解决方案还是“虚假的整合感”?说唱作为丹麦福利国家一体化项目资源的矛盾

IF 0.2 0 MUSIC
Kristine Ringsager
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引用次数: 3

摘要

在过去的几十年里,说唱音乐和嘻哈文化越来越多地在丹麦福利国家的融合项目的背景下被利用,作为解决青年社会问题的办法,他们在丹麦社会中被边缘化和“他者”。本文解决了与此相关的一些矛盾。通过社会技术的理论视角,将嘻哈教学法与反对这些年轻人激进化和犯罪化的政策结合起来,可以说明权力机制是如何在基于社会说唱的计划中进行的。虽然这些项目通常被资助机构和用户认为是巨大的成功,但本文批判性地讨论了如何将说唱作为一种资源来建立公民身份,并在更广泛的社会背景下包容目标群体,这可能会带来实际上将他们排除在外的风险。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Solution or a “Fake Sense of Integration”?: Contradictions of Rap as a Resource within the Danish Welfare State’s Integration Project
During the past decades, rap music and hip hop culture have increasingly been utilized within the context of the Danish welfare state's integration project as a solution to societal problems with youths, who experience being marginalized and "Othered" within Danish society. This article addresses some of the contradictions that are related to this. By approaching the blend of hip hop pedagogy and policies against radicalization and criminalization of these youths through the theoretical lens of social technologies, it can be illustrated how mechanisms of power are conducted within social rap-based programmes. While such programmes are often considered as great successes by funding bodies and users alike, the article critically discusses how the use of rap as a resource for citizenship-building and inclusion of the target group in a broader societal context might entail the risk of actually excluding them.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
12
期刊介绍: Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.
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