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Journal of World Popular Music最新文献

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DVD review: Udi Aloni. 2016. Junction 48 DVD评论:Udi Aloni, 2016。结48
Journal of World Popular Music Pub Date : 2018-10-24 DOI: 10.1558/JWPM.37289
D. A. McDonald
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引用次数: 0
J. Griffith Rollefson. 2017. Flip the Script: European Hip Hop and the Politics of Postcoloniality J. Griffith Rollefson, 2017。《反转剧本:欧洲嘻哈与后殖民政治》
Journal of World Popular Music Pub Date : 2018-10-24 DOI: 10.1558/JWPM.36681
K. Hammou
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引用次数: 1
Christina Sunardi. Stunning Males and Powerful Females: Gender and Tradition in East Javanese Dance 克里斯蒂娜Sunardi。惊艳的男性和强大的女性:东爪哇舞蹈中的性别和传统
Journal of World Popular Music Pub Date : 2018-10-24 DOI: 10.1558/jwpm.33213
D. Harwood
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引用次数: 0
Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change Milosz Miszczynski和Adriana Helbig主编。2017. 嘻哈在欧洲的边缘:音乐，代理和社会变革
Journal of World Popular Music Pub Date : 2018-10-24 DOI: 10.1558/JWPM.37471
Dave Wilson
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引用次数: 0
Website review: Nomadic Wax. http://nomadicwax.com 网站评论:游牧蜡。http://nomadicwax.com
Journal of World Popular Music Pub Date : 2018-10-24 DOI: 10.1558/jwpm.36180
Francisco D. Lara
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引用次数: 0
Peter Gough. Sounds of the New Deal: The Federal Music Project in the West 彼得·高夫。新政之声:西部的联邦音乐计划
Journal of World Popular Music Pub Date : 2018-10-24 DOI: 10.1558/JWPM.33173
D. Margolies
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引用次数: 0
South African Dialogue 南非对话
Journal of World Popular Music Pub Date : 2018-06-05 DOI: 10.1558/JWPM.36671
Warrick Moses
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引用次数: 1
Hip Hop Activism: Dynamic Tension between the Global and Local in Mozambique 嘻哈激进主义：全球与莫桑比克本土之间的动态张力
Journal of World Popular Music Pub Date : 2018-06-05 DOI: 10.1558/JWPM.36673
M. Guissemo
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引用次数: 2
The “Schizophrenic Nation”: Ethics of Critique in Morocco’s Post-Arab Spring Popular Music “精神分裂的民族”:摩洛哥后阿拉伯之春流行音乐的批判伦理
Journal of World Popular Music Pub Date : 2018-06-05 DOI: 10.1558/JWPM.36675
K. Salois
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引用次数: 3
Multilingual Activism in South African Hip Hop 南非嘻哈的多语言行动主义
Journal of World Popular Music Pub Date : 2018-06-05 DOI: 10.1558/JWPM.36672
Q. Williams
{"title":"Multilingual Activism in South African Hip Hop","authors":"Q. Williams","doi":"10.1558/JWPM.36672","DOIUrl":"https://doi.org/10.1558/JWPM.36672","url":null,"abstract":"It is difficult to point exactly to the day multilingual activism emerged in South African hip hop culture, though we can arguably state such activism emerged out of a confluence of historical events that involved the oppression of black and coloured people by an aggressively oppressive apartheid regime. This article discusses the tactics and strategies of multilingual activism undertaken by pioneering hip hop groups Prophets of da City at the inception of hip hop in South Africa. It considers the historical transition from apartheid South Africa to the new South Africa and how new and emerging forms of multilingual activism such as the AfriKaaps movement are contributing to redefining what we mean by multilingualism. The article also links these forms of multilingual activism to an alternative politics of multilingual voice being promoted in the public space of the country.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44841719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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