{"title":"Community-Based Education and Training: Creating Pathways into the Music Industry for Youth","authors":"Peter Chellew, T. Papadopoulos","doi":"10.25101/4.1","DOIUrl":"https://doi.org/10.25101/4.1","url":null,"abstract":"This paper focuses on the industry mentoring program component and the collaboration between industry, academia, and the not-for-profit sector in delivering an innovative training program. The music industry mentoring program is a vital component of the FReeZACentral program and has potential to identify and develop the next generation of music industry professionals. In addition to nurturing new talent, the program provides the opportunity for a wide range of participating industry practitioners to identify young talent suitable for ongoing employment, delivering a vital outcome of the program: vocational pathways. Moreover, it is envisaged that numerous participants will gain the confidence and encouragement to pursue more formal educational in both the TAFE (Technical and Further Education) and Higher Education sectors. Indeed, over sixty per cent of mentoring program graduates have advised that they are subsequently employed in a music industry related business, or are pursuing further education in a music industry related course. As such, it is expected that the research presented herein will be of significant interest to both music industry educators and music industry professionals interested in the opportunities a program such as FReeZACentral may present to their organizations.","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121853396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mechanical Licensing Before and After the Music Modernization Act","authors":"Serona Elton","doi":"10.25101/19.1","DOIUrl":"https://doi.org/10.25101/19.1","url":null,"abstract":"","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"46 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116281686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Maria Eriksson, Rasmus Fleischer, Anna Johansson, Pelle Snickars, and Patrick Vonderau. Spotify Teardown: Inside the Black Box of Streaming Music","authors":"S. Renard","doi":"10.25101/19.12","DOIUrl":"https://doi.org/10.25101/19.12","url":null,"abstract":"","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"189 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122172508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ian S. Port. The Birth of Loud: Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry That Shaped Rock ’n’ Roll","authors":"M. Crawford","doi":"10.25101/19.8","DOIUrl":"https://doi.org/10.25101/19.8","url":null,"abstract":"","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"186 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116392039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Life Goes On: How BTS has Turned Virtual Live Concerts During the COVID-19 Pandemic into Showbiz Dynamite","authors":"Yongjin Hwang, Armen Shaomian","doi":"10.25101/22.3","DOIUrl":"https://doi.org/10.25101/22.3","url":null,"abstract":"The COVID-19 pandemic brought the live concert industry to a near halt and led many performing artists to rethink the way they connect with their audiences. One effort to continue performing despite pandemic-related restrictions was to shift live performances to virtual streaming and bring the live concert experience directly to fans living rooms. However, little is known about the determinants of virtual live concert (VLC) satisfaction. This study aims to identify which factors constitute audience satisfaction with VLCs and to examine the importance of each element. A total of 533 participants who attended BTSs Map of the Soul ON:E concert in 2020 were recruited to investigate their VLC satisfaction. The results of confirmatory factor analysis show that three dimensions-artist, audio quality, and virtual stage appearance-constructed the concept of VLC satisfaction. Analysis of covariance (ANCOVA) also revealed that video device type and previous live concert experiences were significant factors for VLC satisfaction, but not audio device type. In addition, celebrity identity and celebrity attitude were significantly and positively related to audiences satisfaction with VLC. The outcome of this study demonstrates the opportunities of VLC as an alternative and expanded media channel of audience engagement.","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126347145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jeff Brabec and Todd Brabec. Music, Money, and Success: The Insider’s Guide to Making Money in the Music Business. 8th ed.","authors":"Serona Elton","doi":"10.25101/11.13","DOIUrl":"https://doi.org/10.25101/11.13","url":null,"abstract":"","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134275103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exploring Political Communication Through Strategic Artist-Candidate Relationships: The Case of a Southern Political-Celebrity Nexus in the 1976 Presidential Election","authors":"L. Roessner, Lindsey M. Bier","doi":"10.25101/22.4","DOIUrl":"https://doi.org/10.25101/22.4","url":null,"abstract":"","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114121891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Are Music Recording Contracts Equitable? An Economic Analysis of the Practice of Recoupment","authors":"Theodoros Papadopoulos","doi":"10.25101/4.5","DOIUrl":"https://doi.org/10.25101/4.5","url":null,"abstract":"This paper investigates the economic principles that underpin the contractual and financial relationship established in a recording contract, and in particular, the risk and return that each party to the investment is exposed. This analysis provides a pictorial view of sales volumes at which a record company achieves breakeven point and artists become recouped. This exploration of the underlying economic relationships facilitates a more informed assessment of the equity of the practice of recoupment. A range of recoupment structures are investigated and income shares are compared beyond the breakeven and recoupment sales volumes for the record company and artist respectively. A consequential benefit is the insight provided into the cost structure and pricing strategies of record companies.","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126149744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mark Moorman, Producer and Director. Tom Dowd & The Language of Music","authors":"Keith Hatschek","doi":"10.25101/5.10","DOIUrl":"https://doi.org/10.25101/5.10","url":null,"abstract":"","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"129 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122447824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Andrew Mall. God Rock, Inc.: The Business of Niche Music","authors":"J. Guthrie","doi":"10.25101/22.9","DOIUrl":"https://doi.org/10.25101/22.9","url":null,"abstract":"","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126433105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}