{"title":"The Commercial Music Industry in Atlanta and the State of Georgia: An Economic Impact Study","authors":"Kelly Edmiston, M. Thomas","doi":"10.25101/4.4","DOIUrl":"https://doi.org/10.25101/4.4","url":null,"abstract":"","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127342771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kamal Moo. The Straightforward Guide to the Music Biz: An Entertainment Lawyer Breaks Down the Industry","authors":"Serona Elton","doi":"10.25101/21.9","DOIUrl":"https://doi.org/10.25101/21.9","url":null,"abstract":"","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114962432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jacob Slichter. So You Wanna Be a Rock & Roll Star: How I Machine-Gunned a Roomful of Record Executives and Other True Tales from a Drummer’s Life","authors":"D. Weissman","doi":"10.25101/5.13","DOIUrl":"https://doi.org/10.25101/5.13","url":null,"abstract":"","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125610445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How Marketing Professionals Use and Staff Social Media in Entertainment and Event Venues","authors":"Philip C. Rothschild","doi":"10.25101/19.4","DOIUrl":"https://doi.org/10.25101/19.4","url":null,"abstract":"This paper reviews the results of a recent survey of entertainment and event venue marketing professionals. The survey was emailed to 890 venue professionals. There were 74 unique venue marketing professionals who responded (8.3% response rate) and answered most of the 55 questions covering various topics about the use, staffing, and perceptions of social media. The insights from this paper should assist entertainment and event venue professionals in comparing their priorities when it comes to social media use. The findings will also be helpful to anyone who might be responsible for the marketing of an artist or concert by shedding light on the benefit of integrating social media efforts with the venue or promoter. In addition, educators in the music and entertainment industry should benefit from an increased awareness of the strategic use of social media and shed light on the opportunities to prepare students for jobs in this area.","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124131555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Peter Tschmuck. The Economics of Music","authors":"Ying Zhen","doi":"10.25101/21.7","DOIUrl":"https://doi.org/10.25101/21.7","url":null,"abstract":"Compared to its first edition, published in 2017, the second edition further examines the effects of digitalization on the music industry since then, including developments such as streaming platforms and download services. Besides examining the detailed structures of the core sectors of the music industry-music publishing, sound recording, and the live music market, along with their interdependent relationships, it further analyzes the impact of the COVID-19 pandemic on them, as well as its shock to the secondary markets and music labor markets. Specifically, chapter 2 starts by introducing the fundamentals of economics such as demand and supply, market mechanism, and price elasticities, and then uses examples from the music industry such as a concert of a famous band and hard core fans of the band to illustrate the theories. Digitalization hit the recording industry much more severely than it impacted music publishing. Besides discussing their respective market and industry structures throughout the three chapters, examples are provided from the most popular music companies and extensive empirical data are presented to inform readers.","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129696147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Music Industry Mentoring: An Evaluation of the FReeZACentral Program","authors":"T. Papadopoulos, Rachel Crossthwaite","doi":"10.25101/5.5","DOIUrl":"https://doi.org/10.25101/5.5","url":null,"abstract":"","PeriodicalId":405866,"journal":{"name":"Journal of the Music and Entertainment Industry Educators Association","volume":"04 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127186358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}