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Journal of the Music and Entertainment Industry Educators Association最新文献

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Should We Hire the Pianist or the Attorney? A Study of the Educational Profiles of Music Industry Faculty 我们应该雇佣钢琴师还是律师?音乐产业学院教育概况研究
Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/21.5
Dain Estes
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引用次数: 0
Curriculum Reform—A Perspective 课程改革透视
Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/5.9
A. Beeching
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引用次数: 0
Marc Weingarten. Station to Station: The History of Rock 'n' Roll on Television 温嘉顿马克。站到站:电视上摇滚乐的历史
Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/4.9
P.C. Vasconcellos
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引用次数: 1
Record Labels, Artists, and Finance: A Contribution to the Economic Analysis of Costs and the Equity of Recoupment Practices in the Music Industry 唱片公司、艺术家和金融:对音乐行业成本和公平补偿实践的经济分析的贡献
Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/5.1
Peter Alhadeff, Barry Sosnick
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引用次数: 1
The Opinions of Music Management Graduates on Music Management Curriculum 音乐管理专业毕业生对音乐管理课程的看法
Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/4.3
Stephen Marcone
{"title":"The Opinions of Music Management Graduates on Music Management Curriculum","authors":"Stephen Marcone","doi":"10.25101/4.3","DOIUrl":"https://doi.org/10.25101/4.3","url":null,"abstract":"This paper has two purposes. One is to replicate, for comparison with The William Paterson University of New Jersey, a study completed by Claudia McCain at Western Illinois University. Dr. McCain presented her study at the 2001 MEIEA (Music and Entertainment Industry Educators Association) conference. The study was later published in the 2002 MEIEA Journal . The curricula are very similar at these two universities, and since both institutions are not the flagship campuses of their respective states, the student bodies are also similar. The second purpose is to present the results of a survey administered to music management graduates. These graduates were asked to rate the importance of typical course offerings in a music management/business curriculum and to state their opinions as to which courses should be required in preparing students for careers in the music industry. Courses evaluated (according to the work completed in 1999-2000 by Dr. McCain) are typically found in a music business program housed in a music department with a goal of preparing students for careers in the business side of the music industry. [Editor’s note: a complete copy of the survey may be found on pages 54-57.]","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133221731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Linking Creative Practice with Audio Production Education in the Music Industry Classroom 音乐产业课堂创意实践与音频制作教育的衔接
Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/21.2
Doug Bielmeier
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引用次数: 1
Artists and Their Managers Take Control: The Evolving Role of the Artist in Today’s Music Industry 艺术家和他们的经纪人控制:艺术家在当今音乐行业的演变角色
Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/5.6
A. Lawrence
{"title":"Artists and Their Managers Take Control: The Evolving Role of the Artist in Today’s Music Industry","authors":"A. Lawrence","doi":"10.25101/5.6","DOIUrl":"https://doi.org/10.25101/5.6","url":null,"abstract":"","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124350223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
America’s First Unprofessional Songwriter: Stephen Foster and the Ritual Economy of Copyright in Early American Popular Music 美国第一个不专业的词曲作者:斯蒂芬·福斯特与早期美国流行音乐版权的仪式经济
Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/19.2
J. Guthrie
{"title":"America’s First Unprofessional Songwriter: Stephen Foster and the Ritual Economy of Copyright in Early American Popular Music","authors":"J. Guthrie","doi":"10.25101/19.2","DOIUrl":"https://doi.org/10.25101/19.2","url":null,"abstract":"This article explores Stephen Foster’s understanding and use of copyright. It examines what his copyright strategy can reveal about his professionalism as a songwriter and about his worldview as an important influencer of early American popular culture. It adapts the anthropological theory of ritual economy to theorize how Foster’s economic decision making, as revealed in copyright and related business records, can offer material evidence of his worldview. Foster’s failure to secure copyrights for his early work, to establish himself as the author of his most popular songs to the music buying public, and to capitalize upon favorable songwriting contracts are considered. These sources may also illuminate how the precedent Foster set has shaped the discourse on professionalism in American popular music.","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"236 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122709853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Lee Parsons. Playlisting. The Billion Dollar Business: A Complete Guide to Getting Your Music Playlisted on Spotify, Apple Music and More 李帕森斯。播放的。十亿美元的生意:让你的音乐在Spotify, Apple Music等上播放的完整指南
Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/19.11
Storm Gloor
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引用次数: 0
Bobby Borg and Michael Eames. Introduction to Music Publishing for Musicians 鲍比·博格和迈克尔·埃姆斯。音乐家音乐出版导论
Journal of the Music and Entertainment Industry Educators Association Pub Date : 1900-01-01 DOI: 10.25101/22.11
D. Hodges
{"title":"Bobby Borg and Michael Eames. Introduction to Music Publishing for Musicians","authors":"D. Hodges","doi":"10.25101/22.11","DOIUrl":"https://doi.org/10.25101/22.11","url":null,"abstract":"","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121150080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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