南非嘻哈的多语言行动主义

IF 0.3 0 MUSIC
Q. Williams
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引用次数: 2

摘要

很难准确指出南非嘻哈文化中出现多语言行动主义的具体时间,尽管我们可以说,这种行动主义是在一系列历史事件的融合中出现的,这些事件涉及到一个激进的压迫性种族隔离政权对黑人和有色人种的压迫。本文讨论了南非嘻哈刚兴起时,先锋嘻哈团体“da City先知”所采取的多语言行动的策略。它考虑了从种族隔离的南非到新南非的历史转变,以及新出现的多语言行动主义形式,如非洲语运动,如何有助于重新定义我们对多语言的定义。这篇文章也将这些多语言行动主义的形式,与该国公共空间中提倡的多语言声音的另类政治联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Multilingual Activism in South African Hip Hop
It is difficult to point exactly to the day multilingual activism emerged in South African hip hop culture, though we can arguably state such activism emerged out of a confluence of historical events that involved the oppression of black and coloured people by an aggressively oppressive apartheid regime. This article discusses the tactics and strategies of multilingual activism undertaken by pioneering hip hop groups Prophets of da City at the inception of hip hop in South Africa. It considers the historical transition from apartheid South Africa to the new South Africa and how new and emerging forms of multilingual activism such as the AfriKaaps movement are contributing to redefining what we mean by multilingualism. The article also links these forms of multilingual activism to an alternative politics of multilingual voice being promoted in the public space of the country.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
12
期刊介绍: Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.
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