.35250
Colin Harte
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引用次数: 0
Editors’ Introduction 编辑的介绍
Journal of World Popular Music Pub Date : 2019-11-26 DOI: 10.1558/jwpm.40171
S. Bridge, J. Stock, Abi Dunnett
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引用次数: 0
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